Unstoppable Recording Machine Podcast

Adam Nolly Getgood is a producer and mixer and the co-founder of GetGoodDrums. On this episode: What the pandemic changed for Nolly How much tone experimentation should be done during a recording session How Dan Weller from Sikth transitioned into becoming a great producer How Nolly divides his time between production and GetGoodDrums Mixing in Dolby Atmos - is it the future? Nolly’s incredible hunt to figure out exactly how to recreate Andy Sneap and Colin Richardson’s signature rhythm tones What defines quality if everything is pretty good? How would Queen’s Bohemian Rhapsody turn out if they produced it in Pro Tools? Why Nolly uses Kai monitors The groundbreaking game changing effect Sonarworks and Soothe had on audio production Why the term “practice makes perfect” is a lie Using ProQ3’s dynamic EQ bands on Devin Townsend and Periphery mixes  The beauty of the right Mesa cab with the right Vintage 30s Check out GetGoodDrums. Follow Nolly on Instagram. Sponsored by: DistroKid Want to level up