New Books In Literature

How do families decide when financial relief outweighs the risks of drilling for natural gas on their land?  In Kate Brandes’ novel Promise of Pierson Orchard (Wyatt-MacKenzie Publishing, 2017), a big energy company comes to Minden, Pennsylvania and hires the long-estranged brother of orchard owner Jack Pierson. Thinking that Wade Pierson is one of their own, some struggling neighbors start selling mining rights to Green Energy.  Jack fears what the company will do to the land and worries that Wade will try to rekindle his relationship with Jack’s wife LeeAnn, who recently left him. Jack reaches out to the mother who abandoned him and his brother when they were teenagers.  She’s now an environmental lawyer with experience in dealing with companies whose spurious promises to landowners are broken, along with ecosystems, relationships, and towns. Kate Brandes is an environmental scientist with 20 years of experience.  A geology teacher at Moravian College, she is also a painter and writer who focuses on t

The Draconis Memoria series is comprised of a trilogy set in a world where drake (dragon) blood is a prized commodity, the basis of the trading fortune of the Ironship Syndicate. It is a brilliant, savage adventure. When I jumped in with Anthony Ryan’s latest release, ominously named The Empire of Ashes (Ace, 2018), I soon realized I couldn’t do justice to the detailed, intricately plotted series without reading all three. In for a penny, in for a pound. August, September, and October found me delving into a world with various cultures: a decadent empire, complete with a doddering emperor, and another continent in thrall to a powerful corporation. There were steaming jungles, barren mountains, and ice floes overlaying ocean-bed volcanoes In addition to the challenges of noting the terrain and politics, there are multiple points of view, as in most adult epic fiction. From my reading, two main characters emerged, and tied together the evolving narrative. Lizanne Lethridge is a ruthless Special Initiatives Agen

It’s a hot August day in 1976, the sun beats down in the Mississippi Delta, and three siblings go swimming in the old, forbidden rock quarry. Everyone knows that something evil and unspeakable once happened there. The youngest child disappears, the quarry is drained, and news of the missing child spreads. As the days and months pass, it becomes clear that Pansy has vanished into thin air. Then older sister Bert graduates from high school. Sure that her little sister is still alive somewhere, she convinces her brother to help find Pansy. Tiffany Quay Tyson’s debut novel, Three Rivers, was a finalist for both the Colorado Book Award for Literary Fiction and the Mississippi Institute of Arts and Letters Award for Fiction. Her second novel, The Past is Never (Skyhorse Publishing, 2018) is a 2018 Okra Pick.  Tiffany was born and raised in Jackson, Mississippi and is a graduate of Delta State University. After college she worked for a brief stint as a newspaper reporter in the Mississippi Delta, where she received

It seems clear that our dependence on the internet will only grow in coming years, offering untold convenience. But how much control will we have to surrender to access this digital wonderland? That’s one of the key questions animating the first two books in Eliot Peper’s action- and idea-packed Analog trilogy. In the first book, Bandwidth, which came out in May, a single company called Commonwealth controls the digital feed for most of the world. To imagine its power, Peper says, picture all of today’s technology and internet giants “times a thousand.” Despite its monopolistic control over the world’s information delivery system, it finds itself vulnerable to a clandestine group of hackers and psychologists, who, over many years, covertly and subtly manipulate the feeds of world leaders to influence their thinking about important policies, such as climate change. “They’re not creating fake news,” Peper says. “They are actually sorting, ordering, and surfacing true facts about the world in a way that shapes s

In this episode, we speak with Vernon Keeve III about his book Southern Migrant Mixtape (Nomadic Press, 2018), a collection published by Nomadic Press. Memoir comes in many forms, be it poetry or prose. Keeve’s work is a bridge between both worlds. In a manner that is simultaneously universal and intimate, his book is an unflinching view at what it is to be black, queer, disenfranchised, jubilant, and resilient. Via his deft pen, Keeve turns his focus on how his own personal history is deeply connected to, and is bolstered by, the black experience in society. It is via this collection, Keeve hopes to create a legacy for the story of his family, his culture, and the future. As he writes in “The decomposition of Emmett,” There is a dis- ease in the land. This collection dissects the diss, the unease, and the sickness of American generations as a means of healing and reconciliation. Born and raised in Northeast Ohio, Athena Dixon is a poet, essayist, and editor. She is Founder of Linden Avenue Literary Jo

The only job Andrei Kaplan has been able to find since completing his doctorate, is teaching an online, poorly-paid course. So, he agrees to fly to Moscow when his brother promises him a round-trip ticket, hockey games, and his old bedroom with free WiFi in exchange for taking care of their aging grandmother. Andrei imagines the scholarly article he’ll write based on his grandmother’s stories of Soviet intrigue. He imagines himself protesting the Putin regime in the morning, playing hockey in the afternoon, and keeping his grandmother company in the evening. But his Russian is rusty, finding a place to play hockey is difficult, and the grandmother has dementia. As Keith Gessen explains in his wonderful novel A Terrible Country (Viking, 2018), Russia turns out to be something different than he expected. Keith Gessen is the founding editor of the literary journal n+1 and author of All the Sad Young Literary Men. He is also the editor of three nonfiction books and the translator, from Russian, of a collection of

If you open Dustin Parsons’ new book, you’ll find maps, figures, footprints, a floor plan, silhouettes of roadside birds, charts of riverbed topography, origami directions for an owl in twenty-six folds, and an anatomized dog. What might surprise you—that is, what might surprise you in addition to finding all of these illustrations in a single book—is that Parsons uses them to illustrate his experience of fatherhood, not only that of being a father to two sons, but also of being the son of a father who used similar illustrations in his own work as an oilfield mechanic, a welder, an auto mechanic, a woodworker, and a host of other trades. It’s called Exploded View: Essays on Fatherhood, with Diagrams (University of Georgia Press, 2018). From this fascinating view, Parsons gives us a highly unusual and highly moving memoir about what it means to be a father. He writes with the precision of an engineer and the lyrical sensibility of a poet, and this combination marks his keen viewpoint, one that allows him to br

If you are a young moody woman who likes to wear black, you might well be a witch. Or aspire to be a witch. If you needed a tongue-in-cheek guide on how to behave, you could benefit from picking up The Winter Riddle (Black Spot Books, 2018) by Sam Hooker. Quaint, and yet somehow very modern, this is the tale of Volgha the Winter Witch. Volgha, like Greta Garbo just “vants to be alone,” in her moldering, but cozy hut in the North Pole.  Unfortunately, not only is she royal by blood, her depraved, needy sister is the Queen. The Queen enjoys teasing and tormenting her introverted sister, almost as much as chopping peoples’ heads off or getting stimulated with the Royal Tickler. (A person in the employ of the palace who is always masked.) To add to Volgha’s woes, her mind is soon shared by her familiar, a red crow, and her old mentor, which leads to some lively discussions inside her head. And that handsome Santa, with a secret past as a warrior? Volgha tries to push him away, but he doesn’t allow her rebuffs to

Lake Michigan in 1936 is an essential commercial seaway, one that captains and their crews must cross regularly no matter the season, breaking massive ice floes under the prows of their ships and praying that they survive the fierce swells and changeable winds that have left a legacy of ghost ships and wrecks. Into this world comes five-year-old Fern Halvorsen, daughter of the captain of the Manitou, with a small suitcase and her teddy bear. Fern’s mother is consumed with grief after the loss of another child, and her father fears for his daughter’s welfare. To Fern, the Manitou is a magical place where she can roam largely unsupervised with her new friend Alv. She gets into every corner of the ship, becomes a pet of the crew, and even adopts a stray kitten she finds in the hold. But the winter of 1936 on Lake Michigan is more brutal even than most, and the consequences of that journey and the secret Fern carries away from it haunt her for the rest of her life. With an ear for crisp dialogue, an unflinching f

Questions about freedom of the press, defamation, libel and slander have been in the news quite a bit lately. Bad Lies (Mascot Books, 2017) tells the story of Eddie Bennison, who is over 50 when he makes it into the professional golf circuit. In two years, he wins millions of dollars in endorsements and prize money. Then a leading golf magazine publishes articles that suggest he unfairly tampered with his clubs and used performance-enhancing drugs. Bennison loses all his endorsements and his ability to play the game. His lawyer, Charlie Mayfield, files a libel and slander lawsuit against the magazine and its powerful corporate owner. Then a woman accuses Bennison of sexually assaulting and beating her. While the lawyers on both sides build their arguments and tensions rise, we’re kept guessing right up to the moment when the jury foreman announces the verdict. Lawyer and author Shelby Yastrow, formerly General Counsel and Executive Vice President for McDonald’s Corporation, wrote two previous novels based on

In Ka: Dar Oakley in the Ruin of Ymr (Saga Press, 2017), John Crowley provides an account of human history through the eyes of a crow. The story takes flight in the Iron Age, when the eponymous main character, Dar Oakley, is the first of his kind to encounter humans. He finds these upright beings (who hail from a realm that Dar Oakley calls “Ymr” in crow-speak) both fascinating and baffling. Witnessing a battle for the first time, Dar Oakley can’t make sense of it. In his experience, animals kill for food, but absurdly people don’t eat their opponents. Rather, they defile and plunder their enemies’ bodies while tenderly attending to the corpses of their compatriots. (Any unburied remains are, of course, a windfall to hungry crows, who happily peck the bones clean). Crowley calls the novel “a long meditation on death,” which makes the story sound more morose than it is. Dar Oakley is actually a charming companion, his wonder over human ideas about the soul and afterlife leavened by his kindness and

Like most philosophers, Friedrich Nietzsche is better known for his ideas than for the life he led. In I Am Dynamite!: A Life of Nietzsche (Tim Duggan Books, 2018), Sue Prideaux details the events of his life and shows how they can inform many of the concepts for which he is best known. The son of a clergyman, Nietzsche excelled at university and became a professor of classical philology at the University of Basel without even taking a degree. It was at that time he began a long-term friendship with Richard Wagner and often traveled to Bayreuth. Yet Nietzsche soon drifted away from philology towards philosophy, which led to his dismissal from his teaching post. As Prideaux shows, Nietzsche overcame ill health, physical handicaps, and the poor reception of his work to develop his ideas, and was on the cusp of gaining a wider audience when a mental breakdown led him to spend the last years of his life institutionalized, little knowing of the growing impact his books and ideas were having on European thought.Lea

Science fiction is, at its core, about tomorrow—exploring through stories what the universe may look like one or 10 or a million years in the future. Twelve Tomorrows (MIT Press, 2018) uses short stories to fit nearly a dozen possible “tomorrows” into a single book. Edited by journalist Wade Roush, the collection features stories by Elizabeth Bear, SL Huang, Clifford V. Johnson, J. M. Ledgard, Liu Cixin, Ken Liu, Paul McAuley, Nnedi Okorafor, Malka Older, Sarah Pinsker, and Alastair Reynolds. The book is the latest in a series of identically titled books launched in 2011 by MIT Technology Review. The series explores the future implications of emerging technologies through the lens of fiction. It’s the first time Roush, who hosts the podcast Soonish and specializes in writing about science and technology, has edited fiction. “The mission of Twelve Tomorrows is to highlight stories that are totally plausible from an engineering point of view,” Roush says. In “The Heart of the Matter,” Nnedi Okorafur explo

Our world today is full of algorithms and metrics designed to help us keep up, to keep track, to keep going. New devices, such as the smartwatch, now make it possible to quantify and standardize every conceivable human activity, from keeping track of personal bests at the gym to getting a good night’s sleep—all from the comfort of our homes. But what do these measurements actually tell us about ourselves? What happens when the data sets for these functions are subjective? And how do we know whether we’re measuring ourselves accurately? In her debut collection of essays, nonfiction writer Rachel Z. Arndt explores the answers to these questions, interrogating the methods through which we measure our lives in the modern world. Through a series of 19 researched personal essays, Arndt speaks from her own experiences managing her narcolepsy, participating in judo tournaments, analyzing the rituals of online dating and more in order to answer the question of what can be measured—or, more accurately, what cannot. Tod

In Karin Tidbeck‘s Amatka (Vintage, 2017), words weave—and have the potential to shred—the fabric of reality. Amatka was shortlisted for the Compton Crook and Locus Awards. A reviewer on NPR called it “a warped and chilling portrait of post-truth reality” while a Chicago Tribune reviewer called it “disturbing and provocative.” The book’s title takes its name from a colony settled at an unspecified point in the past by pioneers. Life there is hard; not only is it always maddeningly cold, but a paucity of resources requires the colonists to recycle everything, including dead bodies, and they depend on mushrooms for all their nourishment. But the most unusual feature of life in Amatka is that all objects must be labeled. According to the rules set forth by a secretive ruling committee, a pencil must be labeled “pencil.” A toothbrush must be labeled “toothbrush.” If a label wears off, or if something is mislabeled, the consequences are disastrous: the object degenerates into a pr

As seems appropriate for a character as resourceful, skilled, and self-confident as Uhtred of Bebbanburg, he goes from strength to strength. In addition to a set of bestselling novels, collectively dubbed The Saxon Tales, Uhtred has a television series to his name: The Last Kingdom, just renewed for its third year by Netflix. Here in his eleventh adventure, War of the Wolf (Harper, 2018), Uhtred should be enjoying the fruits of his labors over the last ten books, but of course, that story would be no fun to read or to write. Instead Uhtred, now past sixty, receives a summons to travel south to protect the fortress of Ceaster (Chester) on behalf of Aethelstan, the son of King Edward of Wessex. Uhtred soon realizes that the summons is a ruse: the greater danger lies in the North, in the person of the Dane Sköll and his warriors, who dose themselves with henbane to harness the power of the wolf. Sköll also has the support of a powerful sorcerer, who Uhtred comes to believe has cursed him—especially after Sköll a

When Giselle Gélis runs into David Rettig at a biblical studies conference, she’s not expecting a life-changing experience. On the contrary, the thought foremost in her mind is escaping the creepy colleague who seems oblivious to hints of dislike and even outright putdowns. But Giselle and David hit it off, despite their differences of personality and the reality that any relationship between them can only be long-distance: she lives in France while he’s based in Israel. In an attempt to spend time together, Giselle and David agree to undertake a journey across southern France, from just below Marseille to Toulouse. It’s supposed to be a vacation, casually devoted to learning more about each other while unraveling a mystery associated with Giselle’s uncle, murdered late in the nineteenth century in a crime that was never solved, between stops at luxury hotels and meals at fabulous restaurants. Instead, Giselle and David stumble over a discovery that challenges  doctrine fundamental to the Christian religion,

John Kaag is a professor of philosophy at the University of Massachusetts, Lowell. American Philosophy: A Love Story (Farrar, Straus and Giroux, 2016) won the John Dewey Prize from the Society for U.S. Intellectual History. Kaag offers a rich history, philosophical inquiry and a memoir of an existential crisis that takes us to the heart of American philosophy. He embarks on an unexpected journey of discover in the abandoned library at West Wind, the estate of the early twentieth-century philosopher William Ernest Hocking, an intellectual descendent of William James. At West Wind, Kaag finds an invaluable repository of Hocking’s thinking, evidence of many significant friendships, and the remains of fundamental questions of American philosophy. Like his philosophical forbearers he ponders essential questions: Is life worth living? What is the meaning of life? How are we both free and obligated to others? Seeking answers, Kaag engages with the thinkers such as Ralph Waldo Emerson, Charles Sanders Peirce and Josi

In Trail of Lightning (Saga Press, 2018), the Hugo and Nebula Award-winning author Rebecca Roanhorse draws on Navajo culture and history to tell a gripping future-fable about gods and monsters. The book launches The Sixth World, a planned four-part series set in the near future. The series title refers to the Navajo origin story, which says that our current world—the fifth—emerged after floods destroyed the previous ones. In Trail of Lightning, the six world is wrought from similar devastation, a combination of earthquakes and rising seas. The Navajo Nation survives thanks to a protective wall and a shot of magic, which transforms the barrier into four culturally resonant materials: turquoise, abalone, jet and white shell. The wall seals the nation off from not only the apocalypse but from white Euro-centric colonialism. Roanhorse considers her work a form of indigenous futurism that tells “a sovereign story, a story that exists on its own, on native land in native thought with native characters’ stories and

In her first novel, Everything Here is Beautiful (Pamela Dorman Books, 2018), author Mira T. Lee delves into the sometimes troubled but always compelling life of Lucia from the perspectives of her older sister Miranda, her husband, Yonah, and the father of her child, Manny.  Miranda, who has taken care of Lucia since she was a baby, struggles to help her sister from near and far. Lucia and those who love her are forced to grapple with her recklessness and her mental illness. They also cope with immigration and cultural issues, relationships, raising Lucia’s child, and all the flotsam and jetsam of Lucia’s chaotic life.  In rich, evocative prose, Mira T. Lee has written about love that spans oceans, perspectives, and time. Her work has been published in numerous quarterlies and reviews, including the Missouri Review, the Southern Review, Harvard Review and Triquarterly.  She was awarded an Artists fellowship by the Massachusetts Cultural Council in 2012 and has twice received special mention for the Pushcart P