#amwriting With Jess & Kj

Who wouldn’t want a step-by-step process for revision? In her book Intuitive Editing, this week’s guest, developmental editor Tiffany Yates Martin, lays out an approach that will help keep you organized, although sadly there is no magic wand involved. We talked to her about the big picture questions she asks before diving into someone else’s work:  Is the main story question clear? Do the characters drive the story? Do we/the characters end up somewhere different than where we began? Where does the momentum flag (because it will, somewhere) and why? Then we deep dive into questions of finding objectivity in your own work, micro-suspense, suspense vs. tension, writing manuals and—most important of all—how important it is to know that all first drafts are terrible and revision is part of the work.  A few links from the pod If You Want to Write by Brenda Ueland How to Grow a Novel by Sol Stein Stein on Writing by Sol Stein *FREE* Editorial Summit - December 6th #AmReading

It’s the gifts episode! Here are the links you’re looking for:  KJ: Redbubble ❄️ Stamp blocks ❄️ Stamp blanks and stencils ❄️ Frixion Pens ❄️ Leuchterm planner Jess: Planner cover ❄️ Jess’s favorite sticky tabs ❄️  Sarina: Hedgehog Pencil Holder ❄️ Post-its that fit over planner months ❄️ Corkicle (it doesn’t come with the sticker, sorry… but actually I (KJ) have extras and if you asked me I could probably mail you one if I don’t get too many asks! Just reply to this email and I will see it.) #AmReading Jess: Scarcity: The New Science of Having Less and How It Defines Our Lives by Sendhil Mullainathan and Eldar Shafir KJ: The Other Bennet Sister by Janice Hadlow Sarina: The Girl with Stars in Her Eyes by Xio Axelrod Zowie! Thanks for listening. If you want to check out our last gift episodes (and guides), click the years: 2019 2018 2017. If you’ve got other ideas we should know about, share them in the #AmWriting Facebook group. And if you’d like to s

Every writer craves that high concept idea that leads to the breakout book, or in this case breakout series. For Lyssa Kay Adams, it came from that joke women often make about wishing their male partners read romance—and a moment in 2016 when she “just wanted to live in a world full of men who get it.” She created The Bromance Book Club, about a group of men who read romance to understand their relationships and their partners. That became her first novel, quickly followed by Undercover Bromance and Crazy Stupid Bromance, and we three have read and loved them all. We talk indie v. trad, breaking out, building a series, writing diverse worlds and more. Links from the Pod Jason Rogers’ Men’s Health article Heated Rivalry by Rachel Reid Kobo Libra Overdrive #AmReading Lyssa: Just a Heartbeat Away by Cara Bastone Snapped by Alexa Martin Sarina: Again the Magic by Lisa Kleypas Jess: The Bridge of San Luis Rey by Thornton Wilder Crazy Stupid Bromance KJ: Ties That Tet

It’s a new #AmWriting episode! There’s a style of creative nonfiction in which a gifted writer tells someone else’s story. The story of a house being built, or a life in the wilderness—or, in the case of Lauren Sandler, the story of a young single mother in search of housing during her first year of motherhood. Lauren’s subject—a smart, driven young woman caught up in the system because of her own history, and desperate for not just housing but an education, a career, and love and a life of her choosing—was unlikely to ever find a way to tell her own story without Lauren’s help.  “She chose me as much as I chose her,” says Lauren. We talk to Lauren about how that relationship was formed and how, although the act of observing something changes it, Lauren tried to let Camilla’s story unfold as though she weren’t there, even while her own daughter was demanding to know why they didn’t just let Camilla sleep on the couch. If you’re interested in long-form journalism, or just in the process of embedding your

We don’t have a lot of repeat guests, but Seth Godin can come on the podcast any time he wants. Seth is a fountain of wisdom about writing, pitching, selling, and building your audience, and his new book, The Practice: Shipping Creative Work, is a great addition to his (substantial) body of work.  Seth Godin is not only the master of the short pithy book of helpful advice, he’s the master of dishing out that advice straight from his brain to yours, as well. He does not have to stop and re-frame. He does not meander about his point. Not one bit. He’s a fountain of quick sentences that wallop you upside the head with their truth and clarity and demand to be written down. Here are just a few from this interview, which you won’t want to miss:  “Process saves us from the poverty of our intentions" “There is never enough reassurance from outsiders”  “Don’t let your audience expect another greatest hits album every time” “Be the boss of the process” “Creativity is an act of leadership” Jess, Sa

Campers, this week we’re talking about a topic near and dear to all our hearts, but most particularly Sarina, whose productivity levels are epic and who is always looking for something that will help her ramp up. We talk hardware and software that makes the writing process easier, or at least more varied; handwriting-to-text, voice-to-text, AI, editing software, citation software and throw in a few other ideas for good measure. Links to everything we discuss are below. Post-It App: Capture Dragon Naturally Speaking Otter Rev.com Whitelines ProWritingAid Nebo BookEnds Dabble Scrivener #AmReading Jess: The Bad-Ass Librarians of Timbuktu and Their Race to Save the World's Most Precious Manuscripts by Joshua Hammer KJ: His Only Wife by Peace Adzo Medie Thanks to everyone who supports the podcast financially—we hope you’ve been loving recent treats like the Minisodes from Jess: What Really Sells Books and KJ: Why I Love Plotting Books (and which to grab) and the

Have you ever, while banging out a document of any kind in Word or Pages or whatever, thought to yourself “Dang, this would be so much easier if ______.” Every writer has been there, but only a few rare souls actually go on to “I am going to make something that does that, darn it.”  Jacob Wright is that rare soul. Once upon a time, while drafting his own experiments in fiction, he pitched Scrivener on a mobile version, and when they declared themselves content with who and what they were, he set out to build it on his own—a simpler software specifically designed for story.  #AmReading Jacob: Warbreaker by Brandon Sanderson KJ: The Queen of the Night by Alexander Chee Sarina: Crazy Stupid Bromance by Lyssa Kay Adams Y’all, Dabble is free for all of October and November to anyone who wants to hook it up to a NaNoWriMo account and use it to plot and then draft your November 2020 magnum opus. (And there’s always a free 14-day trial, year-round.) And to help you get that plot right, we str

When I (Jess here) interviewed Lacy Crawford about her new memoir Notes on a Silencing, we discussed the complex and often contradictory goals of publishers’ legal departments and fact checkers at periodicals such as Condé Nast/Vanity Fair, where Lacy’s first serial excerpt was published. An article on nonfiction book fact checking (or the lack thereof) published in Esquire (by Emma Copley Eisenberg) made the rounds online in August, and many readers were surprised to discover that publishers don’t fact check the books they publish. In fact, a standard clause in nonfiction book contracts indemnifies the publisher when it comes to the author’s factual errors. What publishers do, however, is send the manuscript over to their legal departments to ensure they will not be held liable for defamation, an risk most authors mitigate by changing names or identifying details of some people in the book. Lacy explains how the goals of the legal department and the goals of fact checking are often at cross-purposes, and we

A book of essays. A memoir that’s truly a family history and an American history. And—soon—a novel. Morgan Jerkins talks starting a writing career as a millennial, the privileges necessary to survive (financially) in New York City while pursuing a writing career and fighting the urge to let other people decide whether to take your work seriously.  We cover so much ground in this interview, from #publishingpaidme to interviewing skills to figuring out how much of your self belongs in your work, that we barely even grazed the surface of how much Morgan’s current book, Wandering in Strange Lands: A Daughter of the Great Migration Reclaims Her Roots, taught her—and teaches the reader—about Black American history and how hidden it still remains from most of us of any heritage. If you enjoyed Isabel Wilkerson’s The Warmth of Other Suns: The Epic Story of America's Great Migration or Caste, you’ll love Wandering—and even if you didn’t, if you’re a fan of memoir, interested in family history and legend or are just

It’s an age-old question: how do you build a platform big enough so publishers take notice? This week we interview Dara Kurtz, author of one self-published book and one traditionally published book. She shares her considerable, deliberate efforts to build her online readership for her site, Crazy Perfect Life, and translate fans of her website and Facebook group content into purchasers for her second book, I am My Mother’s Daughter. Buckle up and dust off your spreadsheet skills, because this woman loves data.  You can find out more about Dara on her website and on her podcast, Thrive.  #AmReading Dara: She’s re-reading her own book, which is helpful for doing media around publication, as well as The Untethered Soul by Michael A. Singer Jess: This is All I Got: A New Mother’s Search for Home by Lauren Sandler and A Beautiful Work in Progress by Mirna Valerio KJ: The Beauty in Breaking by Michele Harper Thanks so much for listening! Just a reminder that our #AmWriting supporters get #Bonu

It’s—a podcast episode! With Jennie Nash, so you already know you’re going to love it and I don’t need to say any more. Sarina and I had a great time talking nitty gritty book coaching details with Jennie from a different perspective—what if you want to BE a book coach?  But don’t worry if that’s not of interest—this episode will still inspire you to take a professional approach to your work, whatever it is, to think about money and value differently and find some changes that will help you wherever you are and whatever you’re working on. As for book coaching—I (this is KJ) recently volunteered for the Women Fiction Writer’s Association’s fall pitch event, helping writers polish their 50 word pitches before they had a chance to pitch agents—and it was so much more satisfying than I thought it would be, for a lot of reasons. Helping people—yay. SO MUCH EASIER to see things in other people’s work than in your own, also true. And then there was the satisfaction of handing things back to the writers for the

It’s a madcap, free-ranging episode where we go from figuring out how to get your important work done (and quit doom-scrolling through your phone) to embracing that same phone for its best use: nourishing conversations with the people you love and then launch into some fantastic tips for interviewing experts (or podcast guests!) that you won’t want to miss.  Links from the pod and the scoop on our guest: Celeste Headlee is an NPR journalist and the author of three books:  Do Nothing We Need to Talk Heard Mentality Celeste talks about the danger of working from home with Mary Elizabeth Williams on Salon. You can find her at: CelesteHeadlee.com #AmReading Celeste: Studs Terkel’s Race helped me understand race (as a black jew) like never before KJ: Motherland by Leah Franqui Jess: Magical Thinking, Lust and Wonder, and Toil and Trouble by Augusten Borroughs Thanks to everyone who supports the podcast financially—we hope you’ve been loving recent treats like the Minisodes

Not everybody wants an author hanging around their office all day. Our guest is a best-selling education writer Jeff Selingo, already an expert on college and higher education who took that one step further for his latest: Who Gets In and Why: A Year Inside College Admissions. Jeff managed to embed himself in three admissions offices to write this book, a feat that will boggle the mind of anyone familiar with the industry (and it is an industry, make no mistake). We talk pitching and selling the book, lining up the admissions offices and then dancing the delicate dance of writing honestly about people and places that have opened themselves up to your critical gaze, finding students to become part of your story and balancing the stories you tell—plus all the minutia of getting those stories, from consent forms to pseudonyms to not changing the outcomes by becoming part of the story.  #AmReading Jeff: The Dry by Jane Harper Jess: The Woods and Missing You, Harlan Coben H is for Hawk by He

It’s the topic every author seems to love to hate: self-promotion. Sharing our work on social media, pitching ourselves to podcasts and reaching out to friends and colleagues to ask them to boost us up in various ways can feel hard—but it shouldn’t. It’s part of the deal—and the people around you don’t mind. In fact, they want to know when you have a new book or article out, especially if you’re a regular and generous supporter of the good work the people around you are doing as well. We talk about getting past the emotional hurdle here, and then we talk about the how best to get the job done—best practices for self-promotion and a lovely list of “Glamour Don’ts” for those who are worried about getting it wrong.  Links from the Podcast sharelinkgenerator #AmReading Sarina: What Happens Next by Colleen Clayton KJ: A Star is Bored by Byron Lane Jess: The Overstory by Richard Powers Have you checked out Author Accelerator’s Book Coach training at bookcoaches.com/amwriting? Seriously

Lauren Ho is the author of the debut novel Last Tang Standing, which is getting HUGE buzz. It’s been called Bridget Jones meets Crazy Rich Asians, and it does deliver on that promise. Lauren is our very first guest to join us from Singapore, and it’s very late at night there but she managed to hold her own. We talk lawyers-turned-writers, selling a book from outside the US and UK, Goodreads reviews and the challenges and advantages of writing characters (not necessarily POV characters, but still voices that have a place in your story) from perspectives that aren’t your own.  #AmReading Lauren:  Sex and Vanity by Kevin Kwan A Good Family by A.H. Kim The White Coat Diaries by Madi Sinha KJ:  Rodham by Curtis Sittenfeld Jess: Becoming Duchess Goldblatt (Anonymous) Boyfriend Material by Alexis Hall Find Lauren at: Her Website: www.hellolaurenho.com On Twitter: www.twitter.com/hellolaurenho On Facebook: www.facebook.com/hellolaurenho Via Instagram: www.instagr

Our guest this week is children’s fiction and YA author Julie Berry, and here’s why: she gave a talk at a conference about visualizing and imagery that Sarina has “been thinking about for 7 years.” That should tell you how much gold there is in this episode—all kinds of useful stuff about how we use images and senses to spark our own creativity and build a connection with our readers in every genre. We think you’ll love it.  #AmReading Julie: The Witch of Blackbird Pond by Elizabeth George Speare Beauty by Robin McKinley The Blue Sword by Robin McKinley The Hero and the Crown by Robin McKinley The Perilous Gard by Elizabeth Marie Pope The Secret Life of Trees by Robin Blackwell Black and British by David Olusoga Staying Power by Peter Fryer Sarina: Love Lettering by Kate Clayborn KJ: Tiny Imperfections by Alli Frank & Asha Youmans Find Julie at:  Her Website: www.julieberrybooks.com On Twitter: www.twitter.com/julieberrybooks On Facebook: www.facebook

We’ve got a great interview for you today with a freelance journalist who does a different kind of work than any of us ever have—out in the field reporting on his favorite subject: reality adventure TV on trips rife with travel and danger and expense reports. I think you’ll love it.  We talk about finding your topic and making that topic, well, topical by looking for what’s happening within the world you’re covering that reflects what’s happening outside of it. We also discuss MFAs (he’s a fan), email (not so much) and how to keep from “opening your email and letting somebody else dictate what you do with your time.” Links from the Podcast fresh.ink Longform on Twitter #AmReading Andy: Fates and Furies by Lauren Groff The Secret History by Donna Tartt Jess: The Summer of ‘69 by Elin Hilderbrand The Book of Eels by Patrik Svensson KJ: The Guest List Lucy Foley #TBR: The Mountains Wild by Sarah Stewart Taylor Find out more about our guest: AndyDehnart.com Reality

Write every day. Don’t read fiction while you’re writing fiction. My way or the highway. In a burst of frustration, we’re reminding ourselves—and you—that there’s no one way to get this job done, and if your way is counter to what some of the greats might tell you (we’re looking at you, Stephen King, even though we love you), that doesn’t mean it won’t work. A few links from the episode: Minisode: #AmQuerying: How to write a fiction query letter that makes an agent ask for more Becca Syme: https://betterfasteracademy.com/beccasyme/ Rachel Hawkins/Erin Sterling @LadyHawkins Me, Writing Books: MAN, I hope this is not stupid!! Me, READING books/watching TV/consuming basically any media: THIS IS SO STUPID I LOVE IT SO MUCH ONLY HAVE ROOM IN MY HEART FOR THE STUPIDEST OF THINGS, THANK YOOOUUU!!!!! July 17th 202023 Retweets355 Likes #AmReading Sarina: Notes of Silencing by Lacy Crawford Jess: Unacceptable by Melissa Korn & Jennifer Levitz Unspeakable Acts by Sarah Weinman KJ: Big Summe

Hey campers—I hate reading you all a canned intro to our authors every time, so I’m winging it with our guest, Sonali Dev. I’m a fan of hers, so I feel like I know all the things. She’s the author of four straight-up romances, but her last-book-but one is the start of a series written in homage to Jane Austen, as is her latest, both set among the members of a politically ambitious Indian family in California. Why Jane Austen? Because, as Sonali says, “those were the first books I read about women wanting things and getting them. Instead of ending up crazy or dead.” We talk the pros and cons of writing from such revered material, whether readers are “looking for Lydia,” the need to make your heroine “likeable” (pro tip: the female Darcy is hard sledding) and supplying recipes for hungry readers.  Links from the pod:  Sonali Dev on IG Newsletter with a recipe booklet, recommendations, and a really bad joke. #AmReading Sonali: Boyfriend Material by Alexis Hall The Kingmaker by Kennedy

This week, Jess got a message from some family members who’d read the draft of her forthcoming book, The Addiction Innoculation. They had … thoughts.  Those thoughts turned out to be nothing drastic—but the emotional roller coaster Jess rode while waiting to hear more was a doozy, and got us all thinking about how much of ourselves is exposed when we write non-fiction with a memoir element, how real memoirists do it, and how often readers—especially those closest to you—read our fiction looking for hidden truths. It’s a fun conversation that also covers pool floats, parents, dream offices we probably wouldn’t use and more.  Links from the Podcast Yard Pods Don’t Kill the Birthday Girl by Sandra Beasley Mrs. Everything by Jen Weiner KJ and Sarina’s Pool Floats #AmReading KJ: Rodham by Curtis Sittenfeld I'm Still Here: Black Dignity in a World Made for Whiteness by Austin Channing Brown Jess: Notes on a Silencing by Lacy Crawford Sarina: Don’t You Forget About Me b