New Books In Literature

No More Empty Spaces (She Writes Press, 2024) opens with Will Ross, an engineering geologist, who shares custody of his three children with his ex-wife, taking his 1953 Cessna up for a spin. It’s 1973, and he’s decided to take his children to a remote area of Turkey where he’s been hired to analyze the site of a damn. He plans to tell the kids, once they’re across the world, that they won’t be going back to their alcoholic mother. The kids face the trials of learning the language, grappling with being so far away, and having a blended family. Will faces enormous problems at the building site in this lovely story centered on geology, engineering, science, landscape, and adventure. It’s about how a loving family can provide balance against the emotional and physical challenges of living on this fragile earth. D. J. Green is a writer, geologist, and sailor, as well as a bookseller and partner in Bookworks, an independent bookstore in Albuquerque, New Mexico. She lives near the Sandia Mountains in Placitas, New

In his new story collection Convergence Problems (DAW Books, 2024), Wole Talabi investigates the rapidly changing role of technology and belief in our lives as we search for meaning, for knowledge, for justice; constantly converging on our future selves. In “An Arc of Electric Skin,” a roadside mechanic seeking justice volunteers to undergo a procedure that will increase the electrical conductivity of his skin by orders of magnitude. In “Blowout,” a woman races against time and a previously undocumented geological phenomenon to save her brother on the surface of Mars. In “Ganger,” a young woman trapped in a city run by machines must transfer her consciousness into an artificial body and find a way to give her life purpose. In “Debut,” Nairobi-based technical support engineer tries to understand what is happening when an AI art system begins malfunctioning in ways that could change the world. The sixteen stories of Convergence Problems, which include work published for the first time in this collection, rare s

Ladette Randolph has served as editor-in-chief of Ploughshares literary journal since 2008, where she had acquired numerous notable essays and short stories. A publishing professional for 30 years, she is co-owner of the manuscript editing firm Randolph Lundine, and the author of five award-winning books, including A Sandhills Ballad, a New York Times Book Review Editor’s Choice book, and most recently the novel Private Way. Under Ladette Randolph’s stewardship, Ploughshares is thriving with a solid endowment and an increasing pull toward essays that speak to disturbing trends happening in America and abroad. In this episode, the focus is on five essays of which one, Extractions,” by Mihaela Moscaliuc, centers on life as a young female in Nicolae Ceausescu’s Romania. There, it’s as if one’s pregnancy belongs to the state so eager is it increase the birthrate. Telltale signs of repression are everywhere in an essay notable in part for its chilling, subdued voice. A second essay, “Commuting” by Victoria Gannon,

The most thrilling work yet from the best-selling, prize-winning author of The Newlyweds and Lost and Wanted, a stunning new novel set in French Polynesia and New York City about three characters who undergo massive transformations over the course of a single year. From Mo'orea, a tiny volcanic island off the coast of Tahiti, a French biologist obsessed with saving Polynesia's imperiled coral reefs sends her teenage daughter to live with her ex-husband in New York. By the time fifteen-year-old Pia arrives at her father Stephen's luxury apartment in Manhattan and meets his new, younger wife, Kate, she has been shuttled between her parents' disparate lives--her father's consuming work as a surgeon at an overwhelmed New York hospital, her mother's relentless drive against a ticking ecological clock--for most of her life. Fluent in French, intellectually precocious, moving between cultures with seeming ease, Pia arrives in New York poised for a rebellion, just as COVID sends her and her stepmother together into n

In Deborah Kalb’s debut adult novel Off to Join the Circus (Apprentice House Press 2023) it’s 2018, Howard Pinsky’s sister Adele, who ran away in 1954, as his parents said, “to join the circus,” is suddenly, 64 years later, in Bethesda wanting to be a part of the family. Howard, now 75 and a retired lawyer married to Marilyn, a retired teacher, spent years researching circuses and trying to find his sister. Now, during a two-week period when their eldest daughter is about to give birth at 46, their middle daughter’s younger son is about to become a Bar Mitzvah, and their youngest daughter is recovering from a terrible divorce, Adele forces everyone to consider the ties that bind them all as a family. There are secrets to be unearthed, resentments to be faced, concerns about the three sisters’ relationships, misunderstandings to be sorted, and worries that pull even 80-year-old Aunt Adele back into the Pinsky family circus. Deborah Kalb is a freelance writer and editor. She spent about two decades working as a

A dazzling, evidence-based account of one man’s quest to heal from complex PTSD by turning to endangered coral reefs and psychedelic plants after traditional therapies failed—and his awakening to the need for us to heal the planet as well. Professor Greg Wrenn likes to tell his nature-writing students, “The ecological is personal, and the personal is ecological.” What he’s never told them is how he’s lived out those correspondences to heal from childhood abuse at the hands of his mother.  Mothership: A Memoir of Wonder and Crisis (Regalo Press, 2024) is a deeply researched account of Greg turning to coral reefs and a psychedelic rainforest tea called ayahuasca to heal from complex PTSD—a disorder of trust, which makes the very act of bonding with someone else panic-inducing. From the tide pools in Florida where he grew up, to Indonesia’s Raja Ampat archipelago and the Amazon rainforest, Greg takes his readers on a journey across the globe. In his search for healing from personal and ecological trauma, he dive

When the unnamed narrator of Marie Mutsuki Mockett's stirring second novel returns to Carmel, California, to care for her mother, she finds herself stranded at the outset of the disease. With her husband and children back in Hong Kong, and her Japanese mother steadily declining in a care facility two hours away, she becomes preoccupied with her mother's garden--convinced it contains a kind of visual puzzle--and the dormant cherry tree within it. Caught between tending to an unwell parent and the weight of obligation to her distant daughters and husband, she becomes isolated and unmoored. She soon starts a torrid affair with an arborist who is equally fascinated by her mother's garden, and together they embark on reviving it. Increasingly engrossed by the garden, and by the awakening of her own body, she comes to see her mother's illness as part of a natural order in which things are perpetually living and dying, consuming and being consumed. All the while, she struggles to teach (remotely) Lady Murasaki's ele

Gerald Maa has been The Georgia Review’s director and editor since 2019. During his tenure there, the magazine has won the National Magazine Award for Best Fiction as well as Best New Poets, and the Robert Dau/PEN Prize. Prior to this role, Maa was the editor-in-chief of The Asian American Literary Review with Lawrence-Minh Bui Davis. Maggie Su is the associate prose editor for The Georgia Review and the author of the forthcoming novel Blob (Harper 2025). She holds a PhD in fiction from the University of Cincinnati and her short fiction has appeared or is forthcoming in The New England Review, TriQuarterly Review, and elsewhere. The Georgia Review has a long, distinguished tradition of publishing writings vetted by a fully salaried staff. In this case, first up in the discussion is the essay “Campus Maximum” by Christopher Kempf. It explores the social justice versus academic freedom tussle that Cornell University found itself dealing with after an African-American student group took over one of the campus’s

Jennifer Lang's Places We Left Behind: A Memoir in Miniature (Vine Leaf Press, 2023) uses short chapterettes and experimental prose to examine he marriage, commitment and compromise, faith and family while moving between prose and poetry, playing with language and form, daring the reader to read between the lines. When American-born Jennifer falls in love with French-born Philippe during the First Intifada in Israel, she understands their relationship isn't perfect. Both 23, both Jewish, they lead very different lives: she's a secular tourist, he's an observant immigrant. Despite their opposing outlooks on two fundamental issues—country and religion—they are determined to make it work. For the next 20 years, they root and uproot their growing family, each longing for a singular place to call home. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Father Verses Sons: A Correspondence in Poems (Rare Bird, 2024). When the global pandemic forced his ninety-six-year-old father into isolation, filmmaker Ari Gold became concerned that loneliness would kill his father's spirits. As a prolific novelist who began writing in his twenties, Herbert Gold's incredible oeuvre included twenty-four novels, five collections of stories and essays, and eight nonfiction books. So, Ari mailed his father a poem, asking for one in return. Later, Ari's twin brother, Ethan, also got into the game. Thus was launched a lifesaving literary correspondence, and a testament to the bonds of family. The resulting poems are playful, honest, funny, and moving. Secrets are invoked alongside personal - and often painful - history. Ari and Ethan's mother, Herbert Gold's second wife, died in a helicopter crash alongside the famous rock promoter and impresario Phil Graham in 1991. Her ghost roams through the poems and the wonderful archival photos included in full color throughout. In Father

The Stark Beauty of Last Things (She Writes Press, 2023) is set in Montauk, the far reaches of the famed Hamptons, an area under looming threat from a warming climate and overdevelopment. Now outsider Clancy, a thirty-six-year-old claims adjuster scarred by his orphan childhood, has inherited an unexpected legacy: the power to decide the fate of Montauk’s last parcel of undeveloped land. Everyone in town has a stake in the outcome, among them Julienne, an environmentalist and painter fighting to save the landscape that inspires her art; Theresa, a bartender whose trailer park home is jeopardized by coastal erosion; and Molly and Billy, who are struggling to hold onto their property against pressure to sell. When a forest fire breaks out, Clancy comes under suspicion for arson, complicating his efforts to navigate competing agendas for the best uses of the land and to find the healing and home he has always longed for. Told from multiple points of view, The Stark Beauty of Last Things explores our connection t

When Samuel Fiddes and Hailey MacIntyre meet by chance in Glasgow, Scotland, in 1878, their worlds appear to be far distant from each other. Samuel lives with his little sister, Alison, in a tenement—the two of them scrabbling to keep themselves fed and clothed. Hailey enjoys a comfortable middle-class life, although the expectations placed on her as a young woman restrict her future not simply to marriage and motherhood but to a union with the “right” man, defined in terms of wealth and prestige. Despite this social gap, Samuel and Hailey form an instant bond after he rescues her younger brother from a near-fatal run-in with a careless carriage driver. Both know that Hailey’s parents disapprove of their friendship, never mind a budding romance, but a mix of attraction and teenage rebellion draws them together. Then fate intervenes. Financial disaster strikes the MacIntyre family just as things start to look up for Samuel and Alison. Hailey’s father decides to move his family to Washington Territory, where he

In Brenda Novak's latest book, Tourist Season (Mira Books, 2024), Ismay Chalmers' plans to spend a relaxing summer at the beach are derailed when she discovers the wealthy family she is marrying into is hiding many scandals and secrets. Ismay is ready for a relaxing summer reconnecting with her fiance at his family's luxurious beachfront cottage. But before Remy can join her, a hurricane bears down on Mariners Island. Alone in the large house, Ismay makes a disturbing discovery in Remy's childhood closet. She's not sure what to make of it, but is relieved when the property's caretaker, Bo, checks in on her. Bo's home is damaged, so they temporarily shelter together, and Ismay is comforted by his quiet strength. But the unannounced arrival of a family member puts Bo back at his place and changes Ismay's summer into something other than what she wants -- or ever expected. With so many reasons to feel unsettled, Ismay finds herself turning to Bo, who gives her more than a sense of security; there's something abo

Sixteen-year-old Odile is an awkward, quiet girl vying for a coveted seat on the Conseil. If she earns the position, she'll decide who may cross her town's heavily guarded borders. On the other side, it's the same valley, the same town. Except to the east, the town is twenty years ahead in time. To the west, it's twenty years behind. The towns repeat in an endless sequence across the wilderness. When Odile recognizes two visitors she wasn't supposed to see, she realizes that the parents of her friend Edme have been escorted across the border from the future, on a mourning tour, to view their son while he's still alive in Odile's present. Edme--who is brilliant, funny, and the only person to truly see Odile--is about to die. Sworn to secrecy in order to preserve the timeline, Odile now becomes the Conseil's top candidate. Yet she finds herself drawing closer to the doomed boy, imperiling her entire future. A breathlessly moving "unique take on the intersection of fate and free will" (Nikki Erlick, author of Th

Lynne Nugent is the editor of The Iowa Review and the author of a chapbook of essays, Nest, about motherhood and domesticity published by The Florida Review in 2020. She holds a MFA in nonfiction writing and a PhD in English from the University of Iowa. It’s a small world, at times, as the podcast’s host grew up in Northfield, Minnesota, the site of the opening essay “Why I Lie” by Jonathan Wei. That essay opens, as guest Lynne Nugent observes, with a series of declarative sentences that quickly get modified as the author takes on the role of the fallible narrator to make the larger point that society isn’t always as grand as we’re led to believe by documents like the Pledge of Allegiance. A second essay discussed by Nugent takes the iconic status of California as the Golden State down a notch by focusing on rats that plague the sleepless nights of Elizabeth Hall, the author of “Rat Beach.” A third essay covered here, “Bloodlust: A Memoir” by Libby Kurz vividly describes life as a U.S. Air Force trauma center

Millicent Borges Accardi, a Portuguese-American writer, is the author of four poetry collections, including Only More So (Salmon Poetry, Ireland), and Quarantine Highway (FlowerSong Press). Among her awards are fellowships from the National Endowment for the Arts (NEA), Fulbright, CantoMundo, Creative Capacity, the California Arts Council, Foundation for Contemporary Arts (Covid grant), Yaddo, Portuegese National Cultural Foundation, and the Barbara Deming Foundation, "Money for Women." She lives in Topanga canyon. From re-definition to re-calibration, the poems in Quarantine Highway are artifacts to the early and mid-days of the pandemic. Though not specifically labeled as "Covid poems," they strike to the heart of the universal yet individual struggles of solitude, confinement, justice, isolation and, ultimately, self-reckoning. The poems push and pull between the constantly knocking global news cycle to the stillness of a surreal inner world. Find more of Millicent's writings here. Learn more about your ad

Parul Kapur's novel Inside the Mirror (University of Nebraska Press, 2024) centers on twin sisters growing up in 1950s Bombay, who aspire to become artists. The family is still recovering from the Partition of India in 1947, especially the twins’ grandmother, who once fought for justice against the British regime. One sister is supposed to study medicine, but she is a talented painter, and other studies education, but she is highly trained in a classical Hindu dance form called Bharata Natyam. They live in a Bengali community in which parents choose their daughters’ husbands and society demands conformity. Jaya’s paintings and Kamlesh’s dancing could destroy their chances of finding a good husband, ruin their father’s career, and affect the family’s standing in their community. Jaya moves out of the house, an aberration not only affects her medical schooling, but also disturbs the bond she has with her twin. This is a beautifully written novel about family, art, British colonialism, and coming of age in a tim

Nayereh Doosti speaks to managing editor Emily Everett about her story “The Little One,” which appears in The Common’s most recent issue. Nayereh talks about the many inspirations behind this story, which follows an older Iranian man coming to America, where he feels out of place with his family members, the community, and the younger generations. Nayereh also discusses her time as an intern at The Common, her MFA program at BU, and her brand new Persian translation of Aleksandar Hemon’s The Book of my Lives, out now in Tehran. Nayereh Doosti is an Iranian writer and translator based in Berkeley, California. Her writing has appeared or is forthcoming in Epiphany Magazine, The Massachusetts Review, and Nowruz Journal, among others. She holds an MFA from Boston University, and is a former intern at The Common. Read Nayereh’s story “The Little One” in The Common at thecommonoline.org/the-little-one. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collectiv

Kip, Leslie, and Kira are outliers—even in the metal scene they love. In arch-conservative Gulf Coast Florida in the late 1980s, just listening to metal can get you arrested, but for the three of them the risk is well worth it, because metal is what leads them to one another. Different as they are, Kip, Leslie, and Kira form a family of sorts that proves far safer, and more loving, than the families they come from. Together, they make the pilgrimage from Florida's swamp country to the fabled Sunset Strip in Hollywood. But in time, the delicate equilibrium they've found begins to crumble. Leslie moves home to live with his elderly parents; Kip struggles to find his footing in the sordid world of LA music journalism; and Kira, the most troubled of the three, finds herself drawn to ever darker and more extreme strains of metal. On a trip to northern Europe for her twenty-second birthday, in the middle of a show, she simply vanishes. Two years later, the truth about her disappearance reunites Kip with Leslie, who

In his debut essay collection, My Life of Crime (Sagging Meniscus Press, 2022), Tyler C. Gore brings readers on an awkward visit to a nude beach. A bike-pedaling angel careening through rush-hour traffic. The mystery of a sandwich found in a bathroom stall. A lyric, rainy-day ramble through the East Village. With the personal essays (and three other entertainments) Gore reveals the artistic secrets of his life of crime: a charming wit, compassionate observation, perfection of style, and, over all, a winsomely colorful light tinged with just enough despair. Whether stewing over a subway encounter with a deranged businessman, confessing his sordid past as a prankster, or recounting his family’s history of hoarding, Gore is by turns melancholy, profound and hilarious. The collection culminates with the novella-length essay “Appendix,” a twisted, sprawling account of routine surgery that grapples with evolution, mortality, strangely attractive doctors, simulated universes, and an anorexic cat. My Life of Crime co