Indiewire's Filmmaker Toolkit

Director Sara Dosa and producer Shane Boris join Filmmaker Toolkit to discuss the formal and tonal choices they made in order to capture the adventurous spirits of Katia and Maurice Krafft in "Fire of Love."  Learn more about your ad choices. Visit megaphone.fm/adchoices

Film scholar and public radio fixture Elvis Mitchell speaks about directing "Is That Black Enough for You?!?" and why the 1970s were the greatest decade ever for Black film. Learn more about your ad choices. Visit megaphone.fm/adchoices

Directors Tia Lessin and Emma Pildes join Toolkit discuss the creative pillars holding up their documentary "The Janes," why it was important to make Chicago a character in the story, the extensive challenge and surprising finds of using archive material from the period, and their and the film's relationship to the modern politics of abortion. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Filmmaker Toolkit, Field talks about how he turned his unusual script about a famous conductor in personal and professional free fall into a riveting character study, with help from star Cate Blanchett, collaborating during the height of the pandemic, thematic ideas like the corrupting nature of power and practical concerns like casting the other parts, and both Field's and Blanchett's delight in sharing their growing excitement about the milieu in which the film takes place. Learn more about your ad choices. Visit megaphone.fm/adchoices

"DIG!" and "We Live in Public" director Ondi Timoner joins Toolkit to discuss the unintentional road to "Last Flight Home" and the work of making the cameras that documented her father's last days as invisible as possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

In James Gray's new film "Armageddon Time," he returns to the kind of intimate, precise character study with which he made his name. Gray speaks about visual style, memory, and why he loves movies to begin with. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Margaret Brown discusses the cinematic and narrative choices that helped shape the story of "Descendant" – from building the sounds of the South to collaborating with the film's subjects to resurfacing the filmmaking of Zora Neale Hurston. Learn more about your ad choices. Visit megaphone.fm/adchoices

Charlotte Wells joins the Filmmaker Toolkit podcast to talk about the evolution of her first feature: creating anchor points for memory within the story of the film, the joys of working with DV camcoder footage and the liminal place it sits between objective and subjective points of view, refining perspective and the sense of memory in editing "Aftersun" together, finding immediacy within a specific time period through the look of the film, and even more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Series creator Armando Iannucci discusses the benefits of satire while working in genre, building a future out of our ridiculous present, and how the pandemic influenced the HBO comedy's second season. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you were an action fan in the 1970s, ’80s, or ’90s, one of the great pleasures of filmgoing was the experience, every year or two, of a new Walter Hill movie. No one else was really making movies like him, and no one had before; Hill created a body of work that spoke to American culture both past and present where the jokes are funny but the bullets are real. On this episode of the Filmmaker Toolkit podcast, Hill speaks about returning to his favorite genre, the Western with his new film "Dead for a Dollar." Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Nicholas Stoller, of "Neighbors" and "Forgetting Sarah Marshall" fame, joins Filmmaker Toolkit to discuss his process developed on some of the best comedy films of the last couple decades and how he applied it to his latest film, 'Bros.' Learn more about your ad choices. Visit megaphone.fm/adchoices

Writer-director Andrew Dominik wrote his adaptation of Joyce Carol Oates' novel "Blonde" in about four weeks — and then waited 12 years for the opportunity to bring it to the screen. The "Killing Them Softly" director joins Filmmaker Toolkit to talk about his decade-plus-long journey to bring Joyce Carol Oates' fictionalized portrait of Marilyn Monroe to the screen, and the epic study of trauma and Hollywood's exploitation of it that he created. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ti West, director of "X" and "Pearl," stops by Toolkit to discuss how he landed on the golden age of Hollywood aesthetic he captured for his horror prequel, how he achieved the film's singular look, and how he tapped into a more formal style of filmmaking where blocking and framing can tell the entire story of a family and lead us to understand Pearl herself. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the Filmmaker Toolkit podcast, creator and star of 'Mo', Mo Amer discusses how he and his team built a series that juggles a tone that can fuse comedy and drama, how they built the show's hip and absurd sense of humor, and how they made filmmaking choices that spotlight the city (Houston) and the culture (the Palestinian diaspora) at the show's heart. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director George Miller joins this week’s episode of Toolkit to talk about the making of his latest film, “Three Thousand Years of Longing.” Miller discusses the film’s place in his career as a “palate cleanser” after the high-octane “Mad Max: Fury Road,” the philosophical underpinnings of the script, and why working with actors who are also filmmakers - in this case Tilda Swinton and Idris Elba - yields the best work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Executive producer and director Jamie Babbit discusses how the new Amazon Prime Video series "A League of Their Own" uses its camera to turn the show's large cast into a team and breaks down the cinematic language she found to highlight both the joys of playing baseball and of falling in love. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jerrod Carmichael joins this week to talk about the creation of "Rothaniel," the ways in which it's changed his approach to telling stories for an audience, and some of the filmmaking choices that helped make the special as natural and also as elegant as possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Succession" executive producer and director Mark Mylod joins this episode of Toolkit to discuss putting together the show's third season and discusses the extra charge the series got from shooting in Italy, how "Succession" organizes scenes in order to capture the most impactful performances, the ways in which the show uses its opulent backup to keep the characters in perspective, and even more. Learn more about your ad choices. Visit megaphone.fm/adchoices

As a young screenwriter, Lawrence Kasdan saw the special effects magicians at Industrial Light & Magic bring his most spectacular acts of imagination to life. Over 40 years after his work on “The Empire Strikes Back” and “Raiders of the Lost Ark,” Kasdan returned to the world of ILM for “Light & Magic,” a six-part documentary series chronicling the biggest effects developments of the 20th century through the stories of the men and women responsible for them – most of all Kasdan’s first employer, George Lucas. In this episode Kasdan talks about why he left fiction filmmaking behind for documentaries, how Lucas changed the movies forever, the mistakes Kasdan made on his own special effects extravaganza “Dreamcatcher,” and why “Top Gun: Maverick” made him excited about the movies again. Learn more about your ad choices. Visit megaphone.fm/adchoices

Peele knows you'll have questions after seeing 'Nope,' but to what degree did he figure out the the life and history of his new film's alien life form? Peele answers that question, as he breaks down the process of making his UFO cinematically real, and what he learned from filmmakers like Paul Thomas Anderson and Quentin Tarantino. 'Nope' is a masterpiece of sound, and in second half of the podcast [19:40], we interview the films sound designer Johnnie Burn. Learn more about your ad choices. Visit megaphone.fm/adchoices