Boston Athenæum

Joseph L. Koerner, “Hieronymus Bosch, Enemy Painter”

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Sinopse

May 17, 2018 at the Boston Athenæum. Joseph Leo Koerner pays tribute to the enigmatic artistry of Hieronymus Bosch. Active in the Netherlands around 1500, at the eve of the Protestant Reformation, Bosch was a master-portraitist of devils, nightmares, cosmic catastrophes, and hellish punishments. In cultivating evil as his strange artistic specialty, Bosch also cast himself as potentially demonic, a painter of enemies who might also be an enemy painter. A person of his time, Bosch nevertheless has relevance today, in our era of increased xenophobia and polarized politics. An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists ― including Bosch’s notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force.

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