George Eastman Museum

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Elaine King, October 29-November 6, 1978. Photo: Mike Mandel (American, 1924–2016). "Arthur Siegel," from "The Baseball Photographer Trading Cards," 1974–1975. Courtesy of Department of Photography/George Eastman Museum. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Marilyn McCray, December 19, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by James McQuaid and Marilyn McCray, December 19, 1977. This interview was produced as part of an oral history project funded by the National Endowment for the Humanities. The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by George Pratt. Photo by Roman Freulich. Courtesy Stills, Posters, and Paper Collections/George Eastman Museum The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by George Pratt. Photo courtesy Stills, Posters, and Paper Collections/George Eastman Museum The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by George Pratt. Photo courtesy Stills, Posters, and Paper Collections/George Eastman Museum The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by George Pratt. Photo courtesy Academy of Motion Picture Arts and Sciences/Stills, Posters, and Paper Collections/George Eastman Museum The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by George Pratt. Photo courtesy Stills, Posters, and Paper Collections/George Eastman Museum The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by George Pratt. Photo courtesy Stills, Posters, and Paper Collections/George Eastman Museum The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by George Pratt. Photo courtesy Stills, Posters, and Paper Collections/George Eastman Museum The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by George Pratt. Photo by Balboa Studios. Courtesy Stills, Posters, and Paper Collections/George Eastman Museum The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.

Interview conducted by George Pratt in Rochester, NY. Photo by Roman Freulich. Courtesy Stills, Posters, and Paper Collections/George Eastman Museum The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.