New Books In Literature

One summer, Joni Griffith Wexler realizes that she hasn’t paid enough attention to her life. While her sons are at sleepaway camp and her husband immersed in his work, she rushes from one impulsive decision to the next, striving unsuccessfully for clarity. It takes her two closest friends, an unexpected girls' weekend, and the surprising wisdom of a psychic medium to give her the confidence to take control of her life. Until a shocking event threatens to undo everything. Joni's story as recounted in Then She Woke Up will resonate with anyone who's ever thought, "How did I get here?" A life long writer, Jaime Baum’s background is in journalism and her prior work has appeared in magazines and newspapers such as Better, Living Without and the Sun-Times news group. She studied Journalism and History at Indiana University and spent the majority of her career in public relations. When she’s not reading or writing, Jaime loves to be outdoors walking, hiking, biking and gardening. She is a wife, mother, stepmom, daug

Tyler Hayes's The Imaginary Corpse (Angry Robot, 2019) offers an escape from the unending stress of the Covid-19 pandemic with three simple words: plush yellow triceratops. Nothing could be farther from our collective coronavirus nightmare than the Stillreal, where Hayes’ protagonist, Tippy (the aforementioned triceratops), runs the Stuffed Animal Detective Agency. Which is not to say that the book doesn’t have its own nightmares or traumas; they’re just softened by the fact that all the characters are imaginary friends created by people (“actual people, out there in the real world,” as Tippy explains) who are forced to abandon them after suffering a horrible trauma (domestic violence, child molestation, and fatal car accidents, to name a few). So even though Tippy is a cheery sunflower yellow, his nature is informed by a violent incident that led his creator, eight-year-old Sandra, to surrender him to the liminal world of the Stillreal. There, he solves crimes that happen to other imaginary friends, like his

In Octavia Cade's brilliant collection of poetry Mary Shelley Makes a Monster (Aqueduct Press, 2019), the famous author of Frankenstein crafts a creature out of ink, mirrors, and the remnants of her own heartbreak and sorrow. Abandoned and alone after Shelley’s death, the monster searches for a mother to fill her place. Its journey carries it across continents and time, visiting other female authors throughout the decades — Katherine Mansfield, Virginia Woolf, Sylvia Plath, Octavia Butler, and others. Pulling from the biographical accounts of these amazing authors, these poems beautifully examine the nature of art and creation, reading and consumption, and how monsters are really reflections of ourselves. The monster has no heart. Mary has two. There is the one she keeps in her bureau— wrapped up in silk and parchment, burnt about the edges and stinking of salt. It is the heart of the man who was her lover and it is less damaged than the heart inside her chest. That is a mangled and un-pretty thing, but she t

Like the better-known and perhaps luckier Georgia O’Keeffe, the American painter Agnes Pelton also found her unique vision in the western desert. As Mari Coates details in our conversation, Pelton and O’Keeffe took art classes from the same teacher and had parallel careers in several ways, yet Pelton is relatively unknown despite a number of major exhibitions during her lifetime and one traveling the United States even as this interview airs. But Pelton’s time in the California desert is only a small part of the captivating story traced in The Pelton Papers (She Writes Press, 2020). Born in Germany, where her ex-pat parents connected while escaping family scandals and tragedies, Pelton came to New York at the age of seven. A sickly girl in a dark and brooding house, she survived her childhood with a deeply religious grandmother, an absent father, a strong-minded mother who supported the family by giving music lessons, and no social life to speak of by losing herself in colors and paint. That set her on a path

Janene, Cora, and Amadahy live on the banks of the river in a small North Carolina town, but they live centuries apart. Janene, a modern-day high school teacher, loses her career and identity in the face of a devastating disease. Cora, an enslaved child during the Civil War, flees the Yarbrough plantation after her family is murdered and finds refuge at the home of a big-hearted woman. Amadahy, a Cherokee of the Wolf Clan in 1663, loses her child and husband, leaving her with a surviving child and a psychotic mother. A sacred, maternal talisman connects the three women as they search for lasting peace. It’s an emotional journey for these three women, who meet at the river. U.S. Navy veteran Shelly Hoover is the author of Timeless Sisters: Peace at the River. She earned an Ed.D. in Education from Cal State, Sacramento and retired as a public-school administrator in 2013 after being diagnosed with ALS, a terminal motor neuron disease. But physical limitations have not stopped Shelly from educating and advocatin

George Scialabba is a prolific critic and essayist known for his incisive, wide-ranging commentary on literature, philosophy, religion, and politics. He is also, like millions of others, a lifelong sufferer from clinical depression. In How To Be Depressed (University of Pennsylvania Press, 2020), Scialabba presents an edited selection of his mental health records spanning decades of treatment, framed by an introduction and an interview with renowned podcaster Christopher Lydon. The book also includes a wry and ruminative collection of "tips for the depressed," organized into something like a glossary of terms—among which are the names of numerous medications he has tried or researched over the years. Together, these texts form an unusual, searching, and poignant hybrid of essay and memoir, inviting readers into the hospital and the therapy office as Scialabba and his caregivers try to make sense of this baffling disease. In Scialabba's view, clinical depression amounts to an "utter waste." Unlike heart surger

The Jātaka tales, or stories of the Buddha’s previous lives as a bodhisatta, are included in the Pāli Canon and have for centuries been a rich source of inspiration in Theravada Buddhism. In addition to these classical Jātaka, a number of other non-canonical Jātaka tales emerged in Southeast Asia and were widely circulated throughout the region. Collections of these tales are conventionally referred to as the Paññāsa Jātaka, or the “Fifty Jātaka”. Once considered minor and apocryphal, the Paññāsa Jātaka are now recognized as the lifeblood of the region’s literature and an important source of traditional culture. Chris Baker and Pasuk Pongpaichit have translated twenty-one of the best-known tales from the Thai collection of the Paññāsa Jātaka in their recently published book From the Fifty Jātaka: Selections from the Thai Paññāsa Jātaka (Silkworm Books, 2019). In addition to the elegant and approachable translations, Baker and Phongpaichit have included an insightful introduction on the Paññāsa Jātaka and have

Ten men have already died while searching the jungles of Uruguay for a reclusive writer, Emiliano Gomez Carrasquilla, who Jacov Reinhardt believes knows the key to understanding melancholy. Carried in circles through the jungle on a stretcher, the narrator recalls how Reinhardt fueled himself with copious amounts of cocaine, built himself an outrageous castle with fake walls and trap doors, and cared nothing for the safety of those those around him, including Ulrich the dog killer, Sonja the one-legged former prostitute, and the unnamed narrator himself. The only thing that really mattered to Reinhardt, according to his amanuensis, was his search for the essence of melancholy. Mark Haber is the author of Reinhardt's Garden (Coffee House Press, 2019). He was born in Washington DC and grew up in Florida. His first collection of stories, Deathbed Conversions, was translated into Spanish in a bilingual edition as Melville’s Beard. His debut novel, Reinhardt’s Garden was longlisted for the 2020 PEN/Hemingway Award

In his novel The Shadow Wolves (Page Publishing, 2019), Jake Kaminski tells the story of Ethan Crowe, a Lakota Sioux tracker who spent a career with the Delta Forces and the Defense Intelligence Agency. Crowe's story begins in the hellish nightmare of Bosnia, where as a young scout for a Ranger company, he and two other Native Americans help track down the Skorpions, a Serbian militia committing genocide on the local populace. The action shifts to the present and the southern border of the United States. Powerful Mexican cartels are utilizing vast stretches of the border to send billions of dollars in illegal drugs into the US. Powerful drug lords preside like kings over their empires, secluded and untouchable in their remote mountain fortresses. Killing fields are being found on both sides of the border. Homeland Security needs a solution. General Darren Evans has been asked to form a special team of Native American trackers to combat the cartels where they are most vulnerable in the Arizona borderlands. The

Ken Liu’s second collection of speculative stories explores migration, memory, and a post-human future through the eyes of parents and their children. Whether his characters are adjusting to life on a new planet or grappling with moral quandaries—like whether a consciousness uploaded to a server is still human—they struggle with the age-old task of forging identities that set them apart from the definitions and limits imposed by society, biology—or their parents. “We all have the experience of not wanting to be labeled, of being put into categories that we naturally feel a sense of resistance to,” Liu says. On the episode, he discusses several of the stories in The Hidden Girl and Other Stories (Gallery/Saga Press, 2020) and talks about the art of translation and the role Liu has played in introducing English-speaking readers to some of today’s great Chinese science fiction writers. Liu was on New Books in Science Fiction in 2015 to discuss the first book in his epic fantasy trilogy The Dandelion Dynasty. Rob

In military thrillers, many authors attempt to create plausible conflicts and many come up short, but James Rosone and Miranda Watson's Rigged (Front Line ,2019), Book one of "The Falling Empire Series," is a chilling what if scenario that is all too plausible. Rigged paints a tale that appears to be ripped from tomorrow's headline. A former military interrogator and military intelligence specialist, Rosone’s experience is evident in every page of the book, from portraying the interrogation of high value threats to situation room sequences full of suspense. In Rigged, an international shadow organization’s plot to unseat a controversial American President unfolds with disastrous consequences. Rosone and Watson weave a tale across years to assemble a world on the edge of the next great conflict. Invoking striking imagery and heart pounding action, Rigged is full of accounts that paint with accuracy the events of a plausible global crisis. As the truth of foreign involvement in American elections lands on headl

Today I interviewed Stephen Jenkinson. He’s not only an author, an activist, a musician, and the founder of a school, but also an inspired etymologist, a spiritual trickster, and a mythopoetic storyteller cracking sticks and tossing them into a low fire as the spirits in the embers rise with his words. He’s a sorcerer of sorts who disenchants us from some of our most habitual and destructive beliefs about what it means to live and to die, to age and—in the title of his latest book—to Come of Age (North Atlantic Books, 2018). The subtitle of his book is The Case for Elderhood in a Time of Trouble, and I spoke to Stephen at a moment when our most imminent trouble seems to be the global pandemic of the coronavirus, one that—on the date of our interview, March 18, 2020—appears as though it will only grow worse and more deadly here in North America and around the globe. Yet Stephen puts this acute trouble into a larger, longer, and ultimately more troubling perspective. He leads us, as he does in his book, into th

Ricardo de Avila would have followed Coronado to the ends of the earth. Instead, Ricardo found the end of his mortal life, and a new one, as a renegade vampire. For over five hundred years, Ricardo has upset the established order. He has protected his found family from marauding demons, teamed up with a legendary gunslinger, appointed himself the Master of Denver, and called upon a church buried under the Vatican. He has tended bar and fended off evil werewolves. Carrie Vaughn's new book The Immortal Conquistador (Tachyon Publications, 2020) is a series of interrelated vignettes, as told to the abbot of Saint Lazarus of the Shadows by the vampire Rick d’ Avila. Learn more about your ad choices. Visit megaphone.fm/adchoices

As Maya Rodale notes early in this interview, romance novels tend not to get the same respect as other categories of fiction, historical or otherwise. Here, and in her Dangerous Books for Girls, she argues persuasively that this bad reputation is an attempt by life’s insiders to undermine the central message of most romance novels: that outsiders, too, have the right to love, success, and happiness. But the message is nowhere more evident than in her Gilded Age Girls Club series, in which a small group of wealthy women make it their goal in life to support female-run businesses and their staffs. In An Heiress to Remember (Avon Books, 2020), the heroine, Beatrice Goodwin, suffers from no lack of money; her family has plenty of it—enough to insist that their beautiful daughter wed a duke to bring them prestige in society, even though Beatrice has fallen in love with Wes Dalton, one of her father’s employees. At twenty, Beatrice gives in to her parents’ demands, but sixteen years later, she is back in New York,

In Docile (Tor.com, 2020), the debut novel by K.M. Szpara, people pay off family debts by working as indentured personal assistants to the ultra-wealthy. Tor describes the book as a “science fiction parable about love and sex, wealth and debt, abuse and power.” Szpara describes the book as "really gay." As it turns out, both descriptions are true. Szpara could have kept the story relatively simply by making Docile a tale of exploitation and rebellion, but he isn’t content to portray the wealthy Alex simply as an abusive patron who brainwashes his compliant docile, Elisha. Instead, their relationship is complicated by society’s efforts to make servitude more palatable by providing dociles with rights (like the right to adequate food and medical care, the right to vote, etc.) and a drug (which Elisha scandalously refuses) that helps dociles forget their suffering. Szpara also dares to have Alex and Elisha fall—or at least think they are falling—in love. This raises a host of questions. Who is Alex falling in lo

Today I interview Berry Grass, an essayist with a powerful new collection of linked essays called Hall of Waters (Operating System, 2019). Grass’s aim is nothing less than to demythologize the American Midwest. Grass wants us to see something like the true history of the land and the culture from which the Midwest arose, one built on systemic racism, exploitation, marginalization, and violence. At the same time, Grass tries to reckon with what it meant for them to grow up, as Grass puts it, “queer and trans in such a toxic environment.” The result is a book that’s dazzling in its variety and steadfast in its vision: to see clearly how the white dominant culture of the Midwest obscures the land to which it laid claim and the nature of who and what it is, all in the hope of a clearer and truer vision of who we are and how we might, in the end, be accountable to ourselves and one another. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature.

Eliza Griswold writes in Snow in Rome, "we hate being human,/depleted by absence." In her latest poetry collection, If Men, Then (Farrar, Straus and Giroux, 2020), Griswold grapples with a world that is fracturing at its foundation. In this series of poems, all at once dark. humorous and questioning, the author moves from the familiar to the unjust to hope with a keen eye. She guides readers through a world that at times strips the humanness from our bones with embedded violence and disconnection, but also calls for us to reconnect by reminding us to be a bridge out among the flames. Eliza Griswold is the author of an acclaimed first book of poems, Wideawake Field, as well as The Tenth Parallel: Dispatches from the Fault Line Between Christianity and Islam, which won the 2011 J. Anthony Lukas Book Prize. Her translations of Afghan women’s folk poems, I Am the Beggar of the World, was awarded the 2015 PEN Award for Poetry in Translation. She has held fellowships from the New America Foundation, the Guggenheim

In Family Papers: A Sephardic Journey Through the Twentieth Century (Farrar, Straus and Giroux, 2019), Sarah Abrevaya Stein weaves a narrative tapestry whose threads are drawn from the archives of one Sephardic family, with roots in the city of Salonica, then in the Ottoman Empire, now Thessaloniki in Greece. The story begins with one of the prominent Jewish citizens of that thriving port city, then follows the family in its dispersion through nine countries across three continents during the most tumultuous and violent years of the twentieth century. This fascinating book is not only a masterful work of archival research but of storytelling. Professor Stein deftly portrays the vivid personalities that comprise the family, even as she teaches valuable lessons about the Sephardic culture in which they were firmly implanted. Professor Stein also ponders important questions about the nature of personal, family, and cultural memories, and the importance of the vanishing art of written correspondence -- and the wa

Laura Waterman talks about her novel, Starvation Shore (University of Wisconsin Press, 2019), which relies upon memoirs, letters, and diaries to reconstruct the life of the Greely Party as it attempted to survive impossible conditions. Waterman is a climber, conservationist, and author who has written many books with her husband Guy Waterman about mountain history, climbing and environmental ethics. Her memoir Losing the Garden tells the story of her marriage to Guy and his decision in 2000 to end his life on the summit of Mt Lafayette. In the summer of 1881, the twenty-five men of the Lady Franklin Bay Expedition watched their ship sail for home from Discovery Harbor, just 500 miles from the North Pole. Commanded by the ambitious yet underqualified Adolphus W. Greely, this crew represented the first U.S. attempt to engage in scientific study of the Arctic. The frigid landscape offered the promise of great adventure—and unknown dangers. It was an expedition Greely eagerly anticipated long before it began. Sta

To catch the people who killed her environmentalist father, the main character of Karl Schroeder’s Stealing Worlds (Tor Books, 2019) disappears into a virtual world of overlapping LARPs—live action role-playing games. But Sura Neelin soon discovers that the LARPs are more than games. They’re also an underground economy that meets players’ needs for food, shelter, services and everything else the non-virtual world also provides. Among the concepts she encounters is the idea that software can provide inanimate objects with self-sovereignty, allowing them to take charge of their own destinies. Sura discovers that self-sovereignty can apply to things like a river or a forest, giving them the ability to advocate for their own health and well-being—essentially putting them on an equal footing with humans who might try to exploit them. For Schroeder, who is both a writer and professional futurist, science fiction can be both entertainment and a laboratory to explore ideas like self-sovereignty. He’s been hired by go