The New Yorker: Fiction

Karen Russell reads Carson McCullers's "The Jockey."

Junot Diaz reads Edwidge Danticat's "Water Child."

Yiyun Li reads John McGahern's "The Wine Breath."

Orhan Pamuk reads Vladimir Nabokov's "My Russian Education" and discusses it with The New Yorker's fiction editor, Deborah Treisman.

Marisa Silver reads Peter Taylor's "Porte-Cochere" and discusses it with The New Yorker's fiction editor, Deborah Treisman.

Joshua Ferris reads George Saunders's "Adams" and discusses it with The New Yorker's fiction editor, Deborah Treisman.

David Bezmozgis reads Sergei Dovlatov's "The Colonel Says I Love You" and discusses it with The New Yorker's fiction editor, Deborah Treisman.

Jonathan Franzen reads Veronica Geng's "Love Trouble Is My Business" and Ian Frazier's "Coyote v. Acme" and discusses them with The New Yorker's fiction editor, Deborah Treisman.

Tobias Wolff reads Denis Johnson's "Emergency" and discusses it with The New Yorker's fiction editor, Deborah Treisman.

Nathan Englander reads Isaac Bashevis Singer's short story "Disguised" and discusses it with The New Yorker's fiction editor, Deborah Treisman.

Joyce Carol Oates reads Eudora Welty's short story "Where Is the Voice Coming From?" and discusses it with The New Yorker's fiction editor, Deborah Treisman.

Roger Angell reads John Updike's short story "Playing with Dynamite," and talks with The New Yorker's fiction editor, Deborah Treisman, about editing Updike.

Thomas McGuane reads James Salter's "Last Night," and discusses it with The New Yorker's fiction editor, Deborah Treisman.

Roddy Doyle reads Maeve Brennan's short story "Christmas Eve," and discusses Brennan's relationship with Ireland and Doyle's own family, with The New Yorker's fiction editor, Deborah Treisman.

A. M. Homes reads Shirley Jackson's short story "The Lottery," and discusses it with The New Yorker's fiction editor, Deborah Treisman.

Gary Shteyngart reads Andrea Lee's short story "Brothers and Sisters Around the World," and discusses it with The New Yorker's fiction editor, Deborah Treisman.

Tobias Wolff reads Stephanie Vaughn's short story "Dog Heaven," and discusses it with The New Yorker's fiction editor, Deborah Treisman.

Jeffrey Eugenides reads Harold Brodkey's short story "Spring Fugue," and discusses it with The New Yorker's fiction editor, Deborah Treisman.

Aleksandar Hemon discusses Bernard Malamud's short story "A Summer's Reading" with The New Yorker's fiction editor, Deborah Treisman.

Mary Gaitskill reads "Symbols and Signs," Vladimir Nabokov's first story published in The New Yorker, and discusses it with fiction editor Deborah Treisman.