Front Row

Recorded at the Hornby Library inside Liverpool Central Library, in front of a live audience, as Liverpool gears up to host The Eurovision Song Contest on behalf of Ukraine. Two novelists from The Big Eurovision Read, a list of 12 books from The Reading Agency and BBC Arts talk to Nick Ahad about the unifying power of music: Pete Paphides on his autobiography Broken Greek, A story of chip shops and pop songs, and Matt Cain tells us about his novel The Madonna of Bolton.Yemeni British poet and activist Amina Atiq performs her poem Daifa, commissioned for the Big Eurovision Welcome concert.Former conductor of the Royal Liverpool Philharmonic Orchestra Vasily Petrenko is one of the city’s Citizens of Honour. He’s returned to the city for a concert with the orchestra. He explains how music can be a unifying force and why he has suspended his work in Russia. There’s music from the Liverpudlian electro pop band Stealing Sheep, along with local singer songwriter Natalie McCool, who open the EuroFestival with Welcom

Merseyside-native Jonathan Harvey discusses his new play, A Thong For Europe, which combines his love of Liverpool with his passion for Eurovision to create an exuberant comedy where the Eurovision final really does become a family affair. And this week our panel of cultural critics review two debuts - Academy Award-winning actor Tom Hanks’s first novel The Making of Another Major Motion Picture Masterpiece, and Harka, the debut feature from the Egyptian-American filmmaker Lotfy Nathan. The literary critic Max Liu and the film critic Leila Latif join Samira Ahmed to give their assessment of Hanks’s time travelling tour of the film industry on the page and Nathan’s portrait of Tunisia on screen, set some ten years after the Arab Spring.

Jack Thorne talks about his new play, The Motive and the Cue, which is about John Gielgud directing Richard Burton in a 1960s production of Hamlet on Broadway. He discusses the relationship between the two famous figures in the world of stage and screen.Composers Debbie Wiseman and Sarah Glass, who have both been commissioned to write music for the King’s Coronation, discuss composing for a landmark Royal occasion. To mark 30 years since the release of Derek Jarman’s final film Blue - which reflects his battle with HIV - director Neil Bartlett and composer Simon Fisher Turner have created a live performance of the film, called Blue Now. They explain the importance of Jarman and of Blue, both then and now. Presenter: Shahidha Bari Producer: Eliane Glaser

Sir Lenny Henry is making his debut as a playwright for the stage with August in England, a one-man drama about the Windrush scandal. Tom Sutcliffe meets Lenny to discuss his move from stage to page and back again, as he takes on the title role of August at The Bush Theatre in London.50 years ago, after the Chinese invasion of Tibet, the ancient Tashi Lhunpo Monastery relocated to South India, where the exiled monks are dedicated to maintaining the culture and religion of their homeland. Simon Broughton reports from the monastery where he meets some of the monks about to tour the UK performing ritual dance and music. At the Gutor festival he witnesses elaborate masked dances and hears the awe-inspiring sound of Tibetan trumpets - four metres long. Can books ever be sustainable? How can publishing reach net zero? Children’s author Piers Torday, Chair of the Society of Authors’ Sustainability Committee, and commercial publishing veteran Amanda Ridout, CEO of Boldwood Books and Chair of the Independent Publishi

Samira celebrates the music and life of Sergei Rachmaninoff. With pianist Kirill Gerstein, who has released a new recording of Rachmaninoff's Second Piano Concerto with the Berlin Philharmonic, Marina Frolova-Walker, Professor of Music at Cambridge, pianist Lucy Parham, who has created a Composer Portrait concert about Rachmaninoff that she is currently touring across the UK. Plus film historian and composer Neil Brand discusses the use of Rachmaninoff's music in film classics such as Brief Encounter. Presenter: Samira Ahmed Producer: Timothy Prosser

Patrick Bringley sought solace after the death of his brother and found it as a guard at the Metropolitan Museum of Art in New York where he worked for ten years. He joins Front Row to talk about his memoir of that time, All the Beauty in the World.Novelist Tahmima Anam and film critic Jason Solomons review the Russo Brothers' new spy thriller series Citadel starring Priyanka Chopra Jonas and Stanley Tucci, as well as the satirical action comedy film Polite Society, directed by Nida Manzoor.And art critic Rachel Campbell-Johnston reacts to the Turner Prize shortlist, announced today.Presenter: Tom Sutcliffe Producer: Sarah Johnson

A special edition following the Royal Shakespeare’s Company’s new production of Cymbeline, the final play in Shakespeare’s First Folio - a collection that reaches its 400th anniversary this year. Acclaimed and award-winning Shakespearean, Greg Doran, has directed every play in the First Folio except Cymbeline. For him it’s one of Shakespeare’s most complex creations and he will be directing it for the first time as his swansong as the RSC's Artistic Director Emeritus. From the start of the production’s rehearsal period until its first performance, Front Row follows Greg and his team as they get to grips with a play criticised and celebrated for its genre-busting, location-hopping, multiple plotlines, topped by the appearance of the god Jupiter descending from the heavens on an eagle.Presenter: Nick Ahad Producer: Ekene Akalawu

The playwright Ryan Calais Cameron's critically acclaimed play For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy has just transferred to London's West End. Samira Ahmed talks to him about its success and his new play at The Kiln in London, Retrograde, set in 1950s Hollywood and following a young Sidney Poitier.Stewart Copeland, founder member and drummer of The Police, now a composer for film, opera and ballet, has reinterpreted the 80s rock band's biggest hits. He talks to Samira about his operas, movie soundtracks and his new album and tour, Police Deranged for Orchestra. Next Monday is May Day when morris dancers will perform at dawn to greet the summer. Morris dancing is itself enjoying a moment in the sun: Boss Morris, an all-female folk dance group, performed with the Best New Artist winners, Wet Leg, at this year's Brit Awards. Samira is joined by Michael Heaney, author of a new history of the dance; the musician Rob Harbron, who composes new morris tunes; and Lily Cheetham of Boss

Patrick Radden Keefe, who has been shortlisted for the Baillie Gifford Prize of Prizes award, discusses his book Empire of Pain: The Secret History of the Sackler Dynasty. It tells the shocking story of the Sackler family and the part their company, Purdue Pharma, played in America's opioid crisis.“The word ‘divine’,” Iestyn Davies says, ”has changed its meaning to indicate nowadays beauty as well as Divinity.” The songs countertenor Iestyn Davies has selected for his new album, Divine Music: An English Songbook, reflect this change. There are settings by Purcell, Britten and Butterworth and words by Shakespeare, de la Mare and Housman. That prolific artist Anonymous makes a significant contribution, too. Iestyn Davies talks to Tom Sutcliffe about his choices and, accompanied by pianist Joseph Middleton, performs one of them, appropriately titled, ‘A Hymn on Divine Music’.Theatre is not only becoming increasingly focused on telling stories about our climate crisis, but also thinking more about how sustainabl

Tom Sutcliffe meets Tracey Thorn and Ben Watt of Everything But the Girl as they release Fuse, their eleventh studio album and their first in almost 24 years following 1999’s Temperamental.Today's critics are Briony Hanson, Director of Film at the British Council and Carne Ross, former British diplomat and writer. They'll be talking about The Diplomat on Netflix which follows the story of the newly appointed US Ambassador to the UK.Briony and Carne will also review French film Pacifiction, which taps into the world of the high commissioner in French Polynesia. Presenter: Tom Sutcliffe Producer: Sarah Johnson

Composer Jeanine Tesori's Blue for the ENO; Baillie Gifford winner of winners for non-fiction shortlist - Margaret MacMillan; new ideas in architecture discussedPresenter: Samira Ahmed Producer: Jerome Weatherald

Plans to finish Barcelona’s famous church, La Sagrada Família, have been causing controversy as they involve demolishing apartment blocks to make way for the new entrance. Journalist Guy Hedgecoe, who reports on Spain for the BBC, and the Twentieth Century Society’s director, Catherine Croft, discuss the issues raised as the completion of the emblematic building draws near. Singer Georgia Cecile topped the Jazz charts with her latest album, Sure of You. She joins Samira Ahmed to perform live in the Front Row studio and discuss the resurgence of Jazz. The Northumbrian police and crime commissioner has redirected some of the proceeds of crime into the arts. Bex Lindsey reports on how Tyneside based theatre company Workie Ticket are using the funding from “Operation Payback” to create productions with social impact. And Front Row remembers the actor and director Murray Melvin, best known for his role in Shelagh Delaney’s A Taste of Honey, who has died aged 90.Presenter: Samira Ahmed Producer: Paul Waters

Percussionist Colin Currie performs live in the Front Row studio. He discusses his new interpretation of one of minimalist composer Steve Reich’s best known works, Music for 18 Musicians.50 years on from the death of playwright Noel Coward, biographer Oliver Soden and theatre director Michael Longhurst look at his legacy and ask what he means to theatre audiences today, as a new production of Coward’s Private Lives opens.Author Catherine Lacey on Biography of X, her genre redefining new novel about a mysterious artist, which includes fictionalised footnotes and references. Presenter: Shahidha Bari Producer: Julian May

The RSC's production of Hamnet brings the bestselling, award-winning novel by Maggie O'Farrell to the stage. To review this reinterpretation of O'Farrell's imagined account of the short life of Shakespeare's son, which also foregrounds his wife Agnes, Tom Sutcliffe is joined by theatre critic Susannah Clapp and the novelist and screenwriter Louise Doughty. Michael Frayn is the author of almost 50 works, including the farce Noises Off, the novel Spies, and translations of Chekhov’s plays. In his ninetieth year, Frayn talks to Tom Sutcliffe about Among Others: Friendships and Encounters, a memoir less about him than the people who shaped him.Our critics Susannah Clapp and Louise Doughty also review the new Netflix drama Obsession, a tale of erotic obsession, based on the late Josephine Hart's 1991 novella Damage.Presenter: Tom Sutcliffe Producer: Paul Waters

Screenwriter Kevin Sampson on the complexities of his new true crime drama for ITV, The Hunt for Raoul Moat.Max Porter found huge success with his first book, Grief is the Thing with Feathers, acclaimed as a tender, funny and original story of loss. His latest, Shy, completes the trilogy about grief that began with that book. It tells the story of a teenage boy in the 90s, setting off in the middle of the night from a residential house in the countryside for disturbed children. Opera director Adele Thomas on the reaction to her Twitter thread about what a stage director earns.Throughout the 1970s and 1980s, photographer Chris Killip immersed himself in communities in the north-east of England. The Baltic Centre for Contemporary Art in Gateshead presents a career retrospective, with the stark yet tender images he made at its heart. The poet Katrina Porteous, who like Killip has worked on the Durham coast, reviews the exhibition. Presenter: Nick Ahad Producer: Ekene Akalawu

A new exhibition of the Pre-Raphaelite Rossettis at Tate Britain in London explores the 'radicalism' of Dante Gabriel, Christina and Elizabeth (Siddal), and their 'revolutionary' approach to life, love and art in Victorian Britain. It emphasises Elizabeth as artist rather than muse, and charts the emergence of the Pre-Raphaelites through to Gabriel’s famous romanticised female portraits. However, despite their popularity, views of the Rosettis' art are often polarised. To discuss whether the Rossettis are radical or overrated, Samira is joined by the curator of the exhibition, Carol Jacobi, and by critic Jonathan Jones.Artificial intelligence can now write sonnets, paint portraits and compose symphonies. Benbrick, the Peabody Award-winning producer of the BBC Sounds’ series Have You Heard George’s Podcast?, reflects on the impact of AI on creativity and his own creative practice.In the latest of Front Row’s interviews with the shortlisted authors for this year’s Baillie Gifford, Winner of Winners Award, Samir

Front Row marks the 400th anniversary year of Shakespeare's First Folio with former RSC Artistic Director Greg Doran, Guildhall Principal Librarian Peter Ross, and Shakespeare experts Emma Smith, Farah Karim-Cooper and Chris Laoutaris. Without the Folio we might not have had The Tempest, Twelfth Night, Measure for Measure and many others. Front Row considers the rich, complicated and sometimes paradoxical history of its compilation, printing, and significance over the centuries.Presenter: Tom Sutcliffe Producer: Sarah Johnson

Ai Weiwei: Making Sense. We look at the new exhibition which opens at the Design Museum in London tomorrow.Plus we review the new Grease prequel Rise of the Pink Ladies, streaming on Paramount+ from tomorrow. Samira is joined by reviewers Nancy Durrant, Cultural Editor of the Evening Standard, and critic Karen Krizanovich. Plus 25 years of the Good Friday Agreement. Two very different new plays marking the anniversary open this week. Agreement at the Lyric Theatre in Belfast dramatizes the negotiations that led to the deal, and Beyond Belief at the Derry Playhouse is a musical about the life of Irish politician John Hume - one of the architects of the peace agreement. Steven Rainey talks to the creative teams behind both productions about marking the moment. Presenter: Samira Ahmed Producer: Jerome Weatherald

For his latest project, the Oscar-winning filmmaker Alex Gibney has turned his attention to the original tennis wunderkind Boris Becker. He talks about the making of his documentary, Boom! Boom!: The World vs Boris Becker, and what it was like to follow the sports legend during the period which saw him land in jail.The BBC's Kathy Clugston looks at how artists are commemorating the 25th anniversary of the Good Friday Agreement and talks to Gail Ritchie and Raymond Watson about the different approaches they have taken to marking moment when the agreement was made.What happens when a working artist leads an arts organisation and should artists be leading more organisations? Poet, writer, and performance artist Keisha Thompson, who is also the artistic director and CEO of Contact, the theatre and arts venue in Manchester, and visual artist-curator Gavin Wade, who is also the co-founder and director of Eastside Projects in Birmingham, discuss what artists bring when they are at the helm.Presenter: Nick Ahad Prod

BAFTA-winning director Joe Pearlman talks about his new Netflix documentary on Scottish pop superstar Lewis Capaldi, which is out tomorrow. In Lewis Capaldi: How I’m Feeling Now, Joe follows Lewis as he struggles with his mental health and writing his second album during the pandemic.Tartan, the textile of tradition and rebellion is celebrated at the Victoria & Albert Museum in Dundee, which is apt - Queen Victoria loved tartan and Prince Albert designed several tartan setts. BBC Scotland arts correspondent Pauline McLean reports on the exhibition which tells the story of tartan and how the rules of the grid have inspired creativity around the world.Continuing Front Row's series of interviews with all the authors shortlisted for the Baillie Gifford Prize for non-fiction ‘winner of winners’ award, Tom Sutcliffe speaks to Craig Brown about his book, One, Two, Three, Four: The Beatles In Time.The renowned Japanese musician and composer Ryuichi Sakamoto died at the weekend. In an interview for Front Row from