New Books In Literature

At the dawn of the new millennium, Els Gordon finds herself adrift – she’s in mourning for her fiancé and her father, she’s lost the inheritance of her Scottish Highlands estate, her mother left when she was two-years-old but it her only living relative, she’s about to be unemployed, and she’s just bought an old plantation house on the island of Nevis in the Caribbean. It’s a little haunted by the previous owner, who needs help making amends, and in exchange, helps Els fall in love with a man who has, like Els, survived heartache and loss. Listen in as I speak with Alice C. Early about her book The Moon Always Rising (She Writes Press, 2020). Early ’s career spans academia, commercial real estate, international executive recruiting, and career-transition coaching, and has included many ‘first woman to…’ roles. Her college English/creative writing major and professional roles requiring listening and shaping stories eventually pointed her back to her first love—writing fiction. In her cherished Martha’s Vineyar

Velocity Weapon (Orbit, 2019) by Megan E. O’Keefe centers on siblings: Biran, a member of an elite cadre that controls the interstellar gates by which humans travel among star systems, and his sister, Sanda, a gunner who finds herself waking 230 years after her last battle on an empty, enemy spaceship, believing she’s the last human alive. O’Keefe’s characters search for truth in a universe where the secrets are centuries old and where A.I.s depend on humans as much as humans depend on A.I.s. Among the many themes O’Keefe’s space opera explores are the limits of human perception. In Sanda’s case, her reality is controlled by a spaceship. “They are elements of horror when you can’t trust the environment you live in, when the only thing keeping you alive might be dishonest,” O’Keefe says. O’Keefe challenges Tolstoy’s claim that “all happy families are alike” by giving Biran and Sanda an upbringing in their two-dad home that is as happy as it is unique. “I enjoy taking the opportunity to explore a family that is

Kathryn H. Ross has found a balance. Between past and present. Between self and ancestors. Between self-discovery and continuous growth. In her hybrid collection, Black Was Not a Label, Ross invites readers into a life unfurling. Through the lenses of natural hair, faith, and microaggressions, she lights a path to what it means to seek self while still honoring the past lives, personal and historical, that connect us all. Black Was Not a Label (Pronto, 2019) is as soft as it is sharp. Ross is a writer of humanness, one who finds more interest in what we feel than theme. Yet, even in this general warmth, she manages to hone in on topics that have rippled throughout generations. Readers are not allowed to look away from the sometimes ingrained expectations of assimilation nor are we allowed to put down the weight of all that came before us. What she gives us in this collection are the means to carry it with grace and the hope it will become a little lighter. Kathryn Ross is a Southern California based writer an

Two guys named Nick Chance, both with clairvoyant dogs named Royo, both inventors living in Pasadena, California – in 1913 and 1993. The original Nick, who starts out working on an ostrich farm, is drawn to the Colorado Street Bridge and manages to meet some of the great personalities of the period: Teddy Roosevelt, Upton Sinclair and Adolphus Busch all meet Nick. He parlays an idea for lighting into a job on the bridge and survives the lethal collapse of one of its arches during construction. Eighty years later, on the anniversary of the bridge’s inauguration, the second Nick Chance is pulled into rectifying the mistakes of the past. Pasadena, which had a millionaire’s row even back then, is nothing like the original, romanticized version of the town. There’s some magical realism, lots of fascinating historical detail about Pasadena and southern California, and lots of eating. Today I talked to Chip Jacobs about his new book Arroyo (Rare Birds Books, 2019) Jacobs is a Los Angeles Times bestselling author and

Jim, our narrator, experiences a crisis of conscience in the wake of the possible suicide of his girlfriend. He quits his high-paying job seizing assets for a loan company and moves to a small village near the seaside to get away from it all. With no plans to occupy himself, and a golden parachute from his company, Jim finds himself with a lot of time on his hands—time that he hopes will help him heal from his loss. Instead, odd and spooky events immediately begin occurring. After he hears sounds from the empty attic, he finds out from his new friend, handyman Jed, that a little girl died falling down the steps. Soon, Jim begins to doubt that the little girl’s death was an accident. Jed, and a kindly neighbor, Emma, believe in supernatural visitations, and explain that he is receiving warnings from ghosts. Yet, some of the things that happen to Jim, like gas from the stove filling the cottage, seem too real to be ascribed to ghosts. Is Jim going mad, doing things he’s unaware of, or is there a real threat to

The Hour of All Things and Other Plays (Intellect Books, 2018) collects four plays by Caridad Svich, a 2012 OBIE for Lifetime Achievement playwright. The plays take place in Venezuela, Sub-Saharan Africa, and Southwest Detroit, as well as cyberspace and the place of dreams. In these works, Svich interrogates themes of globalization and environmental collapse in language that is poetic, rough, heart-breaking, hip, and relentlessly now. Svich remains one of America’s most exciting playwrights, and this book collects some of her most invigorating work yet. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on

"After I’d finished my rapid-fire history of self-justification he paused and then said, deadpan and rural-Australian-slow: 'Right. Ok. So how is that all working out for you?'" On Drugs (Giramondo Publishing, 2019) explores Australian philosopher Chris Fleming’s experience of addiction, which begins when he is a student at the University of Sydney and escalates into a life-threatening compulsion. In a memoir by turns insightful and outlandish, Fleming combines meticulous observation with a keen sense of the absurdity of his actions. He describes the intricacies of drug use and acquisition, the impact of drugs on the intellect and emotions, and the chaos that emerges as his tightly managed existence unravels into hospitalisations, arrests and family breakdown. His account is accompanied by searching reflections on his childhood, during which he developed acute obsessive compulsive disorder and became fixated on the rituals of martial arts, music-making and bodybuilding. In confronting the pathos and comedy of

In a sad but loving tribute to his Sicilian-Italian heritage, Marco Rafala’s debut novel How Fires End (Little A, 2019) centers on the haunting legacy of WWII on the people of a small Sicilian village. It’s the summer of 1943 and an unexploded mortar shell kills 9-year-old Salvatore’s twin brothers. His faith is destroyed, and his family unravels, fueling fear that the Vassallo name is cursed. Salvatore and his sister, Nella, accept the help of a fascist Italian soldier, Vincenzo, who accompanies them to a new life in America. But the three of them make the choice to keep their secrets hidden, and years later in America, Salvatore’s son, David, is swept up in the chaotic aftermath of their hidden pasts. This is a story about loyalty, family, and forgiveness. Marco Rafalà is a first-generation Sicilian American, novelist, musician, and writer for award-winning tabletop role-playing games (e.g. The One Ring). He earned his MFA in fiction from The New School and is a co-curator of the Guerrilla Lit Reading Serie

Rude Mechs’ Lipstick Traces (53rd State Press, 2019) is Lana Lesley’s graphic novelization of Lipstick Traces by Austin-based theatre collective Rude Mechs, itself an adaptation of Greil Marcus’ classic book Lipstick Traces: A Secret History of the 20th Century. The graphic novel vibrantly recreates the experience of watching Rude Mechs perform: light and sound cues, costume choices, and actors’ facial expressions are preserved much more faithfully here than they could ever be in a traditional script. From 16th-century mystic John of Leyden to 20th-century punk Johnny Rotten (born John Lydon – coincidence?), this imaginative and immersive work traces the secret history of a tradition of revolt that is perhaps more needed now than it has ever been. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Com

Laura Lam’s new book Goldilocks (Orbit, 2020) takes readers into space with an all-female crew bound for a distant Earth-like planet. The all-female crew isn’t the only twist; there’s also the fact that the five astronauts steal their spaceship. The crew aren’t mere bandits, but the spacecraft’s original crew, who’d been shoved aside by a reactionary patriarchy intent on confining women to home and family. “As a little girl, I thought sexism was on the way out. And in the last few years, I’ve realized, ‘Oh no, it’s definitely not,’” Lam says, discussing her motivations to write the book. When NASA confiscates the spacecraft of Valerie Black, a billionaire entrepreneur who Lam describes as a “cross between Elon Musk and Sigourney Weaver,” Black steals it back. She and her crew “know they’re the best people with the skills and training to find this new planet, which is humanity’s last hope because Earth has only 30 years left of habitability due to climate change,” Lam says. Lam found inspiration in the unsung

It is well known that the novels of Jane Austen (1775–1817), which enjoyed at best a modest success during her lifetime, have become ever more popular in the last fifty years or so. They support a small industry of remakes, spinoffs, and retellings. As Janice Hadlow notes while discussing The Other Bennet Sister (Henry Holt, 2020), one reason for that interest lies with Austen herself. A genius at characterization, Austen drops tiny pearls of insight into one secondary character or another throughout her novels, and these seeds, when properly nurtured, can develop in unexpected ways. The Other Bennet Sister focuses on the life of the middle sister in Pride and Prejudice. Stuck between an older pair—beautiful, gentle Jane and pretty, sprightly Lizzie—and a younger duo whose good looks and sheer love of life compensate for a certain lack of decorum, Mary is bookish, awkward, and plain. In a family where the daughters’ only future requires them to marry well without the plump dowries that would make them attract

Today I interview Martin Shaw. In Shaw’s new book, Courting the Wild Twin (Chelsea Green Publishing, 2020), he writes, “Here’s a secret I don’t share very often. Myths are not only to do with a long time ago. They have a promiscuous, curious, weirdly up-to-date quality. They can’t help but grapple their way into what happened on the way to work this morning, that video that appalled you on YouTube. Well, they are meant to; if they didn’t they would have been forgotten centuries ago.” In our interview, Shaw invites us to consider the power of myth to guide us not only toward new ways of seeing our current moment—one in which we’re witnessing an unprecedented global pandemic—but also new ways of seeing itself. For Shaw, a mythologist who’s designed courses at Stanford University and who directs the Westcountry School of Myth in the U.K, myths reveal unseen possibilities in our own lives and overlooked chances to reunite with our natural world. The old stories can lead us forward if only we learn how to hear the

Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day. The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as P

In this interview we discuss Fight Fight (Braveship Books, 2018), book 3 of the Raven One series. In Fight Fight, former aviator Kevin Miller explores the next big fight in the South China Sea when errors and miscalculations on the grandest scale drive the world’s greatest maritime powers into conflict. From aboard a nuclear powered super-carrier in the center of the maelstrom readers get a front row seat to the action as well as the planning and deliberation that goes into waging war. In Fight Fight the reader experiences the angst of a pilot about to catapult into the night sky and the frustration of being at the end of a long decision-making whip. Captain Miller also successfully paints the fog of modern war where near instant communications and extremely effective sensors give the decision-makers the illusion of knowledge. As an avid fan of military fiction, I have had an itch for this particular type of book since the Late Tom Clancy left the literary field. Consider the itch scratched. In the interview

Endless Song (Oxford University Press, 2019) is Dr. Archana Venkatesan’s exquisite translation of the Tiruvaymoli (sacred utterance), a brilliant 1102-verse ninth century tamil poem celebrating the poet Nammalvar’s mystical quest for union with his supreme lord, the Hindu great god Viṣṇu. In this interview we discuss the sophisticated structure and profound content of the Tiruvaymoli, along with the translator’s own transformative journey rending into English the meaning, emotion, cadence and kaleidoscopic brilliance proper to this Tamil masterpiece. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Margaret Randall’s new memoir, I Never Left Home: Poet, Feminist, Revolutionary was published by Duke University Press in March 2020. Randall, born in New York City in 1936, lived in Mexico, Cuba, and Nicaragua as an adult, where she was involved in both creative movements and political activism. Known as a writer and oral historian, Randall focuses in this memoir on recreating the communities and historical moments in which she lived. Randall especially emphasizes how her encounter with feminist thinking reshaped how she understood not only her own life, but also the Latin American revolutions she saw up from up close. In the interview, she speaks about her work founding and editing the bilingual literary journal El Corno Emplumado in 1960s Mexico, her experiences connecting with artists and revolutionaries in 1970s Cuba, and her perspective on the 1979 Sandinista revolution from her years living in Nicaragua. Randall talks about the nature of memory and shares some details of her everyday life in extraordin

After a decade spent protecting public officials, Nick Averose has the unique ability to think like an assassin. Now he works as a red-teamer, who tests security systems to find vulnerabilities. His latest assignment, to assess the security of a former CIA director’s home, goes horribly wrong, and Nick gets entangled in a vicious crime that rocks Washington D.C. He knows he’s been framed, and now they’re out to kill him. But who are they, and what do they want? Today I spoke with Matthew Quirk about his new book Hour of the Assassin (William Morrow, 2020). Quirk is the New York Times bestselling author of The 500, The Directive, Cold Barrel Zero, and Dead Man Switch. He studied history and literature at Harvard College and spent five years at The Atlantic reporting on crime, private military contractors, terrorism prosecutions, and international gangs. His first novel was nominated for an Edgar Award, and he lives in San Diego, California. When he is not writing, he spends his time hiking, skiing, and surfing

The Houston Chronicle’s review of Sarah Adleman’s The Lampblack Blue of Memory: My Mother Echoes (Tolsun 2019) praises that the book “dissects the feelings that have been a part of her since her mother's death with the precision and brutality of a poet and all the awful beauty of a perfectly performed major surgery...It's one of the most beautiful things you're likely to read.” Adleman’s collection, a gorgeous hybrid of poetry and memoir, is a journey through grief and forgiveness. The author’s debut book uses both the personal and the informative to examine and preserve the loss, grief, and cleansing set in motion by her mother’s death. She honors her mother not only in the crafting of these shared memories, but also in the actual formatting of the text itself. Adleman gives her mother voice by including her own work interwoven throughout the retelling. The author does not shy away from the heaviness of absence, her personal reaction to the events, and especially not the profound changes to her father. She u

Mina completed a doctorate in Classics but can’t find a tenure track position. She earns money by teaching adjunct classes and tutoring in Latin. Mina’s husband, Oscar, who works for his distant father importing Japanese beer, hopes that leaving New York City for a few months will help with Mina’s depression. While they’re in London, she plans to work on a paper studying mythological women, only a few of whom survived. Mina wonders if she is one of the ones who is going to win the battle. Today I talked to Rowan Hisayo Buchanan, author of Staring Days (The Overlook Press, 2020). She received her BA from Columbia University and her MFA from University of Wisconsin-Madison. Her first novel, Harmless Like You, was a New York Times Editors’ Choice and NPR Great Read. She is the editor of the GO HOME! Anthology, and her work has appeared in Granta, Guernica, the Guardian, and the Paris Review. When not writing or teaching, she spends her time painting, snacking on nut-butter or dried seaweed, and walking her dog.

dReed Katz is in many ways an ordinary guy. He shares an apartment in Tel Aviv with his best friend, Daphne, works in a coffee shop, crushes on Lee, a green-eyed man from abroad, and dreads family dinners with his nosy mother. Yet when Reed gets on a bus he has to stand in the white marked section, and he loses his job when the coffee shop gets bombed because of “people like him.” Not only is Reed a person who feels emotions strongly, he’s actually an empath, who can manipulate other people’s emotions, preferably at their invitation, and project feelings into books. His circle of friends includes a seer, Daphne, and his ex, a pyro. They’re all considered sorcerers and feared by most norms. A secretive group, the Sons of Simeon, disrupt the peaceful marches that Reed and his friends participate in, targeting sorcerers for murder in a bid to take power for themselves. Daphne fears that Reed’s continuing presence in the movement will put him in harm’s way. Her visions tell her that Reed may die soon. But Reed, u