Writing Excuses

Some new strategies for getting yourself published. Obviously we guarantee exactly none of them.

How to approach discovery writing, with your hosts Brandon, Dan, and Howard

Forget "Anxiety of Influence." Let's talk about how to borrow, beg, and outright steal from pop culture, history, and mythology.

Sandra Tayler, Dawn Wells, and Kenny Pike  take over the 'cast with some coaching from Dan (and heckling from Howard)  to talk about what it's like to live with an artist. We cover the ups and the downs, and share embarrassing anecdotes because we know you want to hear them, and we're not afraid of the fact that the Internet Never Forgets. Beyond the fact that Sandra and Dawn are stay-at-home moms, and Kenny is a stay-at-home Dad, the three of them each have important roles to play in their spouses' careers, and those roles go far beyond mere cheerleading and moral support. We talk about that, and then Sandra, Dawn, and Kenny offer advice to those who may find themselves as significant others to creative types. Audiobook Pick-of-the-Week: Wings, by Aprilynne Pike, in which a 15-year-old girl discovers that she's a fairie, and it's nothing like the storybooks suggested. Writing Prompt: From the desk of the Fake AP Stylebook -- write something involving a blue, Italian, rocket-propell

What's the fourth wall? What happens when you break it? Should you be breaking it at all?

A discussion of art and design elements and how they work with the stories we write.

A brainstorming session fueled by New Scientist's "13 More Things We Don't Understand" article.

How to write multiple viewpoints effectively, using the tool for the right reasons and avoiding pitfalls.

Epic podcast! Except it's only fifteen minutes long... because you're in a hurry, and we'll tell you how to write an epic.

Brandon, Dan, and Howard brainstorm as Producer Jordo reads headlines.

Jessica Day George joins the Writing Excuses crew again, this time for a discussion of writing for young adults, and maybe for teens, or even middle-grade readers. This isn't a podcast about rigidly defining the boundary between the YA and middle-grade genres, though. That's publishing. We're talking about writing. If you enjoyed last week's discussion with the sweeping generalizations and the appropriate application thereof, this 'cast should be every bit as intriguing. What are teenagers interested in, and how is that different from what interests adults? Do stories need to be simplified for teenagers, or are we underestimating them when we do that? How does the age of your protagonist determine the age-group to whom your publisher will market the book? Why is it genre-appropriate for Dumbledore to repeatedly withhold crucial information from Harry, Hermione, and Ron? Audiobook Pick-of-the-Week: Dragon's Blood by Jane Yolen, because a pit-fighting dragon is way cooler than the drag

Jessica Day George joins us again, this time to tell us how to write men.  Brace yourselves for the bandying-about of generalities, for painting with broad brushes, and for assorted other potential points of offense! Let's say, for a moment, that you're not a man. How do you go about writing men? Now let's turn the question around... suppose you ARE a man. How do YOU write men? And now let's cut to the heart of the matter by comparing these two processes. Are they different? Should they be? And where do knitting and superconductivity enter into the picture? This is why it's so cool to have Jessica with us Y-chromosome types. We all get to learn stuff. Audiobook Pick-of-the-Week: Maze Runner, by James Dashner Writing Prompt: Alternative history! Take an absurd 19th-century folk belief, treat it as absolute fact, and write a story hinging on that principle. This episode of Writing Excuses has been brought to you by Audible. Visit http://AudiblePodcast.com/excuse for a free trial member

Jessica Day George joins the Writing Excuses crew for a discussion of editors...

Recorded live at LTUE 2010, here's a high-energy Q&A session with the Writing Excuses crew and our special guest James Dashner, author of The Maze Runner. We cover outlining vs. discovery writing, the return to the hairy palate, education for writers, killing people, whether or not we want a bagel, pragmatic approaches, authors who don't inspire us (and by "us" we mean "James Dashner"), and cooking up complex plots. Note: Brandon says "Episode 6" but he was totally wrong. This is 4.7, for real. Audiobook Pick-of-the-Week: James pitches one of his favorites to us -- False Memory by Dean Koontz Writing Prompt: You're flying in an airplane when a wing falls off... but the plane keeps going. This episode of Writing Excuses has been brought to you by Audible. Visit http://AudiblePodcast.com/excuse for a free trial membership*. *Note: From the Audible website, here are the terms of the free membership. Read the fine print, please! Audible® Free Trial Details Get your f

This episode was recorded live at Life, The Universe, & Everything 28, The BYU Symposium on Science Fiction and Fantasy, and features, among other things, our largest audience ever. Oh, and James Dashner, our friend and the author of The Maze Runner. It also features what has to be our roughest start ever. We don't get to actual content until around four minutes in. Seventeen minutes long, because you're in a hurry, and we're pretending this was an object lesson. Also, we love picking on our friend James. Pacing! What do we do so that people keep turning pages? Which useful tricks do we hate? Which subtle methods do we prefer? And most importantly, what does James Dashner do? We talk about reveals, punchlines, cliffhangers, chapter length, and the "Brandon Avalanche." Also, we talk briefly about the look on my face, and the roof of James' mouth. Audiobook Pick-of-the-Week: Ender's Game: Special 20th Anniversary Edition by Orson Scott Card Writing Prompt: Someone opens a do

Roll for initiative, folks! Brandon, Dan, and Howard all play tabletop role-playing games, and sometimes even play together. The question of the hour (well... quarter-hour) is "how can these games help your world building, storytelling, and anything else having to do with good writing?" If this 'cast doesn't make you want to play RPGs with your friends, congratulations on a successful Saving Throw vs. Dark Podcast Magic. If this 'cast doesn't make you want to sit down and start writing, you have our condolences. That's not the saving throw you were supposed to make! In the spirit of not-necessarily-related personal information: This week we learn that Howard is moister than Dan. In related news, see the Writing Excuses crew this coming Saturday, February 13th, at the Life, The Universe and Everything Symposium at Brigham Young University in the Wilkinson Center. We'll be there for the full symposium, but on Saturday we'll actually be recording in front of an audience. Yo

We're going to wade into a recent e-brouhaha, but it's not going to be the Amazon vs Macmillan one. No, this is the one where Dean Wesley Smith argued that authors do not need agents. But you don't need to read that to appreciate this 'cast. So... do you need an agent? This depends on the operating definition of "you" and "agent." What kind of contractual experience do you have? What kinds of things will your agent do for you? And if you decide you do need an agent, how do you go about identifying the agent who is right for you? We'll cover all of this and more! Unrelated to agents (but definitely in the "and more" category): Howard reveals deeply personal information in this podcast! Audiobook Plug: The Maze Runner, by James Dashner Writing Prompt: Write a story in which a bestselling recluse author dies, and his agent scrambles to keep the career alive without telling anybody. Skin in the game, baby! This episode of Writing Excuses has been brought to you by

How do you avoid letting other people's work creep into your own? We're all influenced by the media we partake in whether we admit it or not. How much of those influences should we allow into our own work? How do we control that? As we engage the topic, we admit that sometimes we want to be influenced, and that letting those influences do their work is a good thing. But this isn't the podcast where we cover that. This is the podcast where we talk about tuning that out. We also talk about tuning out the influence of those who are critiquing or commenting on our work. These might be fellow members of the writing group or other early readers, or they might (especially in Howard's case) be outspoken members of your audience ranting on web forums or wikis. And then we talk about whether or not we should allow Brandon to influence our work. Take that, Brandon! (Take it, in fact, all the way out to nineteen minutes and six seconds!) Audiobook Plug: The Black Swan, by Nassim Nicholas Taleb Writin

If you want to write a good, heroic hero, this is the podcast for you. We're not necessarily talking about the archetypical, classically-defined, capital-H "Hero" in this podcast, though. We're talking about what makes readers stand up and cheer. And yes, this can be applied to the archetype, but let's not digress. We talk about perseverance, sacrifice, hard work, fear-facing, and a bunch of other attributes that we find inherently heroic. Audiobook Plug: The Last Kingdom by Bernard Cornwell Writing Prompt: Write a scene in which a character makes a noble sacrifice and is not rewarded. Mystery Soundbite! We have no idea who those gents with mouthfuls of marshmallows were, but Jordo caught them on tape... This episode of Writing Excuses has been brought to you by Audible. Visit http://AudiblePodcast.com/excuse for a free trial membership*. *Note: From the Audible website, here are the terms of the free membership. Read the fine print, please! Audible® Free Trial Details Get your fir

Welcome to Writing Excuses Season 4, featuring new, shorter episode titles! Also, if you don't count the bonus episodes or the Parsec Award Acceptance Speech, this is our 100th Episode! Brandon kicks this off by asking "What does Howard do that's funny?" and then by categorizing the sorts of things he finds Howard doing. Obviously this puts no pressure whatsoever on Howard to be funny during the podcast. Which is good, because he really wasn't, cold medicine notwithstanding. Again, we manage talk about humor without being funny. We manage to cover character-based humor, physical humor, and non-sequitur, brushing alongside cognitive humor and exaggeration as we go, but hey... we only had 15 minutes to work with. Oh, and we ran over by 4 minutes and fifty-seven seconds. Writing Prompt: Write something funny using non-sequiturs and cold medicine. This episode of Writing Excuses has been brought to you by Audible. Visit http://AudiblePodcast.com/excuse for a free trial membership*. *Note: