Lsq

Victoria Legrand, on writing music for Beach House: “It’s like something magical happening. And I believe in that, there’s love, but it’s not just love between us, it’s the whole universe around us and all the things we’ve been reading about the stars and the movies we’ve seen and the pain I’ve felt from talking to people about their loss. It all sucks down into this one moment of pure reaction. I’ve always said music is very personal to [bandmate] Alex [Scally] and I, but it’s not just that I got my heart broken by this guy or girl, it’s I got my heart broken by the whole world. Or all the things I ever heard about somebody’s heartbreak, it’s in me somehow. It’s like this stain and it’s coming out because I hear these tones and these chords and these notes and they make me feel like crying or they make me completely euphoric. That’s the thing that hasn’t changed, but I think it’s become amplified. And that is why I don’t think we’re done making records. Because if that ever stopped, if that really innocent r

The dude behind the King Tuff moniker, Kyle Thomas, talks about the punk music he discovered as a kid, growing up in Brattleboro, Vermont; learning to shred by studying Jimi Hendrix; playing in the band Witch with one of his heroes, Dinosaur Jr.'s J. Mascis; how his songwriting has developed since he started King Tuff; the ways that learning a new instrument inspires new song ideas, and more! Support the LSQ podcast at anchor.fm/jennylsq

Tim Burgess, frontman for The Charlatans, talks about how his lifelong music fandom fuels his popular "Tim’s Twitter Listening Party," and more.

On the occasion of releasing his debut solo album, "Serpentine Prison," The National's Matt Berninger talks about key moments in his creative journey.

The awesomely uncategorizable singer-songwriter Shamir talks about key moments in his creative trajectory, with nods to influences including The Who, Taylor Swift, Nina Simone, Björk, Tegan & Sara, Vivian Girls, and more.

A revealing deep-dive with Grammy-winning singer-songwriter Michelle Branch about her life in music — from her childhood obsession with the Beatles and Frankie Valli to early songwriting explorations inspired by artists like the Gin Blossoms and Lisa Loeb, through her tenacious teenage pursuit of a record deal, the making of her multiplatinum 2001 album The Spirit Room when she was only 16, the battles she fought for creative control, and how she approaches her music today.

Chances are you already love Justin Tranter’s songs, even if you’ve never heard their name before. During the past several years , Justin has written massive pop songs by artists including Britney Spears, Ariana Grande, Justin Bieber, Lady Gaga, Imagine Dragons, Halsey and many more. In 2020 alone, Justin has written songs for The Chicks’ Gaslighter, Dua Lipa’s Future Nostalgia, Selena Gomez’s Rare, and Gaga’s Chromatica, among others. We talk about childhood obsessions that inform their creative sensibility -- The Little Mermaid, the musical Annie, and female tennis champs like Monica Seles -- and discuss their old band, Semi Precious Weapons, as well as of course getting into their songwriting process and how it has evolved.

M. Ward talks about his new album, Migration Stories, and early influences from The Beatles and Bach to  Firehose and Sonic Youth. Plus, an excerpt from a recent conversation with Phosphorescent's Matthew Houck, about folk music and the magic of songs.

A look back on key moments of creative discovery for Dashboard Confessional's Chris Carrabba, including a discussion of the new music he's working on for the band.

Empress Of's Lorely Rodriguez talks about her new album, I'm Your Empress Of, and the creative journey that led her there. Plus, the debut of a new LSQ theme song, composed and recorded by Houses' Dexter Tortoriello!

Chances are you’re already aware of the genius of Tim Heidecker as a comedian, actor, writer and director. But if you haven’t been paying close attention to his career the past decade, you might have missed that he has also devoted quite a bit of time and passion to making music, as well. And he’s quite good at it. Heidecker talks with Jenny about some of his lifelong musical favorites (Bob Dylan, Randy Newman, the Beatles, the Band), discusses how writing music differs from writing comedy, and shares exclusive insights into the making of his next album, a collaboration with Weyes Blood, and members of Lemon Twigs and Warpaint.

tUnE-yArDs co-founder Merrill Garbus chats with Jenny about her life in music, discussing early musical influences (Ani DiFranco, Johnny Clegg, Ali Farka Touré, to name a few), how her focus shifted from theater and puppeteering (!) to making music in a band, and how she hopes tUnE-yArDs can contribute to positive change in the world.

“The biggest artistic change for me in the last ten years is that I finally view my inconsistencies not as my Achilles’ heel, but as my superpower," says Alex Ebert. "I can score a movie, I can work on political stuff, I can write, I can do all these things, I can be happy, I can be sad, I can be a punk, I can be a hippie, because to quote Walt Whitman, I do contain multitudes. And so do you. I think we all do.”

Hannah Hooper went through a lot in the months leading up to making Grouplove's new LP, Healer: emergency brain surgery, the death of a close friend, recording an album down the road from one of the most notorious U.S./Mexico border detention camps, and the cathartic experience of painting her first solo exhibition. We delve into all of it in episode 42, as well as discussing her evolving songwriting practice and how she’s learned to overcome stage fright by embracing a superhero version of herself.

Episode 41 traces the creative journey of Cursive and The Good Life’s Tim Kasher, who helped his hometown of Omaha, Nebraska build its own cottage record industry, in partnership with bands such as Bright Eyes and The Faint. The conversation also finds Kasher reflecting on the ebbs and flows of songwriting, his relationship with his singing voice, his screenwriting hobby, and more. Plus, some important Kasher news: The Good Life are touring again this spring! Dates below.

Natasha Khan, the U.K.-born artist who records under the moniker Bat for Lashes, talks about major musical moments in her life (the Michael Jackson concert her mom took her to, the feeling of laying on her patio in a green mohair sweater, dreaming of Kurt Cobain, her earliest attempts at making her own art, etc.) and how they have shaped her creative approach. She also explains how she came to the 80s-tinged sound on her new album, Lost Girls. Plus, in honor of a new LP by Best Coast, the episode includes an excerpt from LSQ #13 with the band’s Bethany Cosentino.

Hop Along's Frances Quinlan, on her creative evolution and her new solo album, Likewise. Plus, an excerpt from a 2011 chat with Lana Del Rey.

An in-depth interview with singer-songwriter Hamilton Leithauser (erstwhile frontman for The Walkmen), where he shares the first details about his upcoming new solo album. He also discusses early influences (Springsteen, The Cramps, soundtracks to Fred Astaire films), his initial songwriting endeavors (using the mathematical side of composition to sketch out his ideas) and why he chose to build a home studio to record the new LP.

“The problem with good vs evil: Evil has a better publicist,” says Broken Social Scene’s Kevin Drew, describing the difficulty of cutting through digital noise in an algorithm-driven world. It’s part of a fascinating interview that touches on early creative influences (Morricone’s The Mission soundtrack , trips to Rod Stewart concerts with his mom), the pros and cons of leading a band with more than a dozen people in it, and what it was like to sit court-side during the Toronto Raptors epic NBA Fi

Caroline Polachek, known for her work in Chairlift, discusses her intoxicating new solo LP and key moments in her creative journey: from learning the basics of music transposition playing Disney songs on a keyboard her dad brought home, to her teenage nu-metal band, to the ladies’ choir where she performed a cappella versions of Enya and Brandy & Monica tunes. Plus, a 2001 interview with Stone Temple Pilots’ Scott Weiland, where he discusses sobriety, bipolar disorder and STP’s place in rock history.