Boston Athenæum

The Underground Railroad to the North promised salvation to many American slaves before the Civil War. But thousands of people in the south-central United States escaped slavery not by heading north but by crossing the southern border into Mexico, where slavery was abolished in 1837. In South to Freedom, historian Alice L. Baumgartner tells the story of why Mexico abolished slavery and how its increasingly radical antislavery policies fueled the sectional crisis in the United States. Southerners hoped that annexing Texas and invading Mexico in the 1840s would stop runaways and secure slavery's future. Instead, the seizure of Alta California and Nuevo México upset the delicate political balance between free and slave states. This is a revelatory and essential new perspective on antebellum America and the causes of the Civil War, showing the crucial role of slaves who escaped to Mexico.

D.W. Griffith’s 1915 film, Birth of a Nation, glorified and revived the Ku Klux Klan in America. In contrast, Justyne Fischer’s woodcut examines the legacy of deep-rooted racism within American systems and institutions. Fischer’s Birth of a Nation renders the Klansmen as mountains, grand and carved into the American landscape. They are not hidden in the shadows or part of a long-forgotten practice—they are ingrained, established, and immovable. Join Fischer as she discusses the deliberate compositional choices she made to depict the dark side of American history and how it shaped us as a nation.

For most of human history, we have led not just an earthly existence but a cosmic one. Celestial cycles drove every aspect of our daily lives. Our innate relationship with the stars shaped who we are—our religious beliefs, power structures, scientific advances, and even our biology. But over the last few centuries we have separated ourselves from the universe that surrounds us. And that disconnect comes at a cost. In The Human Cosmos, Jo Marchant takes us on a tour through the history of humanity's relationship with the heavens. We travel to the Hall of the Bulls in Lascaux and witness the winter solstice at a 5,000-year-old tomb at Newgrange. We visit Medieval monks grappling with the nature of time and Tahitian sailors navigating by the stars. We discover how light reveals the chemical composition of the sun, and we are with Einstein as he works out that space and time are one and the same. And we find out why stargazing can be really, really good for us. It is time for us to rediscover the full potent

Join Theo Tyson, Polly Thayer Starr Fellow in American Art and Culture as she shares her insights and inquiries on a set of nineteenth-century photo albums that belonged to Harriet Bell Hayden (1816-1893), a survivor of slavery and anti-slavery activist. Married to famed abolitionist Lewis Hayden (1811-1889), Mrs. Hayden’s albums are a unique opportunity to explore the racial, social, and cultural history of Boston’s thriving Beacon Hill anti-slavery community. Tyson will discuss the types of visual and material culture needed to create and sustain archival collections. She will address how institutions can accurately share the histories of African Americans, formerly enslaved Black people, and especially Black women.

To most Americans, Malcolm X and Martin Luther King Jr. represent contrasting ideals: self-defense vs. nonviolence, black power vs. civil rights, the sword vs. the shield. The struggle for black freedom is wrought with the same contrasts. While nonviolent direct action is remembered as an unassailable part of American democracy, the movement's militancy is either vilified or erased outright. In The Sword and the Shield, Peniel E. Joseph upends these misconceptions and reveals a nuanced portrait of two men who, despite markedly different backgrounds, inspired and pushed each other throughout their adult lives. This is a strikingly revisionist biography, not only of Malcolm and Martin, but also of the movement and era they came to define. “[As] Peniel E. Joseph argues in his incisive, smartly written new book, The Sword and the Shield, history has turned both men into caricatures. We’ve lost sight of King’s true radicalism. We’ve lost sight of Malcolm’s more moderate approach to black nationalism that emerged

March 3, 2020 at the Boston Athenæum. Born in the Philippines, young Grace Talusan moves with her family to a New England suburb in the 1970s. At school, she confronts racism as one of the few kids with a brown face. At home, the confusion is worse: her grandfather’s nightly visits to her room leave her hurt and terrified, and she learns to build a protective wall of silence that maps onto the larger silence practiced by her Catholic Filipino family. Talusan learns as a teenager that her family’s legal status in the country has always hung by a thread—for a time, they were “illegal.” Family, she’s told, must be put first. The abuse and trauma Talusan suffers as a child affects all her relationships, her mental health, and her relationship with her own body. Later, she learns that her family history is threaded with violence and abuse. And she discovers another devastating family thread: cancer. In her thirties, Talusan must decide whether to undergo preventive surgeries to remove her breasts and ovaries. De

March 4, 2020 at the Boston Athenæum. Art + Design is part of a trio of events for ‘Curator’s Choice’ hosted by the Boston Athenæum’s Polly Thayer Starr Fellow in American Art & Culture Theo Tyson and Assistant Curator Ginny Badget. An evening to celebrate the historical and contemporary intersections of fashion, art, and design, Tyson will begin by unpacking the subtle, yet salient feminism and sartorial commentary embedded in one of Polly Thayer Starr’s most popular and painterly portraits, Shopping for Furs, and share fashion plates from our special collections. She will then be joined by longtime Boston Athenæum member and interior designer, Heidi Pribell for a candid conversation on how fashion and art influence her practice.

February 19, 2020 at the Boston Athenæum. In partnership with the Network for Art Administrators of Color Boston (NAAC). Join us for an artful conversation with three preeminent leaders catalyzing change in Boston to make its cultural landscape more inclusive and supportive of Black women artists. Representing backgrounds ranging from music and museums, to the public art sector and philanthropy, our experts and advocates will explore their views on the importance and necessity of the work they’re doing to empower Black women artists. The Athenæum is excited and fortunate to welcome Lyndsay Allyn Cox, Director of Theater Arts at the Boston Center for the Arts, Catherine T. Morris, Founder and Executive Director of Boston Art & Music Soul (BAMS) Fest and Manager of Public Programs at the Isabella Stewart Gardner Museum, and Courtney D. Sharpe, Director of Cultural Planning for the City of Boston, as our featured guests. The event will be interspersed with performances by Boston-based Black women artists, incl

February 26, 2020 at the Boston Athenæum. Few American cities possess a history as long, rich, and fascinating as Boston’s. A site of momentous national political events from the Revolutionary War through the civil rights movement, Boston has also been an influential literary and cultural capital. From ancient glaciers to landmaking schemes and modern infrastructure projects, the city’s terrain has been transformed almost constantly over the centuries. The Atlas of Boston History traces the city’s history and geography from the last ice age to the present with beautifully rendered maps. Edited by historian Nancy S. Seasholes, this landmark volume captures all aspects of Boston’s past in a series of fifty-seven stunning full-color spreads. Each section features newly created thematic maps that focus on moments and topics in that history. These maps are accompanied by hundreds of historical and contemporary illustrations and explanatory text from historians and other expert contributors. They illuminate a wid

February 11, 2020 at the Boston Athenæum. In this talk Russell Maret will discuss the three year process of making his most recent artist’s book, Character Traits. The book continues Maret’s investigation into alphabetical form, which he has undertaken over the last twenty years in a series of printed books and manuscripts, many of which are in the Athenæum’s collection. This newest project is composed of two parts: a volume of essays about alphabetical character traits, specifically how different lettering technologies affect alphabetical form; and a portfolio of twenty-five prints that explore these ideas in a series of texts chosen for their insights into human character traits, each of which is set in unique lettering designed by Maret. The making of Character Traits took on a whole new level of production because during the preliminary work on the project Maret realized it would be conceptually inconsistent to print the plates using the printing method in which he is trained—letterpress. Instead, he pur

February 6, 2020 at the Boston Athenæum. A gripping and true story about five boys who were kidnapped in the North and smuggled into slavery in the Deep South—and their daring attempt to escape and bring their captors to justice. Philadelphia, 1825: five young, free black boys fall into the clutches of the most fearsome gang of kidnappers and slavers in the United States. Lured onto a small ship with the promise of food and pay, they are instead met with blindfolds, ropes, and knives. Over four long months, their kidnappers drive them overland into the Cotton Kingdom to be sold as slaves. Determined to resist, the boys form a tight brotherhood as they struggle to free themselves and find their way home. Their ordeal—an odyssey that takes them from the Philadelphia waterfront to the marshes of Mississippi and then onward still—shines a glaring spotlight on the Reverse Underground Railroad, a black market network of human traffickers and slave traders who stole away thousands of legally free African Americans

February 5, 2020 at the Boston Athenæum. To demonstrate the variety and richness of “essential knowledge” and the ways it can be defined, the cabinet in “Required Reading: Reimagining a Colonial Library” is filled with titles selected by ten community partners. Join Rabbi Dan Judson, Dean of the Rabbinical School at Hebrew College; Lorna Rivera, Director of the Gaston Institute for Latino Public Policy at UMass Boston; and Sarah Turner, President of North Bennet Street School for a panel discussion moderated by Rajini Srikanth, Dean of the Honors College at UMass Boston, centered on the question, "What qualifies as knowledge and how is it transmitted?"

January 28, 2020 at the Boston Athenæum. Penelope Pelham Winslow was a member of the English gentry (her third great-grandmother was Anne Boleyn's sister Mary) who was married to Plymouth Colony Governor Josiah Winslow. Although she was one of the most powerful women in Plymouth's history, she, like most of her female contemporaries, has been largely forgotten. Penelope authored or is mentioned in just a few surviving documents; however, a wealth of physical evidence survives to tell her story, ranging from surviving homes and possessions to archaeological artifacts. These items also offer insight into the world of Plymouth Colony's women. In her new book, Penelope Winslow, Plymouth Colony First Lady: Re-Imagining a Life, Michelle Marchetti Coughlin discovers that blending historical records with material culture provides the keys to re-imagining Winslow's world in all its rich complexity.

January 20, 2020 at the Boston Athenæum. This long-overdue biography reestablishes William Monroe Trotter’s essential place next to Douglass, Du Bois, and King in the pantheon of American civil rights heroes. William Monroe Trotter (1872– 1934), though still virtually unknown to the wider public, was an unlikely American hero. With the stylistic verve of a newspaperman and the unwavering fearlessness of an emancipator, he galvanized black working- class citizens to wield their political power despite the violent racism of post- Reconstruction America. For more than thirty years, the Harvard-educated Trotter edited and published the Guardian, a weekly Boston newspaper that was read across the nation. Defining himself against the gradualist politics of Booker T. Washington and the elitism of W. E. B. Du Bois, Trotter advocated for a radical vision of black liberation that prefigured leaders such as Marcus Garvey, Malcolm X, and Martin Luther King Jr. Synthesizing years of archival research, historian Kerri Gr

January 14, 2020 at the Boston Athenæum. In Dawson’s Fall, a novel based on the lives of Roxana Robinson’s great-grandparents, we see America at its most fragile, fraught, and malleable. Set in 1889, in Charleston, South Carolina, Robinson’s tale weaves her family’s journal entries and letters with a novelist’s narrative grace, and spans the life of her tragic hero, Frank Dawson, as he attempts to navigate the country’s new political, social, and moral landscape. Dawson, a man of fierce opinions, came to this country as a young Englishman to fight for the Confederacy in a war he understood as a conflict over states’ rights. He later became the editor of the Charleston News and Courier, finding a platform of real influence in the editorial column and emerging as a voice of the New South. With his wife and two children, he tried to lead a life that adhered to his staunch principles: equal rights, rule of law, and nonviolence, unswayed by the caprices of popular opinion. But he couldn’t control the political

January 16, 2020 at the Boston Athenæum. From sports to politics, food to finance, aviation to engineering, to bitter disputes over simple boundaries themselves, New England’s feuds have peppered the region’s life for centuries. They’ve been raw and rowdy, sometimes high minded and humorous, and in a place renowned for its deep sense of history, often long-running and legendary. There are even some that will undoubtedly outlast the region’s ancient low stonewalls. Ted Reinstein, a native New Englander and local writer, offers us fascinating stories, some known, others not so much, from the history of New England in this fun, accessible book. Bringing to life many of the fights, spats, and arguments that have, in many ways, shaped the area itself, Reinstein demonstrates what it really means to be “Wicked Pissed.”

January 9, 2020 at the Boston Athenæum. An over-zealous Boston art dealer in the early years of the 20th century made knowingly false attributions of 18th-century portraits from the Salem-Boston area. The attributions were promulgated by colleagues and later by art scholars until disproved by two other historians. The saga is a sub-chapter in Norton’s upcoming book on the Salem 18th-century portrait artist, Benjamin Blyth. Sometimes mistaken for Copleys, Blyth’s portraits include the Massachusetts Historical Society’s iconic images of the newly married John and Abigail Adams, the Providence man who started the US postal system, the clergyman who promoted settlement of the Northwest Territory, and numerous figures of the American Revolution and their families. The upcoming book by Norton doubles the attributions for pastels and oils and, for the first time, lists miniatures.

December 16, 2019 at the Boston Athenæum. Panelists from Current Projects and North Bennet Street School—representing the worlds of traditional woodworking and craft bookbinding—explore the significance of their work for the Required Reading exhibition: a full-scale replica of a unique Colonial Revival bookcase; a faithful copy of a seventeenth-century “bookpress;” and leather-bound books emulating those in the historic King’s Chapel Library. By reproducing historic objects, we reach a level of intimate dialogue between past and present difficult to achieve through other means. What new questions emerge when we move beyond merely examining a piece to actively remaking it? How does the process of reproducing an object serve as a form of research, lending insight into past practices, tools, materials—and even the object’s social functions?

December 12, 2019 at the Boston Athenæum. "We the People." The Constitution begins with those deceptively simple words, but how do Americans define that "We"? In his new book We the People, Ben Railton argues that throughout our history two competing yet interconnected concepts have battled to define our national identity and community: exclusionary and inclusive visions of who gets to be an American. From the earliest moments of European contact with indigenous peoples, through the Revolutionary period's debates on African American slavery, 19th century conflicts over Indian Removal, Mexican landowners, and Chinese immigrants, 20th century controversies around Filipino Americans and Japanese internment, and 21st century fears of Muslim Americans, time and again this defining battle has shaped our society and culture. Carefully exploring and critically examining those histories, and the key stories and figures they feature, is vital to understanding America, especially when the battle over who is an American

November 19, 2019 at the Boston Athenæum. Ahead of the 400th anniversary of the first Thanksgiving, historian David J. Silverman offers a transformative new look at the Plymouth colony’s founding events, told for the first time with the Wampanoag people at the heart of the story, in This Land is Their Land: The Wampanoag Indians, Plymouth Colony, and the Troubled History of Thanksgiving. Silverman is a professor of Native and Colonial American history at George Washington University and has worked with modern-day Wampanoag people for more than twenty years. Through their stories, other primary sources, and historical analysis, Silverman sheds profound new light on the events that led to the creation, and bloody dissolution, of the alliance between the Wampanoag tribe and the Plymouth settlers. The result complicates and deepens our current narrative of the first Thanksgiving, presenting us with a new narrative of our country’s origins for the twenty-first century.