Stack Magazines

Zweikommasieben is the Swiss magazine that's obsessed with the contemporary musical moment. We delivered their 27th issue to Stack subscribers in August this year, and then the following month we invited everyone to join us for a conversation that digs into the details behind the making of the magazine. It was great to catch up with them, and to hear them reflecting on what it means to have spent 12 years trying to capture the present.

Recorded live on Tuesday 10th October at The Scrandit in Bristol, this podcast episode features four independent publishers speaking about the challenges and opportunities of combining left-wing politics and print. The conversation was moderated by Eliz Mizon, strategy lead for The Bristol Cable, and it featured Max Jeffrey, art director of Stir to Action, Erin Mathias, editor of The Paper, and Phil Wrigglesworth, editor and art director of Left Cultures.

I dropped into the Magculture shop in Clerkenwell to speak with founder Jeremy Leslie ahead of next month's Magculture Live event. This will be their 10th year of the London-based conference (they also run it in New York) and it was really interesting to hear his thoughts on the last decade of running the event, as well as the general state of magazine publishing at the moment. We also took the opportunity to geek out over some favourite new titles, running through a few of the magazines that have caught our eye recently.

Osman Bari is founder, editor and designer of Chutney, a magazine that provides a platform for underrepresented voices to tell stories about cultural identity, colonialism and migration. We met up to speak about his ideas behind the magazine, the influence of food on the title, and his own changing status of settler and immigrant, and how being in London affected the stories he wanted to tell.

Recorded in August 2023 for our Stack Magazine Club, this conversation with editors Aliza Abarbanel and Tanya Bush explores Cake Zine, the magazine we delivered to our subscribers in July 2023. Telling the story of the literary food magazine so far, they explain how they started in the pandemic with their Sexy Cake issue, then released Wicked Cake in time for Hallowe'en last year, before switching to Humble Pie for this third issue.

The first issue of Te was published in 2021 and it caught my eye because it seemed to be doing something clever with food publishing: Its stories are about the different ways that ingredients can travel around the world, or the different values and associations that might be attributed to particular dishes, and so the whole thing seemed to be using the conventions of a food magazine as a sort of Trojan horse for telling stories about people and cultural anthropology. I assumed the second issue would use food in a similar way, but when I picked it up I realised that this was no longer a magazine about food, and the focus had switched to sound. Intrigued by the change, I spoke with founder and editor Michael Guo to hear about his thinking behind the project.

Recorded at Indiecon in Hamburg, editors Vasudhaa Narayanan and Tarini Sethi speak about The Irregular Times, their playful and provocative newspaper dedicated to platforming the creative work and everyday activities of people of colour across India and beyond.

Recorded live at Indiecon 2023, hear from the team at Solomiya, the extraordinary magazine made by young people in Ukraine who are documenting and coming to terms with what it means to be at war. I’m a huge fan of what the team are doing with this magazine – I note in my introduction that I’ve never seen a magazine like this being made by people who are at war, and that’s a large part of what makes it so extraordinary. But it’s also skilfully made, thrillingly creative and often painfully honest, making it an absolute must-read.

Recorded live at Issues in San Francisco on Saturday 5th November, hear Anja Charbonneau (Broccoli), Victor Gonzalez (Gross) and Michael Ray (Zoetrope) discussing their work publishing independent magazines on the West Coast of the USA.

Recorded at our Independent Magazine Fair on Saturday 14th May, this episode of the Stack podcast focuses on the independent magazine makers that are trying to change the world for the better. Evar Hussayni, senior editor of Azeema; Ellie Jackson, editor of The Movement Movement; and Nina Carter, co-creative director of It's Freezing in LA! all speak about what they do and why it matters.

Recorded live at our Independent Magazine Fair on Saturday 14th May 2022, this panel discussion features advice from the unconventional magazine makers behind Real Review, A Profound Waste of Time and Paperboy.

Recorded at our Independent Magazine Fair, this panel discussion features expert advice from the people behind Delayed Gratification, Season Zine, and The Modernist.

Martha Dillon is editor of It’s Freezing in LA!, the magazine about climate change that recently published its eighth issue, themed around ‘Borders’. I spoke to her a couple of weeks after COP26 came to an end and I was interested to hear her thoughts on the conference, as well as the wider climate change conversation and how greater interest in the subject is allowing them to be more ambitious in what they’re doing.

"We miss having a tactile experience..." Platon Poulas is one of the people behind Dead Slow, a strange new magazine concept that we have in the Stack shop at the moment. He and his co-founder Anunaya Rajhans describe themselves as producers rather than editors, and that reflects the unusual format of the magazine, which is presented as a vinyl record, complete with a cardboard sleeve and sides A and B. In this conversation he explains the idea behind the vinyl references, and also his and Anunaya's desire to create a piece of printed ephemera that celebrates other forms of physical media.

"The world suddenly feels bigger again..." Nelson Ng is founder, editor and art director of Lost, a travel magazine based in Shanghai and published in both English and Mandarin. Of course the pandemic has made international travel much more problematic than it used to be, and that will inevitably have consequences for anyone making a travel magazine, but as you’ll hear Nelson is pretty philosophical about the situation, and he speaks about how he thinks travel feels different these days, while also acknowledging that he expects it will be significantly harder to make his next issue.

"We've always loved analogue. We produce records, we make books, we do physical shows – it's part of who we are..." Sean Bidder is editor of Fact, the music and visual art magazine that was relaunched last year as a big, glossy, biannual publication. I spoke to Sean and Zak Kyes, founder of Zak Group and art director of the relaunch, to find out what brought Fact back to print, and how it fits in with the broader activities of publisher The Vinyl Factory.

"A book is different to a magazine – you've got more space. You can take more time..." Rob Orchard is one of the founders and editors of Delayed Gratification magazine, and now one of the authors of An Answer for Everything, their hardback book published by Bloomsbury. Infographics have always been a big part of what Delayed Gratification does, and the book really leans into that, with 200 ridiculously detailed, meticulously researched infographics set over 300-odd pages. In this conversation Rob explains how it was the uncertainty and disruption of the pandemic that finally took the book from being a loose set of ideas and turned it into a real actual thing you can go and buy in the shops, and also how the process of making the book alongside the magazine is the hardest thing they’ve ever done.

"A lot more love and care goes into it because it's in print..." Tom Preece is one of the founding editors of Yuck, the Manchester-based music magazine that released its fifth issue this summer. Publishing a music magazine is tough when nobody is allowed to go out and listen to live music, but now life is opening up more here in the UK and I was excited to hear how that’s changing the scope of what Yuck can do, including planning for their first live event next month, and increasing the size and ambition of the magazine itself.

"I'm finally at a point in my life where I'm proud of my identity as disabled..." Olivia Spring is founder and editor of Sick, the magazine made by chronically ill and disabled people. In this conversation Olivia speaks about her own illness, why she decided to start the magazine in the first place, and how she’s using it as a way to challenge some of the ableist prejudices she faces day to day.

"I just really needed a sense of freedom..." Zena Alkayat is editor and publisher of Bloom, the gardening magazine she started when she moved into a new flat and suddenly became somebody who had a garden for the first time. Unable to find gardening books or magazines aimed at her, she decided to go ahead and publish one herself. In this conversation she talks about how the magazine has evolved over 10 issues, the difficulties of independent publishing and also the opportunities it has opened up for her.