Front Row

Siân Owen on Under Milk Wood, Nick Broomfield, Essex stereotypes in culture

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It’s third time lucky for the National Theatre: it tried to re-open the Olivier, its largest auditorium, with The Death of England – Delroy in October. The first night was a triumph but, because of the lockdown, it was also the last night. Dick Whittington, the panto, was cancelled a fortnight before Christmas. But the Olivier sprang to life again this week with Under Milk Wood; Michael Sheen leading an almost entirely Welsh cast in Dylan Thomas’s much-loved play for voices - the voices of the townsfolk of Llaregub, a small port by the fishingboatbobbing sea, as they dream and remember through the bible-black night. But in the NT’s new production not all the words are provided by Dylan Thomas. There is additional material by playwright Siân Owen, which suggests director Lyndsey Turner is taking an original approach to this almost sacred text. John Wilson talks to Siân Owen to find out what she has added, and why.Film director Nick Broomfield discusses Last Man Standing: Suge Knight and the Murders of Biggie