New Books In Literature

What happens when a novelist wants “nonsense and joy” but his characters are destined for a Central European sanatorium? How does the abecedarian form (i.e. organized not chronologically or sequentially but alphabetically) insist on order, yet also embrace absurdity? Here to ponder such questions with host John Plotz are University of Wisconsin–Madison’s Sunny Yudkoff (last heard on ND speaking with Sheila Heti) and Adam Ehrlich Sachs, author of Inherited Disorders, The Organs of Sense, and the recently published Gretel and the Great War. Sachs has fallen under the spell of late Habsburg Vienna, where the polymath Ludwig Wittgenstein struggled to make sense of Boltzmann’s physics, Arnold Schoenberg read the acerbic journalist Karl Kraus, and everyone, Sachs suspects, was reading Grimms’ Fairy Tales, searching for the feeling of inevitability only narrative closure can provide. Beneath his OULIPO-like attachment to arbitrary orders and word-games, though, Sachs admits to a desire for chaos. Thomas Bernhard,

Sparks fly in Megan Staffel’s novel, The Causative Factor (Regal House 2024), when Rachel is randomly paired with Rubiat, a fellow student, for an assignment in their college art class. After a heavenly night together, they go hiking, and he dives off a cliff, disappearing without a trace. Although Rachel graduates with an art degree, moves to New York, and supports her painting as an ESL teacher, she’s scarred for years by the mystery of Rubiat’s disappearance. This is a sweet coming-of-age, but also a suspense-filled novel told in shifting viewpoints, about art, growing up, making choices, and finding love. Megan Staffel splits her time between a farm in western New York State and an apartment in Brooklyn. She is an avid walker, bird watcher, and gardener. Her new novel, The Causative Factor, was inspired by a hike she took with her husband in a state park in October, 2020 and grew into a story about an artist trying to understand the mysterious disappearance of her lover. Staffel's interest in the arts and

Tim Ecott, who is well-known as a journalist and writer, has, in his last several books, turned his attention to the history and culture of the Faroe Islands. High in the North Atlantic, half-way between Scotland and Iceland, the islands' inhabitants remain closely connected to the Viking settlers who established communities on Faroe over one thousand years ago. Tim's most recent book, Sigmundur and the Golden Ring (Sprotin, 2024), offers a compelling re-telling of the Faroese saga. It's a complex Viking revenge tragedy: two teenage cousins are wronged by an older distant relative; they set out to right those wrongs; but their success begs the question of who the story's hero might be.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Hermine “Herself” Zook is a healer who rules over an island in a swampy area of Michigan known as “The Waters.” People, including her three grown daughters, fear her, but her powerful herbal and plant-based medicines have cured the townspeople for decades of viruses, pains, and unwanted pregnancies. Her first two daughters Molly and Prim were foundlings, but Rose Thorn is the product of Hermine’s husband having an affair with Prim before getting kicked off the island. Herself, now nearly eighty, is raising eleven-year-old granddaughter Dorothy “Donkey” Zook. Donkey loves animals and longs for her mother, Rose Thorn, to marry Titus, whom she wants as her father. Donkey is the product of Rose Thorn being raped by Titus’s drunk father in this richly nuanced tale of rural poverty, changing landscapes, corporate control of farmland, religious extremism, childhood naivete, and the shaky balance between nature and humanity. Bonnie Jo Campbell’s novel The Waters (Norton, 2024) was a Today Show “Read with Jenna” Book

Kristopher grew up in Lincroft, New Jersey. He received his B.A. in The Writing Seminars from Johns Hopkins University and an M.F.A. in Fiction from Columbia University. He is the author of the critically-acclaimed novels, OUR NARROW HIDING PLACES (Ecco/2024) WHY WE CAME TO THE CITY (Viking/2016) and THE UNCHANGEABLE SPOTS OF LEOPARDS, (Viking/2013). His book of essays on the creative process is REVISIONARIES: WHAT WE CAN LEARN FROM THE LOST, UNFINISHED, AND JUST PLAIN BAD WORK OF GREAT WRITERS. And Kristopher is the director of the creative program and SUNY New Paltz. Recommended Books: E. Lily Yu Break Blow Burn and Make Kate Hamilton, Mad Wife  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-comin

An unforgettable horse gallops through the pages of Kaveh Akbar’s best-selling novel Martyr! (2024), but it is a figurative hastening toward failure and the limitations of language that Akbar discusses with critic Pardis Dabashi. In their conversation, Kaveh considers writing both as an escape from the confines of the self and as a vehicle for expressing its contradictions. Together they explore which forms might best capture the ambivalence and polyphony of the human mind, the contours of Iranian American identity, and the spiritual beauty of everyday existence. Whether discussing neurolinguistics or the affordances of poetry, Kaveh contemplates the limits of language: how can we write what we think, when we struggle to know what—or how—we think? This conversation goes deep into the psyche in order to reach far beyond it. Even Kaveh’s deeply personal response to the signature question demonstrates that the places farthest away from us may also be found within. Mentioned in this episode By Kaveh Akbar: Marty

Pip Property is no stranger to disaster. Typically, they’ve got a plan, but now Dallyangle’s favourite dandy & part-time criminal is locked in the morgue of the crime-fighting Division gone rogue, accused of far more crimes than they’ve actually committed, with (at least) two bucolic burglars out to strangle them with their own cravat. Their lover – the semi-feral Welsh heiress Rosamond Nettleblack – has disappeared into dangerous hands. Enlisting the Division to save Rosamond might be Pip’s only hope, but the cravat designer and the chaotic vigilantes have never seen eye to eye. The Division is looking to prove themselves to a potential new patron – and trusting schemers like Pip is a risk the detectives don’t want to take. Armed only with a borrowed notebook, threadbare charm, suits without cravat pins, and a swordstick everyone keeps confiscating, Pip must get the Division on-side, convince them that faith is a thing they can still have, and unravel the truth behind Rosamond’s disappearance before it’s too

It’s 2006, and S. L. Wisenberg is teaching writing at one of Chicago’s great universities and living a busy life when she’s gobsmacked by a sudden cancer diagnosis. In small but powerful journal entries, she bemoans friends who’ve died, expresses disdain for her body, worries about her future, recalls previous adventures, and jokes about the seriousness of her illness. She doesn’t let the fear and discomfort stop her from throwing her left breast a farewell party. Now, fifteen years later, SL Wisenberg’s journey of self-acceptance, Adventures of Cancer Bitch (Tortoise Books, 2024) has been reissued without page numbers, but with additional entries, notes about her life, and updates about cancer. S. L. Wisenberg was born in Texas and has lived in Chicago, more or less, since she was 18. She is the author of a fiction collection, The Sweetheart Is In; the essay collections Holocaust Girls: History, Memory & Other Obsessions and The Wandering Womb: Essays in Search of Home. In 2009 she published a chronicle, The

For a woman who published only four novels during her lifetime, with two others appearing shortly after her death and several incomplete or shorter works released into print much later, Jane Austen has had an astonishing and enduring legacy, with spinoffs, sequels, prequels, and remakes galore. Vanessa Kelly’s Murder in Highbury (Kensington Books, 2024), the first in a murder mystery series based on Austen’s Emma, offers one particularly appealing example. As happens in the best of these adaptations, Kelly’s Emma Woodhouse—now Emma Knightley—shares basic personality traits with her original conception but is not constrained by them. Stumbling into an impossible-to-predict encounter with a dead body in the chancel of the local church, Emma keeps her head even as her companion, Harriet Martin, seems ready to faint at the horrible sight. Emma confirms the victim’s death, settles her friend down, then sends her off to find the local doctor/coroner and George Knightly, Emma’s husband and the local magistrate. Emma

It's been almost five years since a wrathful extraterrestrial called Rex perpetrated a mass shooting that caused hundreds of millions of people to take their own lives. The world has mourned its losses and moved on, trying to adhere to The Pledge to save themselves from more violence. But when a solar storm conceals the dangerous activities being done at the hotel, Tia must figure out who these strangers are and what they are doing before the shooting's anniversary. Are these strange and beautiful people adhering to The Pledge? Or are they creating their own violent and nefarious rules in order to change the world? Tia has only days to determine whose side they are on-not to mention, whose side she is on-but first, she must stay alive. CK Westbrook’s books are spellbinding and most enchanting. Just when you think you are reading a sci fi book filled with fantastical stories about extra-terrestrial characters who can control all things earthly, it dawns on you that the author is trying to convey something very

In her latest memoir, Landed: A Yogi's Memoir of Places & Poses (2024, Vine Leaves Press),  American-born Jennifer traces her journey-both on and off the yoga mat-reckoning with her adopted country (Israel), midlife hormones (merciless), cross-cultural marriage (to a Frenchman) and their imminent empty nest (a mixed blessing), eventually realizing the words her yoga teachers had been offering for the past twenty-three years: root down into the ground and stay true to yourself. Finally, she understands that home is about who you are, not where you live. Written in experimental chapterettes, Landed spans seven years (and then some), each punctuated with chakra wisdom from nationally-acclaimed Rodney Yee, her first teacher. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

After losing their young son in a tragic accident, Astrid, a Norwegian botanist specializing in Arctic flora, decides to join her husband, Tor, at a remote whaling station in the Arctic, where he spends every whaling season hunting belugas. In heartfelt journal entries, Astrid describes being stranded in a whaling hut through the dark season of 1937-38. She writes about the miscalculations, the terrible weather, the fear of polar bears and freezing to death, the people they’ve met on their journey, Tor’s crew, and her slow disintegration after giving birth to another son, alone in the freezing, dark hut while Tor hunts for food. We know that Tor survived the ordeal, because he is reading Astrid’s journal filled with letters to their dead son. The Last Whaler (Regal House, 2024) is a gorgeous, well-researched historical novel about endurance, isolation, the environment, the Nazi incursion into Norway, the pain of postpartum depression, and the human will to survive. Cynthia Reeves is the author of two previous

P. Djèlí Clark is the author of acclaimed and award-winning speculative fiction, including the much-loved Dead Djinn universe books, Ring Shout, and his most recent, The Dead Cat Tail Assassins. We speak with him about why he writes, how he sees speculative fiction as a genre, whether we can expect to see more Dead Djinn books, the origins of his acclaimed novella Ring Shout, his new book The Dead Cat Tail Assassins (Tordotcom, 2024), and much more. For our conversation about the author’s academic work in history, see our previous episode: “Dexter Gabriel: Slavery and Film, Creativity and Academia, and Is Slavery a Good Metaphor for AI?” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this episode host, Andrea Talabér (CEU Press) sits down with Oksana Rosenblum, the translator of the new addition to our CEU Press Classics series, On Shaky Ground by V. Domontovych. We talk about Domontovych’s background, the process of translation, and about Oksana’s own memories of reading the book for the first time in the early 1990s. On Shaky Ground is a modernist novel written in the late 1930s and early 1940s and was originally published in Nazi occupied Kharkiv in 1942. The novel is one of the best examples of Ukrainian intellectual fiction of the time. The translation and publication of this book was supported by the European Union under the House of Europe programme. You can purchase a paperback copy here. The book is also available on Kindle The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books.

Anna Rasche's debut novel A Stone Witch of Florence (2024, Park Row) brings reader on a historical fiction adventure to Florence. As the Black Plague ravages Italy, Ginevra di Gasparo is summoned to Florence after nearly a decade of lonely exile. Ginevra has a gift--harnessing the hidden powers of gemstones, she can heal the sick. But when word spread of her unusual abilities, she was condemned as a witch and banished. Now the same men who expelled Ginevra are begging for her return. Ginevra obliges, assuming the city's leaders are finally ready to accept her unorthodox cures amid a pandemic. But upon arrival, she is tasked with a much different mission: she must use her collection of jewels to track down a ruthless thief who is ransacking Florence's churches for priceless relics--the city's only hope for protection. If she succeeds, she'll be a recognized physician and never accused of witchcraft again. But as her investigation progresses, Ginevra discovers she's merely a pawn in a much larger scheme than th

Ursula Villarreal-Moura is the author of Math for the Self-Crippling (2022), selected by Zinzi Clemmons as the Gold Line Press fiction contest winner, and Like Happiness (Celadon Books, 2024). A graduate of Middlebury College, she received her MFA from Sarah Lawrence College and was a VONA/Voices fellow. Her stories, essays, and reviews have appeared in numerous magazines including Tin House, Catapult, Prairie Schooner, among many others. Her writing has been nominated for Best of the Net, Best Small Fictions, a Pushcart Prize, and longlisted for Best American Short Stories 2015. Like Happiness has been listed as a best books of the year so far by Elle, Bookshop.org, Libby. Recommended Books: Raquel Gutierrez, Brown Neon Mohammed El-Kurd, Rifqa Catherine Lacey, Pew  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing

Maya, the protagonist of Rohit Manchanda’s novel The Enclave (Fourth Estate: 2024), should be happy with her life. She’s newly single, her net worth steadily rising in the booming India of the 2000s. She has a cushy, if slightly unfulfilling, job in academia. But she struggles: She wants to write, but can’t summon the energy to do so. She juggles several relationships, each one slowly imploding as the novel continues. And she butts heads with an oblivious and pompous bureaucrat, nicknamed “The Pontiff.” Rohit Manchanda is a professor at IIT Bombay where he teaches and researches computational neurophysiology. His first novel won a Betty Trask Award, was published with the title In the Light of the Black Sun and was republished in 2024 titled A Speck of Coal Dust. The Enclave is Rohit Manchanda’s second novel, coming decades after his first published work. In this episode, Rohit and I talk about his writing career, the themes of The Enclave, and the very real struggle of wanting, but not having the energy, to

What does it mean for a novel to think globally? And can a global novel concerned with the macro movements of capital and labor still exist in the form of a bildungsroman? This conversation between Lydia Kiesling and Megan Ward takes up questions of form and political consciousness in the novel, globality and rootedness, capitalism and the yearning for things, optimization and wellness culture, and so much more. Lydia Kiesling’s first novel, The Golden State, was a 2018 National Book Foundation “5 under 35” honoree. Her second novel, Mobility, is the first book in a new imprint with Crooked Media. Lydia and Megan discuss seeing the world from a foreign service perspective, the damage wrought by cultures of individuality, and why more novels aren’t set in Azerbaijan. Lydia talks about how the close reading skills that she gained from an English major provide a way reading the world that is underappreciated by our contemporary culture of utilitarianism. From wet bun hair styles to how we want novels to speak ab

Today I talked to Esinam Bediako about here novel Blood on the Brain (Red Hen Press, 2024). When Akosua, a 24-year-old grad student in New York, falls and bangs her head, she has too much drama in her life to pay attention to her headaches and exhaustion. She’s just broken up with Wisdom, her boyfriend, she learns that her long-estranged Ghanian father is in New York, and she’s worried that dropping so many graduate classes means that she’ll lose her scholarship and work-study job in the library (where she met Daniel, her new crush). As she grapples with her Ghanian-American identity, her mother’s wishes for her, her troubled relationship with the father who left when she was a child, and her coursework, Akosua’s head injury worsens, and she wakes up in the hospital, forced to confront her own history, memory, dreams, and desires. Esinam Bediako is a Ghanaian American writer from Detroit. She writes fiction, poetry, and nonfiction, including awkward third-person autobiographies. A graduate of University of So

You will want to start with Part 1 of episode 135; it can be found right here. Linda Schlossberg, author of Life in Miniature, who teaches at Harvard, joins RTB to read and explore one of her favorite Alice Munro stories, "Miles City, Montana" in our new series, Recall This Story. The discussion ranges widely. This story first appeared in The New Yorker (1/6/1985) and was reprinted in The Progress of Love (1986) one Munro's many many short story collections. In 2013 Munro became not just the first Canadian Nobel laureate for literature, but also the only person ever to win the prize for short fiction. When her name comes up in 2024, most of us don't think first about the Nobel. In a July 8 article in The Toronto Star, Munro's daughter Andrea Robin Skinner revealed that during her childhood she was abused by her stepfather Gerard Fremlin, Munro's second husband. She also reported that Munro herself ignored or minimized the enormity of those crimes. Those facts will inevitably shape how future readers think abo