Night White Skies

This week is a conversation with curator Boris Magrini about the 'Radical Gaming' exhibition currently at the House of Electronic Arts (HEK) in Basel Switzerland. *** Night White Skies is a program about our design futures as both the environment and our human bodies are now open for design. www.SeanLally.net Substack Instagram Thanks to Richard Devine for the use of several sample permission.

Margret Grebowicz is an environmental philosopher living in upstate New York. She is the author of four books--Mountains and Desire: Climbing vs. the End of the World, Whale Song, The National Park to Come, Why Internet Porn Matters--and is currently finishing a new short book, Rescue Me: On Dog Abundance and Social Scarcity. *** Night White Skies is a program about our design futures as both the environment and our human bodies are now open for design. www.SeanLally.net Substack Instagram Thanks to Richard Devine for sample permission.

Daniel A. Barber is Associate Professor and Chair of the PhD Program in Architecture at the University of Pennsylvania. His research and teaching narrate eco-critical histories of architecture and seek pathways into the post-hydrocarbon future. We discuss on this episode his most recent book 'Modern Architecture and Climate: Design before Air Conditioning (Princeton UP, 2020)

This week is a conversation with Jackie Higgins. Jackie is a television documentary director and writer, who read zoology at Oxford University, as a student of Richard Dawkins. She made wildlife films for a decade, for BBC as well as for Channel 4, National Geographic and The Discovery Channel. She then joined the BBC's science department, researching and writing, directing and producing programs such as Tomorrow’s World and Horizon. Today we’re talking about her book ‘Sentient’.     Music samples used. Richard Devine, 'Etch n Sketch'  Cinematic Laboratory, 'Eurotrack Starter Kits ep. 01

'Rehearsing our Feelings'   When it comes to trying to plan for the future, various tools are used to help us with the process. If you have a series of appointments to attend in the coming months, you'll likely use a calendar to schedule time and place. If you plan on building a structure or a landscape, you'll likely turn to drawings to define shapes and qualities. But you could lump these two examples together (the scheduling of time and the representation of a shape) as tools that help you deliver something you know you already want. In many ways, they are both instructions to manage something you already know. We're of course aware that this isn't exactly the case. The tools we use for design have proclivities embedded within them that inform the decisions we make while using them.   But maybe we're missing the whole point here when discussing how to represent the future for people. Instead of showing them examples of how it might look, (one form or shape being better than the other) we instead need

There is probably no bigger name in science fiction in the last 50 years than Kim Stanley Robinson. Robert Markley (who I’m speaking with today) wrote a book with that very title, 'Kim Stanley Robinson' that looks at his work. The book looks at the works including the alternate histories of The Days of Rice and Salt, the future through the Mars Trilogy, as well as books like Shaman that take place 30,000 year in the past before written language. Ultimately, the work looks at how we as a species and civilization might move forward as we come to grasp the pressures facing us today.  Robert Markley is Trowbridge Professor and Head of English at the University of Illinois at Urbana-Champaign. His recent books include The Far East and the English Imagination, 1600-1730 and Dying Planet: Mars in Science and the Imagination. 

What does it mean for architecture to have character? Stewart and Allison are co-founders of Design With Company, who's work is interested in concepts that are shared between architecture and literature, including: narrative fictions, type, and character. The work has earned awards such as the Architecture Record Design Vanguard Award and the Young Architect’s Forum Award and has been featured in exhibitions such as the Chicago Architecture Biennial and Design Miami, as well as at the V&A Museum and Tate Modern in London.  Allison has lectured at institutions like MoMA in New York, the Vancouver Museum of Art, the Art Institute of Chicago, the Graham Foundation, and universities across the country and abroad. Stewart is an Associate Professor of Architecture at the University of Illinois at Chicago, and an Associate Dean of the College of Architecture, Design, and the Arts.  Mas Context 'Character' Issue

Elena Manferdini, principal of Atelier Manferdini. She currently teaches at the Southern California Institute of Architecture SCI-Arc where she serves as the Graduate Programs Chair.

Amy writes about arts, culture, and the environment. She is the Deputy Publisher of Guernica magazine and the Editor-in-Chief of the Chicago Review of Books, where she also writes a monthly column called “Burning Worlds.” It explores how contemporary fiction addresses issues of climate change.  She is also the co-editor of the anthology, House on Fire: Dispatches from a Climate-Changed World, forthcoming 2021 from Catapult. She received her PhD in English from the University of Massachusetts Amherst  and has won numerous awards including from the National Science Foundation.

Michael Benedikt is an ACSA Distinguished Professor of Architecture at the University of Texas at Austin, where he holds the Hal Box Chair in Urbanism and teaches design studio and architectural theory. He is a graduate of the University of the Witwatersrand in South Africa and of Yale University. Although he has practiced at small scale, he is best known for his writings and lectures. Architecture Beyond Experience is his ninth book. He also edited and contributed to fourteen volumes of CENTER: Architecture and Design in America, on a wide range of topics. Some of Benedikt's writings can be found at http://www.mbenedikt.com. The event and publishing activities of the Center for American Architecture and Design can be found at http://soa.utexas.edu/caad. The ISOVIST app for OSX and Windows, written by Sam McElhinney of UCA Canterbury, can be downloaded from http://www.isovists.org.

This week is a conversation with John May and we’re discussing a book he recently wrote called ‘Signal, Image, Architecture. It’s a short book with an objective to define the playing field today for this discussion. The book makes a clear distinction between that of a drawing, a photograph and an image. And in doing so makes it clear that those first two (drawing and photograph) are not what architects and designers are likely to be producing in school or practice anymore.   Instead, we’re producing images that can look like a photograph or a drawing. The distinction is important because the argument could be made that we are not taking full advantage of the proclivities of the images and therefore not engaging the tools that might best help us understand and shape our times. There are fundamental differences to the image, and it’s best to understand them and how they are likely intertwined with how we engage many of the pressures surrounding us today.    John May is founding partner, with Zeina Koreite

Today is a conversation with Holly Jean Buck and we’re discussing her book After Geoengineering: Climate Tragedy, Repair and Restoration.   I think for many of us that like to think we’re working in at least the general wheelhouse of climate change, we still don’t have a firm grasp of what geoengineering entails. For most of us, it’s a singular black box technology that will either help our current situation or make it worse. It’s often portrayed as a technology more so than as policy or even design. It’s characterized as a singular action rather than as a series of discrete, temporal actions that are rather wide ranging in approach. It’s also often assumed to be an already defined action waiting to be executed, which it is not.   In After Geoengineering, Holly Buck brings into focus the importance of asking what we as inhabitants of Earth are looking for on the back end of these climate remediation projects? What are we working towards and who has been part of these discussions? The book and the discu

James Bradley is an author and critic. His books include the novels, Wrack, The Deep Field, The Resurrectionist and Clade, a book of poetry, Paper Nautilus and the Penguin Book of the Ocean and of course most recently Ghost Species.  Today is a conversation with the author and critic James Bradley and we’re discussing his recent novel Ghost Species which looks to the implications of the great upheaval occurring around climate change.   But instead of focusing solely on the technological or statistical indicators that often represent change - or focusing on a cataloguing of climate catastrophes to drive home the point – the book instead follows the lives of resurrected extinct species including our own long lost relative the Neanderthal. And it's through this storyline that we as readers' begin to question our expectations for our future, we question our terminologies and disciplinary structures set up for defining everything around us through difference.  As we learn the important of diversity, we are s

Today is a conversation with Sylvia Lavin and we’re discussing her recent book ‘Architecture Itself and Other Postmodernization Effects’. Book Sylvia Lavin is Professor of History and Theory of Architecture at Princeton University. Prior to her appointment at Princeton, Lavin was a Professor in the Department of Architecture and Urban Design at UCLA, where she was Chairperson from 1996 to 2006 and the Director of the Critical Studies M.A. and Ph.D. program from 2007 to 2017.   She is the author of Form Follows Libido: Architecture and Richard Neutra in a Psychoanalytic Culture. Her most recent books include, Kissing Architecture, published by Princeton University Press in 2011 and Flash in the Pan, an AA publication from 2015.   Professor Lavin is also a curator: including, Everything Loose Will Land: Art and Architecture in Los Angeles in the 1970s, was a principal component of the Pacific Standard Time series supported by the Getty Foundation and traveled from Los Angeles to New Haven and to Chicago. 

Natasha Sandmeier’s work and research straddles the worlds of architecture and visualization – with a long-standing interest the role of media within the creation and production of speculative architectures and environments. She is an educator and leads the postgraduate Entertainment Studio at UCLA Architecture & Urban Design. She is an architect and founding partner of Studio OUR, and the author and editor of Little Worlds (London, 2014); a monograph of projects and essays re-examining the role of the architect within contemporary architectural culture.  Links: Deep Fake of Nancy Pelosi Unreal Engine 5 launch William Gibson Article

Just yesterday two astronauts launched into outer space from the United States for the first time in 9 years. Interesting side note, this launch was the first time in 40 years that NASA astronauts launched in a new space craft...The Space Shuttle had been around for over thirty years. Today is a conversation with Jeffrey Nesbit and we’re discussing the book ‘Extraterrestrial’ co edited by himself and Guy Trangos.  In looking to the extraterrestrial, the book is a collection of essays from a range of disciplines about tied to the term- extraterrestrial. And as you’ll here in the discussion today, the book includes an array of perspectives for how the term ‘extraterrestrial’ might be beneficial for exploring our own existence here on earth.   As Jeffrey mentions during our discussion, extraterrestrial is more than just about that which originates ‘beyond’ our planet. This ‘extra’ along with the word ‘terrestrial’ also includes the heightening, exaggerating and intensifying of what we as humans or a planet mi

Jane Hutton is a landscape architect and Assistant Professor at the University of Waterloo School of Architecture. Her research looks at the extended material flows of common construction materials and their social and ecological relations. Recent publications include Reciprocal Landscapes: Stories of Material Movements (Routledge, 2019) as well as an edited volume, Landscript 5: Material Culture – Assembling and Disassembling Landscapes (Jovis, 2017), and Wood Urbanism: From the Molecular to the Territorial (Actar, 2019), co-edited with Daniel Ibanez and Kiel Moe.   A big thanks you to the Graham Foundation in Chicago for supporting this program! 

Larry Busbea is Associate Professor of Art History at the University of Arizona. He is the author of Topologies: The Urban Utopia in France, 1960-1970 (MIT Press, 2007), The Responsive Environment: Design, Aesthetics, and the Human in the 1970s (University of Minnesota Press, 2020), and Proxemics and the Architecture of Social Interaction (forthcoming from Columbia Books on Architecture and the City).  

Fred Scharmen teaches architecture and urban design at Morgan State University’s School of Architecture and Planning. He is the co-founder of the Working Group on Adaptive Systems, an art and design consultancy based in Baltimore, Maryland. His work as a designer and researcher is about how we imagine new spaces for future worlds, and about who is invited into them. His first book, Space Settlements—on NASA’s 1970s proposal to construct large cities in space for millions of people—is out now from Columbia Books on Architecture and the City. He received his Masters Degree in Architecture from Yale University. His writing has been published in the Journal of Architectural Education, Log, CLOG, Volume, and Domus. His architectural criticism has appeared in the Architects Newspaper, Slate, CityLab, and in the local alt-weekly Baltimore City Paper.

Christopher Schaberg is Dorothy Harrell Brown Distinguished Professor of English at Loyola University New Orleans, USA. In addition to his new book Searching for the Anthropocene: A Journey into the Environmental Humanities, he is the author of  The Textual Life of Airports: Reading the Culture of Flight (2012), The End of Airports (2015), Airportness: The Nature of Flight (2017), and The Work of Literature In An Age of Post-Truth (2018). He is series co-editor (with Ian Bogost) of Bloomsbury's Object Lessons.