Stack Magazines

"Running a Kickstarter is a very overwhelming thing..." Caspian Whistler is creative director and editor-in-chief of A Profound Waste of Time, the beautiful illustrated magazine that’s inspired by video games. He’s one of the independent publishers who has successfully funded his magazine through Kickstarter, and he has a campaign live at the moment to reprint issues one and two, which is currently sitting at just under £80,000 pledged with 22 days left to go. In this conversation he speaks about the stresses and strains of running a Kickstarter, independent publishing, and generally getting by in the pandemic.

"We can talk about football as our very own way to experience the world..." Matteo Cossu is editor and co-founder of Uno-Due, the annual magazine about football and culture that he started with some footballing friends in 2014. The first two issues of the magazine were published in Italian but for the third issue they switched to English and produced a beautiful 250-odd page hardback tome with fascinating stories from all around the world. In this conversation he explains how the magazine first came about and why everything they do with Uno-Due stems from their original desire to tell footballing stories that reflect their experience of the game.

"We wanted people to lose themselves in words..." Marius Sosnowski is deputy editor of Dispatches, a large-format magazine of ideas published out of Berkeley in California, and inspired by that city’s intellectual and counter-cultural heritage. As he explains in this conversation, Dispatches was always intended as a big publication, and they make the most of those oversized pages by packing them with text – this is definitely a magazine that needs to be read.

"The whole magazine itself becomes a piece of art..." Aaron Beebe is the founder and art director of Plastikcomb, a magazine that champions collage, comics, fine art and more, all of it unified by a low brow pop aesthetic. There’s something raw and rough and experimental about Plastikcomb – its pages break out of the orderly grids of contemporary magazine design and instead respond to the featured artwork to create something that is itself a piece of art, and in this conversation Aaron speaks about his influences and the series of happy accidents that led him to this point.

"I don't think we've made the perfect Bum yet..." Lee Marable and Roosa Melentjeff are the editors and designers of Bum, a lovely risograph printed magazine based in Helsinki and dedicated to exploring stories around arts, architecture and design. As they explain in this conversation, the magazine really started because they wanted to experiment with risograph printing, and I think it’s clear they’ve totally fallen in love with this unpredictable and painstaking method of printing.

"We put the artist as a human before the work..." Audrey Rose Smith and Vicente Muñoz are the editor and creative director of Balcony, the new magazine that explores art in the everyday. Both Audrey and Vicente work in New York in jobs connected with the art world, and Balcony is the result of their frustration with the way art is commonly discussed – they want to present this intimate, behind-the-scenes view of artists as a way of challenging the commercial, event-driven narrative that tends to dictate which artists are covered in the mainstream press.

"I hope it makes people feel good..." Harriet Fitch Little is editor of Kinfolk magazine and editor-in-chief of Kindling, the new title published by Kinfolk to explore the subject of bringing up children. In this conversation she explains how the Kinfolk team ended up making a magazine about raising kids, how the pandemic played its part, and why it was particularly important that Kindling remained an open and non-judgemental magazine.

"American football is a reflection of America – good and bad..." Shawn Ghassemitari is editor-in-chief and creative director of Spiral, the magazine that takes a creative look at American football. I was really interested to hear about his reasons for making the magazine – his parents immigrated to the US from Iran in 1978 and he speaks about the sport as a way of assimilating into American culture, and also as a way of reflecting all elements of that culture, both good and bad.

"Things are going to be weird for the rest of our lives..." Peter McCain is the creative director and editor-in-chief of Batshit Times, the New York-based satire and arts magazine that released its first issue in April last year. That first issue was themed ‘Quarantine’, and when I read it I assumed the whole project was conceived in response to the pandemic, but as he explains in this conversation, there are lots of other things he’s much more worried about.

"We just wanted to know – what do people care about now?" Lea Kloepel is editor of Synchron, the magazine she launched earlier this year with her boyfriend and art director Johannes Farfsing, and which stands out as one of the strangest and most striking magazine launches I’ve seen for a long time. It's dedicated to exploring contemporary visual art and fiction, but it does so in a way that is brilliantly inventive and entirely its own – Lea's explanation of the origins of their weirdly organic typography is one of my all-time favourite examples of geeky magazine design obsession!

"Juggling is just playing – it should talk to everyone..." Florence Huet is the founder and editor of Yana, an extraordinary magazine about juggling that is on a mission to combat the stereotypes and assumptions about what it means to juggle. It's packed full of geeky references that Florence explains in this conversation, helping to open up even further a magazine that had already totally caught my imagination.

"We all wear clothes – we all have something to say about them..." Abigail Buzbee and Ryan Hunt are editor and art director of Novella, an experimental fashion magazine that takes a handmade, literary approach to its subject. In this conversation they explain why they were so excited to play with the conventions of the fashion magazine, and how at the start of the project they actually didn’t intend to make a magazine at all.

"You go mad if you don't do anything here..." Agnese Zile is creative director and editor-in-chief of Nork, the magazine she started as "an ode to the north", but which has evolved over the years to become a broader exploration of the world, though still with a distinctly dark perspective evocative of her adopted home in Tromsø. In this episode she talks about her reasons for changing the magazine, the challenges of independent publishing, and the strange lure that keeps pulling her back to publishing this labour of love.

"I can't just put this on a hard drive – I have to do something about it..." Mari Oshaug is editor-in-chief and publisher of Bikevibe, the magazine that sets off for a different city each issue and reports on the cycling culture it finds there. Mari started the magazine in 2014 by accident – she was on holiday in Tokyo and found herself taking hundreds of photos of the bikes she saw on the streets, and realised that she wanted to actually do something with the pictures rather than just store them away and never look at them again. In this episode she talks about building her team and what they look for in the cities they cover, as well as the obvious problems that coronavirus has thrown in their path.

Marketa Kinterova is editor-in-chief of Fotograf, the long-running Czech magazine of photography and contemporary art. We delivered their ‘New Utopias’ issue to Stack subscribers in August this year, and in this conversation we get into some of the things that I really love about this brilliantly provocative and avant-garde magazine.

"You can't wait for other people to change things for you..." Afsaneh Rafii is founder and editor-in-chief of Icarus Complex, the magazine that takes an in-depth look at the issues surrounding climate change. In this episode we go right back to the start to speak about her initial impulse to make a magazine, through the process of publishing a first issue and her realisation that while she’d been working on that, several other groups of independent publishers had also been creating the launch issues of their own magazines about climate change.

"The future is always contested..." Casper Skovgaard Petersen is editorial manager of Scenario, the quarterly magazine produced by the Copenhagen Institute for Futures Studies. As you’d expect, he has a lot to say about the various possible futures we might have waiting for us, and in this episode he speaks about the different techniques they use at the institute, challenging dominant narratives to look beyond what seems to be obvious or self-evident, and how they use those same techniques editorially in producing the magazine.

"I think it's striving for... the America we hope we can be." Hannah Hirsh and Natasha Rao are two of the editors behind American Chordata, the literary and arts magazine that recently published its 10th issue, and which we sent to our subscribers in September. It’s always been operated by volunteers as a labour of love, with the team constantly changing, and Hannah and Natasha took over part of the way through the making of this latest issue. In this episode they speak about that process, what they have planned for the future, and what they see as the overall mission of American Chordata today.

"We have a sane business model... you don't spend more than you have coming in." Matt Bors is editor and founder of The Nib, the magazine that uses comics to tell stories about some of the big, serious issues facing the world. The magazine launched online first, as one of the sites that were part of Medium in its early days, and in this conversation he explains how that relationship came to an end, and how he ended up working with First Look Media, another company with lots of money to spend, and how that also came to an end as their priorities shifted. These days Matt is running the whole thing entirely independently on what he calls a “sane business model”, funded by his readers, and I was really interested to hear his thoughts on the experience of working with those big, wealthy partners, compared to the business he runs today.

"It really is like getting a tattoo; for better, for worse..." Asher Penn is the editor and founder of Sex Magazine, a title that publishes brilliantly personal Q&A interviews with artists, musicians, filmmakers and other creative people (and no sex). In this conversation Asher explains how the magazine has evolved over the years, and how he has developed his characteristic style, which draws upon his interviewees’ life experiences as a way to understand their creative output.