New Books In Literature

In Heaven Was Detroit: From Jazz to Hip-Hop and Beyond (Wayne State University Press, 2016), M. L. Liebler curates an exhaustive collection of essays about Detroit music by a diverse group of music scholars, journalists, and musicians. Instead of relying on familiar narratives about Motown and rock and roll, this anthology engages a vast array of musical genres and sub-genres, while sharing the oft-surprising hidden histories of artists, institutions, and communities integral to Detroit’s unique sound. Heaven Was Detroit begins with former California Poet Laureate Al Young’s meditation on his childhood obsession with early to mid-20th-century Detroit jazz and ends with an essay by Jarrett Koral about Jett Plastic Recordings, the 21st-century vinyl-only record label he runs out of his parents’ basement. In between are a mix of new and classic essays about Detroit jazz, blues, pre-Motown soul, Motown, rock, hip-hop, techno, and more. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Pro

If Tolstoy had written Spoonbenders (Knopf, 2017), he might have started it: “All happy families are alike; each family of psychics is unhappy in its own way.” Then again, who needs Tolstoy when you have Daryl Gregory, whose masterful family drama is tied together with telekinesis, astral traveling, and genuine mindreading magic. A Nebula Award finalist and an NPR Best Book for 2017, Spoonbenders tells the story of the one-time Amazing Telemachus Family, who have struggled to make ends meet ever since they were exposed as frauds on national TV. Only they really aren’t frauds. Most of them have true psychic gifts. The problem is that psychic gifts aren’t all that they’re cracked up to be. As Gregory explains, “I was trying to figure out why if people have these powers … wouldn’t they just become rulers of the world? Why wouldn’t they become rich and famous, and I was struck by the rationale that Uri Geller always used, which is ‘there are so many things that can reach out and interfere with your powers that on

If you’ve read the news or been on the internet at all this year, you’ve probably come across the hashtag #MeToo, the rallying cry of a movement aimed at calling out the harassment and abuse men in positions of power have perpetuated against mostly silent women for years without consequence. But what began as a takedown of some of the most powerful abusers in our country—the Bill Cosbys and Harvey Weinsteins—has lately been moving into domestic territory, as women are holding more and more of the abusive men in their lives publicly accountable for the hurt they’ve caused. Social attitudes are changing, with champions of the #MeToo movement raising awareness about the prevalence of domestic violence in American households. According to The National Domestic Violence Hotline, 1 in 4 women and 1 in 7 men will be the victim of severe physical violence by an intimate partner in their lifetimes. Statistically, an estimated 70% of this violence will go unreported. The numbers are, frankly, staggering, and part of th

Maggie Shen King’s An Excess Male (Harper Voyager, 2017) is a work of science fiction inspired by a real-world dystopia: a country with tens of millions of “extra” men who will never find spouses. The country is China, which in 1979 adopted its one-child policy in the hope of reducing its population of 940 million to around 700 million. The plan was intended to last only one generation, but it endured until 2015. The degree to which the policy has contributed to a drop in China’s fertility rate is an open question, since other factors (like rapid economic development) are also at play. But one consequence of the policy is clear: China now has millions more men than women. An Excess Male made the James Tiptree Jr. Literary Award Honor List and was nominated for a Lambda Literary Award. It also earned spots on a number of “best of” lists, including Barnes and Noble’s and the Washington Post’s lists of the Best Science Fiction and Fantasy novels of 2017. The idea for An Excess Male came to King

What is it really like to have a family member with serious mental illness? Sandra Allen’s unique book, A Kind of Mirraculas Paradise: A True Story about Schizophrenia (Scribner, 2018), addresses this question. In the book, a hybrid between memoir and third-person narrative, Sandra publishes excerpts from her schizophrenic uncle’s autobiography interlaced with her own narrative about her uncle and his life. This poignant combination offers readers a rare, real-life glimpse into the mind and heart of a person with schizophrenia and what it feels like to be the relative of such a person. In our interview, Sandra candidly talks about what it was like to publish her uncle’s memoir, how her conception of him evolved, and the significant lessons she learned about living with schizophrenia. This book and our interview will speak to those who deal with, or have a loved one with, serious mental illness, inspiring compassion and hope where in an area where it is often lacking. Sandra Allen is a nonfiction writer based

Jade City combines what its author, Fonda Lee, calls the 3 Ms: mafia, magic and martial arts. Lee’s talent for depicting complex characters struggling with both internal and external conflicts earned Jade City nominations for the Nebula and Locus Awards. The book is her first written for adults. (Her previous books, Exo and Zeroboxer, were written for young adults and both were shortlisted for the Andre Norton Award). Set in the fictional post-colonial nation of Kekon, Jade City (Orbit, 2017) introduces readers to an economic system governed by family-run clans, where power is obtained through conventional assets, such as the loyalty of businesses and politicians, as well as through use of the gemstone jade. Jade’s special powers include strength, agility and the ability to deflect weapons. But to harness these powers, a Green Bone warrior needs both an innate affinity for jade and extensive training. Lee says jade was “the natural choice” for a magic substance. “In Eastern culture, jade is considered more va

Most of us hear the Cinderella story in childhood: a mean stepmother favors her own daughters and controls her hapless husband, turning the sweet and innocent Cinderella into a scullery maid and refusing to let her attend the royal ball, only to be thwarted by a fairy godmother and Cinderella’s own beauty and charm. Cinderella marries Prince Charming and lives happily ever after, while the stepmother and stepsisters get their just deserts. But Danielle Teller has a different take on this familiar story. In All the Ever Afters: The Untold Story of Cinderella’s Stepmother (William Morrow, 2018), her heroine, Agnes, starts life as a serf and through a combination of hard work, good luck, and a stubborn refusal to break under adversity works her way up to the position of lady of the manor. There she finds herself dealing with a somewhat difficult girl named Ella, whose life of privilege so far exceeds that of Agnes and her two beloved daughters that the usual difficulties attending the stepmother/stepchild relati

Today on the New Books in Music podcast James Cook discuses his book, Memory Songs: A Personal Journey into the Music that Shaped the 90s (Unbound, 2018). The book details the author’s own adolescent musical obsessions from The Beatles to John Barry from Led Zeppelin to The Waterboys that led him to form his own band Flamingoes with his twin brother, Jude, and move to London in the early 1990s and begin the long the often perilous road to becoming a full-time working musician. The book is part memoir, part music criticism, part social history, and a vivid tale of life lived on the periphery of a vibrant era in British cultural history. Originally a musician and songwriter, James Cook released two albums with his band Flamingoes: the acclaimed “Plastic Jewels” in 1995 and “Street Noise Invades the House” in 2007. Present from the start of the Britpop boom, The Flamingoes toured the UK and Europe extensively, selling 20,000 records worldwide. In 2009, one of James’ short stories wa

The technological “singularity” is a popular topic among futurists, transhumanists, philosophers, and, of course, science fiction writers. The term refers to that hypothetical moment when an artificial superintelligence surpasses human intelligence, leading to runaway—and unpredictable—advances in technology. Among the biggest unknowns is whether or not the superintelligence will turn out to be benign of malevolent. “All sorts of visions arise, one of which might be the total annihilation of humanity by [artificial intelligences] and robots. Another might be that we all get to live forever as the robots and A.I.s overcome aging and help us launch into space,” Douglas Lain says. To some, Lain’s vision of the singularity in Bash Bash Revolution (Night Shade Books, 2018) might sound benign. It involves an idealistic government scientist, who designs an artificial intelligence named Bucky to prevent the apocalypse; in short order, Bucky decides the best way to do so is by enticing people to play augmented-reality

When Annie Rushton heads west to keep house for her older brother on his Montana homestead, she expects to leave marriage and motherhood behind her. After all, the husband she walked out on at twenty, after the birth of their daughter sent her into a spiral of panic and depression, has divorced her and forbidden contact with their baby, citing fears for his own and the child’s safety. In 1911, a record like that should keep most men at bay. Adam Fielding also has no interest in marriage, but he’s drawn to Annie from the start, despite the frequent clashes of will between them. When her older brother sells them the homestead and skips town, Annie and Adam settle into a partnership that is as economically successful as it is romantic. But fate intervenes to prevent them from having a child, and with each disaster the return of Annie’s depression drives her farther apart from the husband she loves. In a world that understands psychological conditions as lapses in morality, the judgment passed on Annie is harsh a

Patricia Leavy and Victoria Scotti‘s Low-Fat Love Stories (Sense Publishers, 2017) is a collection of short stories and artistic portraits focusing on women’s dissatisfying relationships. What makes these stories different from conventional fictions is that all the stories are based on extensive interviews with women of different ages and from different racial, ethnic, and cultural backgrounds across the United States. In the book, readers will read extremely candid and moving personal stories, identity struggles, and painstaking self-reflection. As a product of art-based research, the book also critically interrogates how popular culture shapes women’s self-perception, influences their understanding of romantic relationship, and eventually contributes to their sufferings of low self-esteem, depression, or anxiety. A methodological conversation and an interview guide are attached at the end of the book to reflect on the rigorous research that the authors have conducted. The book is very versatile in the

Jack Chen is a drug pirate, illegally fabricating patented pharmaceuticals in an underground lab. But when she discovers a deadly flaw in Big Pharma’s new productivity pill, corporate bosses hire a team of assassins to silence her. Annalee Newitz’s novel Autonomous (Tor, 2017) isn’t only a fast-paced cat-and-mouse story. It’s also an exploration of the rapaciousness of capitalism and its ability to turn everything, even freedom, into a commodity. Her first novel, Autonomous has been widely acclaimed, receiving Nebula and Lambda Literary award nominations. “I’ve written a lot about patents and how they affect innovation and how companies use patents to screw customers over,” Newitz, a journalist and founder of io9, says in her New Books interview with Rob Wolf. In Autonomous, she highlights how “something dry and wonky like patent law has a life or death hold over us.” Newitz also turns the idea of robot rebellion on its head. “I wanted to tweak this idea that is such a big cliché in science fiction about a so

We all know baseball as one of America’s fondest pastimes, but did you know there’s a version of the sport designed specifically for the blind? It’s called Beep Ball, and the players, with the exception of the pitcher, are all visually impaired. Founded by the National Beep Ball Association in 1976, there are now more than 200 teams in the United States alone with interest in the sport growing quickly among players abroad. For his debut book of creative nonfiction, Beep: Inside the Unseen World of Baseball for the Blind (Swallow Press, 2018), author David Wanczyk spent over three years interviewing dozens of Beep baseball players, coaches, volunteers, and fans in order to create a living profile of the sport and many of its star athletes. A diehard baseball fan himself, Wanczyk takes the reader deep into the culture of Beep Ball, traveling across the United States, Taiwan, and the Dominican Republic, to follow teams like the Austin Blackhawks, the Athens Timberwolves, the Indy Thunder, the Boston Renegades an

Paris has a way of resisting history, absorbing change gradually instead of being transformed by it. The same can be said of Hallie, the protagonist of E.J. Swift’s Paris Adrift (Solaris, 2018), who is compelled by the threat of a future apocalypse to travel through time to key moments in history—and manages to do so without losing herself. Swift’s novel is both a suspenseful chrono-adventure and a portrait of Hallie, a young British woman running from an unhappy life. When she gets a job in current-day Paris as a waitress at a bar, she makes intense friendships among the staff of hard-drinking ex-pats. She also finds a time portal in the keg room. Hallie’s brilliance is in her economy of effort. For instance, with a simple suggestion whispered in the ear of architect Paul Abadie, she prevents the construction of Paris’ famous Sacré-Cœur Basilica (and thereby carries out an important leg of her mission). In a delightful twist, the church becomes a massive green windmill, turning into a symbol for an “Oc

Frances Ellen Watkins Harper’s nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by intellectuals until black feminist scholars such as Deborah McDowell and Hazel Carby undertook the crucial work of recuperating Harper’s writings and highlighting her important contributions to African American literature and history. Koritha Mitchell’s new critical edition of the book–Iola Leroy Or, Shadows Uplifted (Broadview Editions, 2018)—makes a timely contribution to the study of black literary and political history by contextualizing Harper’s life and work. In our contemporary moment where black women spearhead international movements for justice and equality such as Black Lives Matter and Me Too, but continue to be erased from public discourse and recognition, Mitchell’s foregrounding of Watkins Harper makes a crucial intervention in r

There is something almost sweetly Victorian about the new fantasy novel, The Sisters Mederos (Angry Robot, 2018), by Patrice Sarath, which concerns two young sisters enduring misfortune. The opening chapters reminded me of the childhood classic, The Little Princess, published in 1905. Yvienne and her magical sister, Tesera, daughters of a once rich trading family, are sent to a school for paupers, when their family is accused by creditors hungry for their downfall. In the traditional of some YA novels, Yvienne and Tesera’s parents are inept and depressed, and their uncle is a foolish lecher, forcing the young girls to shoulder responsibility for each other. Into their miserable lives comes Mathilde, a cheery housekeeper who knows how to do much on a shoestring budget, and is capable of putting Uncle Samwell in his place. This charming novel avoids disturbing and tragic scenes: the worst that happens is that one heroine is forced to serve some merchants dinner while wearing a maid’s uniform and being mocked. A

At six, Esme Wells has never attended school, but she has already learned how to take care of her father: accompany him to the racetrack, load up on hot dogs when asked, and keep an eye open for stray tickets that may turn out to be winning bets. When not watching the horses or accompanying her father to pawnshops to pay for his habit, more than once with his wife’s wedding ring, Esme hangs around the Hollywood back lots where her mother, Dina, seeks a screen test and stardom while dancing in Busby Berkeley musicals. But Esme has dreams of her own. After her father’s criminal ties take them both to Las Vegas, still little more than a blip on the map, and she makes the acquaintance of the gangster Bugsy Siegel, Esme uses her talents as a performer and her considerable female charms to catapult her into a career as a showgirl, gangster’s moll, and burlesque dancer. In this amoral universe, where the only unforgivable crime is to steal from the bosses, Esme struggles to find happiness while protecting her father

Rob Wolf interviews Mur Lafferty about Six Wakes (Orbit, 2017), her novel about murdered clones that received nods for this year’s Philip K. Dick and Nebula awards—and, after the interview was recorded, the Hugo Award as well. Lafferty is no stranger to awards, having won the John W. Campbell Award for Best New Writer in 2013. She has been podcasting since 2004, using the medium to serialize her fiction and host the shows I Should Be Writing and Ditch Diggers, the latter of which was also nominated this year for a Hugo in the Fancast category. Lafferty talks about cloning laws, the risks of reading an unfinished novel in public, the lessons she learned from Agatha Christie, and the thrill of having her work nominated for science fiction’s most prestigious prizes. Rob Wolf is the author of The Alternate Universe. He worked for a decade as a journalist, writing on a wide range of topics from science to justice reform. He serves as director of communications at a think tank in New York City.Le

We all imagine that, when put to the test, we will end up on the right side of history, however we define it. Nowhere is that statement more true than in reference to World War II. But sometimes people end up on the wrong side for reasons outside their control—even on a side they don’t believe in. Such is the fate that confronts Tony Babic, the hero of John Richard Bell‘s debut novel, The Circumstantial Enemy (Endeavour Press, 2017) based on the true story of his father-in-law’s life during the war. Tony, when we meet him, is a young pilot flying for the Croatian Air Force. His experience of causing one death and witnessing another—that of his commander—has left him eager to find a more peaceful way to exercise his talents. But his country, in an effort to escape both Serbian control and Nazi conquest, has chosen to ally with Germany in return for nominal independence as a puppet state. Tony has little choice but to fly for the Luftwaffe and is soon taking part in the Siege

Rob Wolf interviews Tim Pratt about his Philip K. Dick Award-nominated space opera The Wrong Stars. Pratt is the author of over 20 novels, picking up a Hugo Award and nominations for the Nebula and many other awards over a productive and varied career. Until now, however, he’s written mostly contemporary fantasies, avoiding science fiction–even though he’s always been a fan of the genre. “I always thought I just wasn’t qualified to write science fiction,” he says. “I felt my grasp of the physics and orbital mechanics and the hard SF elements weren’t good enough.” But after finishing his Marla Mason urban fantasy series, he was ready for something new–and no longer felt intimidated by the idea of writing science fiction. “I thought, ‘It’s not as if writing science fiction means I have to write utterly plausible, completely grounded, hard science fiction.’ There’s a continuum that at one end has hard SF and at the other en