The Essay

A five-part series of essays that explore the dichotomy between being a deaf professional and working with music. Each essayist tells their own story from across the deaf spectrum, including a sign language performer with a passion for music, a violinist who switched to classical piano after a cochlear implant, and a flautist who uses visual art to describe music to deaf children. From horn players to punchy performance artists, all of the essayists consider music from a deaf perspective with illuminating results. From her childhood immersed in music to her early career as a professional violinist, Elizabeth Elliott's passion for classical music endured even as she became deaf. Despite the shock of losing her hearing, she muses on how she found solace in teaching and performing in smaller groups, before concentrating on bringing up her young family.In middle age, she had a cochlear implant fitted, and she describes how this felt - reclaiming her ability to hear note by musical note. Filling us all in with a v

A five-part series of essays that explore the dichotomy between being a deaf professional and working with music. Each essayist tells their own story from across the deaf spectrum, including a sign language performer with a passion for musicals, a violinist who switched to classical piano after a cochlear implant, and a flautist who uses visual art to describe music to deaf children. From horn players to punchy performance artists, all of the essayists consider music from a deaf perspective with illuminating results. Professional music sign language performer Paul Whittaker OBE explains how he has carved out a unique space in the classical musical world by being a pioneer in the field of sign language performance. Despite initial scepticism, he pursued a career in music starting with a degree from Oxford, before founding 'Music and the Deaf' to promote musical accessibility. With meticulous preparation and passion, Paul talks us through how he translates complex musical pieces into expressive sign language,

A five-part series of essays that explore the dichotomy between being a deaf professional and working with music. Each essayist tells their own story from across the deaf spectrum, including a sign language performer with a passion for musicals, a violinist who switched to classical piano after a cochlear implant, and a flautist who uses visual art to describe music to deaf children. From horn players to punchy performance artists, all of the essayists consider music from a deaf perspective with illuminating results. Chisato Minamimura shares her journey of exploring sound and music. Growing up in Japan before later moving to the UK, Chisato lost her hearing at seven months, yet despite this she learned the piano - becoming the star pupil. Inspired by artists like John Cage and Tōru Takemitsu, Chisato delves into the concept of sound and music from a deaf perspective. She details how she began creating visual scores based on mathematical algorithms, turning dancers into her instruments. And she explains how s

A five-part series of essays that explore the dichotomy between being a deaf professional and working with music. Each essayist tells their own story from across the deaf spectrum, including a sign language performer with a passion for musicals, a violinist who switched to classical piano after a cochlear implant, and a flautist who uses visual art to describe music to deaf children. From horn players to punchy performance artists, all of the essayists consider music from a deaf perspective with illuminating results. Horn and Wagner tuba player Nigel Braithwaite looks back at his musical life and gives a humorous take on his time as a semi-professional musician. How did he continue to play in the face of mitochondrial disease which robbed him of his ability to hear the very low notes in which he specialised as a player? How did traumatic brain injury affect his ability to find his place in an orchestral setting? What else could possibly go wrong? A semi-professional musician throughout his whole life, he tac

A five-part series of essays that explore the dichotomy between being a deaf professional and working with music. Each essayist tells their own story from across the deaf spectrum, including a sign language performer with a passion for music, a violinist who switched to classical piano after a cochlear implant, and a flautist who uses visual art to describe music to deaf children. From horn players to punchy performance artists, all of the essayists consider music from a deaf perspective with illuminating results. Ruth Montgomery is a profoundly deaf professional flautist and flute teacher who grew up the only deaf person at home. In her essay she details the challenges of her early years, and how being introduced to the flute at her secondary school; a school for deaf children, led to her becoming a professional musician and music educator. She describes the hurdles she faced to be taken seriously, and the dedication that this fostered in her to help other deaf children gain musical appreciation and skills a

During his less than stellar acting career Michael Goldfarb spent a lot of time watching from the wings waiting to go on for his single scene. In this series, he talks about the plays he appeared in, their histories, and the lives of the actors who performed them.In this essay, he's understudying in K2: a play about two climbers trapped on an ice ledge, having fallen on their way down from the summit of the mountain. It wasn't a very good play but had an amazing set with the capacity for near cinematic feats of climbing and falling. The play made it to Broadway for a brief Tony-winning run and Michael talks about performing in a show where a huge Styrofoam mountain was the star and the jostling for supremacy among actors, directors and set designers.

Preparation for a performance on stage goes beyond just memorising lines, learning blocking and hoping it will be alright on the night. A diligent actor studies the history of the period of the play, learns about the intentions of the playwright, and absorbs from older colleagues knowledge of how the play has been done in the past.In his less than stellar career as an actor, Michael Goldfarb went through this process many times. In this essay, Michael recalls his admiration for John Gielgud. He remembers The Motive and the Cue, the play about John Gielgud directing Richard Burton in Hamlet. He also had a chance meeting with the legendary actor at the stage door of the Apollo theatre in London when Gielgud was starring in David Storey's 'Home'.

Preparation for a performance on stage goes beyond just memorising lines, learning blocking and hoping it will be alright on the night. A diligent actor studies the history of the period of the play, learns about the intentions of the playwright, and absorbs from older colleagues knowledge of how the play has been done in the past.In his less than stellar career as an actor, Michael Goldfarb went through this process many times. In this episode, it's the story of The Count of Monte Cristo, as performed by James O'Neill, father of playwright Eugene O'Neill. It was the play that made him rich and his family miserable, as depicted in Long Day's Journey Into Night. Nearly fifty years ago, it was revived by the Jean Cocteau Repertory Theatre, located on the Bowery in New York. The Cocteau was the only rotating rep theatre in New York and Michael Goldfarb was part of the company.

Preparation for a performance on stage goes beyond just memorising lines, learning blocking and hoping it will be alright on the night. A diligent actor studies the history of the period of the play, learns about the intentions of the playwright, and absorbs from older colleagues knowledge of how the play has been done in the past.In his less than stellar career as an actor, Michael Goldfarb went through this process many times. In this essay, he appears in Maxim Gorki's Summerfolk, a play about the Russian upper-middle classes at their summer homes, as their country teeters on the brink of revolutionary catastrophe. He remembers Russian theatre, theatrical friendships and after-show drinking.

Preparation for a performance on stage goes beyond just memorising lines, learning blocking and hoping it will be alright on the night. A diligent actor studies the history of the period of the play, learns about the intentions of the playwright, and absorbs from older colleagues knowledge of how the play has been done in the past.In his less than stellar career as an actor, Michael Goldfarb went through this process many times. He recalls meeting John Gielgud at the theatre door and understudying in a play where a huge Styrofoam mountain was the star of the show.In this essay: theatrical superstition says you shouldn’t mention the play Macbeth, by name. But how else to speak of the play on which Michael finally got his equity card?

Gold sequins, silk and vibrant colour threads might not be what you expect to find in a sampler stitched by a Quaker girl in the seventeenth century. New Generation Thinker Isabella Rosner has studied examples of embroidered nutmegs and decorated shell shadow boxes found in London and Philadelphia which present a more complicated picture of Quaker attitudes and the decorated objects they created as part of a girl's education.Dr Isabella Rosner is a textile historian and curator at the Royal School of Needlework on the New Generation Thinker scheme run by the BBC and the Arts and Humanities Research Council to highlight new research. You can hear more from her in Free Thinking episodes called Stitching stories and A lively Tudor worldProducer: Ruth Watts

Who's Holding the Baby? was the title of an exhibition organised to highlight a lack of childcare provision in East London in the 1970s. Was this feminist art? Bobby Baker, Sonia Boyce, Rita Keegan and members of the photography collective Hackney Flashers are some of the artists who've been taking part in an oral history project with New Generation Thinker Ana Baeza Ruiz. Her essay presents some of their reflections on what it means to make art and call yourself a feminist. Dr Ana Baeza Ruiz is the Research Associate for the project Feminist Art Making Histories (FAMH) at Loughborough University and a New Generation Thinker on the scheme run by the BBC and the AHRC to showcase new research into the humanities. You can hear her in Free Thinking episodes on Portraits and Women, art and activism available as an Arts & Ideas podcast.Producer: Ruth Watts

Canvey Island: cradle of innovation for gas heating and home to music makers Dr Feelgood, who drew inspiration from the Mississippi Delta. New Generation Thinker Sam Johnson-Schlee is an author and geographer based at London South Bank University. His essay remembers the influence of Parker Morris standards on heating in the home, songs written by Wilko Johnson and the impact of central heating on teenage bedrooms, record listening and playing instruments.Producer: Julian SiddleYou can hear more from Sam in Free Thinking episodes exploring Dust and Sound, Conflict and Central Heating New Generation Thinkers is a scheme run by the BBC and the Arts and Humanities Research Council to put research on radio

Gold sequins, silk and vibrant colour threads might not be what you expect to find in a sampler stitched by a Quaker girl in the seventeenth century. New Generation Thinker Isabella Rosner has studied examples of embroidered nutmegs and decorated shell shadow boxes found in London and Philadelphia which present a more complicated picture of Quaker attitudes and the decorated objects they created as part of a girl's education.Dr Isabella Rosner is a textile historian and curator at the Royal School of Needlework on the New Generation Thinker scheme run by the BBC and the Arts and Humanities Research Council to highlight new research. You can hear more from her in Free Thinking episodes called Stitching stories and A lively Tudor worldProducer: Ruth Watts

A 1660s board game made by a Jesuit missionary sent to the Mohawk Valley in North America is the subject of New Generation Thinker Gemma Tidman's essay. This race game, a little like Snakes and Ladders, depicts the path of a Christian life and afterlife. Gemma explores what the game tells us about how powerful people have long turned to play, images, and other persuasive means to secure converts and colonial subjects. Dr Gemma Tidman is a Leverhulme Early Career Fellow at Queen Mary University London and a New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council to put research on radio. You can hear more from her in Free Thinking discussions about Game-playing, and Sneezing, smells and noses. Producer: Torquil MacLeod

The A13 runs from the City of London past Tilbury Docks and the site of the Dagenham Ford factory to Benfleet and the Wat Tyler Country Park. As he travels along it, talking to residents about their ideas of community and change, New Generation Thinker Dan Taylor reflects on the history of the area and different versions of hopes for the future. Dr Dan Taylor lectures in social and political thought at the Open University and is a New Generation Thinker on the scheme run by the BBC and the AHRC to share insights from academic research on radio. You can hear him in Free Thinking discussions about Essex, and discussing medieval bestiaries in Beast and Animals. He is also the author of a book Island Story: Journeys Through Unfamiliar Britain and you can hear him in a Free Thinking episode discussing the county Essex. Producer: Torquil MacLeod

From 1922, between 10-30,000 women and girls are thought to have been incarcerated at the Magdalene laundries which operated in Ireland. New Generation Thinker Louise Brangan has been reading the testimonies of many of the girls who survived these institutions. As the Irish state tries to come to terms with this history, how should it be spoken about? Is a language of legal blame and guilt enough to make sense of this history?Dr Louise Brangan is a Senior Lecturer in Criminology at the University of Strathclyde and is a New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council (part of UKRI) to put research on radio. You can find her contributing to Free Thinking discussion episodes looking at Ireland's hidden histories and secret storiesProducer in Salford: Olive Clancy

Two years living at sea taught New Generation Thinker Kerry McInerney values which she wants to apply to the development of AI. Her Essay explores the "sustainable AI" movement and looks at visions of the future in novels including Waste Tide by Chen Qiufan and Larissa Lai’s Salt Fish Girl. Dr McInerney is a Research Associate at the Leverhulme Centre for the Future of Intelligence at the University of Cambridge and a New Generation Thinker on the scheme run by the BBC and the AHRC to put academic research on radio.Producer: Julian SiddleYou can hear more from Kerry in Free Thinking and New Thinking episodes available as Arts & Ideas podcasts called AI, feminism, human/machines and Yellowface, AI and Asian stereotypes.

Why do babies say "daddy" earlier and what might it mean when a baby does call for "mum" or "anne"? Dr Rebecca Woods, from Newcastle University, calls upon her training in linguistics and observations from her own home to trace the way children’s experiences shape their first words and the names they use for their parents.Rebecca Woods is a New Generation Thinker on the scheme run by the BBC and the Arts and Humanities Research Council to put academic research on radio.Producer: Ruth WattsYou can hear more from Rebecca Woods in a Free Thinking discussion about childhood and play when Young V&A opened - it's available from the programme website and as an Arts & Ideas podcast

Canvey Island: cradle of innovation for gas heating and home to music makers Dr Feelgood, who drew inspiration from the Mississippi Delta. New Generation Thinker Sam Johnson-Schlee is an author and geographer based at London South Bank University. His essay remembers the influence of Parker Morris standards on heating in the home, songs written by Wilko Johnson and the impact of central heating on teenage record listening and playing instruments. Producer: Julian SiddleYou can hear more from Sam in Free Thinking episodes exploring Dust and Sound, Conflict and Central Heating New Generation Thinkers is a scheme run by the BBC and the Arts and Humanities Research Council to put research on radio