New Books In Psychoanalysis

Why would Bert Williams, famous African-American vaudeville performer of the early twentieth century, feel it necessary to apply burnt cork blackface make-up to his already dark skin, in order to emphasize “blackness”? According to Michelle Ann Stephens, this was one question about the space between realness, race, and performance that led her to write Skin Acts: Race, Psychoanalysis and the Black Male Performer (Duke University Press, 2014). Stephens investigates the history of the concept of the skin, especially in relation to the notion of the flesh, and how they are both re-written by colonialization, and the idea of racial difference. Stephens turns to the work of four iconic black male stars whose careers span the twentieth century–including Bert Williams, Paul Robeson, Harry Belafonte  and Bob Marley–and explores the dynamic between the gaze, representation and technology, and how these performers challenged notions of race, sexuality, and skin/flesh in the act of performing. Stephens uses psychoanalyt