New Books In Literature

Inari Sámi Folklore: Stories from Aanaar (University of Wisconsin Press, 2019) is rich multivoiced anthology of folktales, legends, joik songs, proverbs, riddles, and other verbal art, this is the most comprehensive collection of Sámi oral tradition available in English to date. Collected by August V. Koskimies and Toivo I. Itkonen in the 1880s from nearly two dozen storytellers from the arctic Aanaar (Inari) region of northeast Finland, the material reveals a complex web of social relations that existed both inside and far beyond the community.First published in 1918 only in the Aanaar Sámi language and in Finnish, this anthology is now available in a centennial English-language edition for a global readership. Translator Tim Frandy has added biographies of the storytellers, maps and period photos, annotations, and a glossary. In headnotes that contextualize the stories, he explains such underlying themes as Aanaar conflicts with neighboring Sámi and Finnish communities, the collapse of the wild reindeer pop

Drawing on the author’s deep knowledge of classical literature, Deborah L. Davitt’s book of poetry The Gates of Never (Finishing Line Press, 2018) explores the intersections of myth, science, and humanity through her beautifully accessible poems, reflecting a variety of forms and linguistic styles. These poems morph between being moving, irreverent, unsettling, and erotic — offering up a richly textured collection of work.“He writes me upside downand backwards, so thatI hardly know myself yet,but my hundred newly-open mouthswhisper secret meanings,and offer atramentum kisses;he soothes my wounds withcopper vitriol, making the wordsholy and incorruptible,incapable of fading into sepia;yet as he kisses me, our tongues meeting,the words spark white-fireunder my skin, the runes writhinginto new configurations”– from “Testament”Deborah L. Davitt was raised in Nevada, but currently lives in Houston, Texas with her husband and son. She has worked as a technical writer on contracts involving nuclear submarines, NASA,

It’s 1991, and recent college graduate Mim wants to be a writer, but for now she is folding clothes at Benetton. She notices the trash-filled streets and befriends exotic Kyra, who joins Mim’s disparate group of roommates, all squeezed together in a crumbling NYC apartment. Their relationship gets closer, and Mim meets Roy, the man Kyra plans to marry. Then, the anguish of another of the roommates, a veteran of the Gulf war, becomes unbearable, and Mim returns home to Boston. She loses track of Kyra for twenty years. Now it’s 2012, Mim is married, a successful writer and raising an adopted child when she learns that Kyra has disappeared in Afghanistan. Mim’s journey to find her old friend forces her to confront her choices, herself, and her understanding of America’s ability to change the world.Join me today as I talk to Daphne Kalotay about her new novel Blue Hours (Triquarterly, 2019). Kalotay is the author of the critically acclaimed collection Calamity and Other Stories, which was shortlisted for the 2005

Grand Duchess Maria Romanova arrives in Ekaterinburg in 1918 with her parents, the former Tsar Nicholas II and his wife, Alexandra. After months of house arrest in the deep interior of Russia, the family is beginning to despair of ever being rescued. As conditions worsen, Maria and her family are increasingly at the mercy of the men set to guard them. As the pro-monarchist White Army approaches Ekaterinburg, the fate of the Romanovs hangs in the balance.Thousands of miles away and six decades later, Australian Val Doyle has her hands full with an abusive husband, a small daughter, and a mystery surrounding her recently deceased father, who died claiming, “I didn’t want to kill her!” The only clues to what may have happened are a vintage camera with a roll of film still in it and an exquisite jeweled box that refuses to open.Veteran novelist Gill Paul unravels the stories of Maria and Val in The Lost Daughter(William Morrow, 2019), a meticulously researched, engrossing novel set in Russia, China, and Australi

In Cadwell Turnbull’s The Lesson (Blackstone Publishing, 2019), the U.S. Virgin Islands serve as Earth’s entry point for the Ynaa, beings from a far corner of the universe whose intentions and desires are as complex as the humans who come to loathe them.The Ynaa (pronounced EE-nah) claim to come in peace, but there are echoes of colonization in the way they manipulate humans with fear and violence. And just as attitudes toward European colonization are reflected in the use of words like “discover” versus “invade,” so too do Virgin Islanders debate whether the Ynaa violently “invaded” or more neutrally “arrived.”Humans are no match—either physically or technologically—for the Ynaa, yet that doesn’t stop some angry (and one might argue foolish) homo sapiens from trying to thwart them. Turnbull treats human and Ynaa with an even hand, offering cultural and psychological insights into the nature of toxic masculinity and the Ynaa’s bursts of extreme violence.Even though Turnbull is from the U.S. Virgin Islands, he

Today, I’m talking with Chelene Knight. She’s written a new memoir called Dear Current Occupant (Book*hug, 2018). And as her title suggests, it’s a letter of sorts, one written to those people who might now be occupying one of many places she and her family lived back when she was growing up in downtown Vancouver’s eastside, and in this sense, her memoir is a map of the city, allowing us to see into lives and loves and struggles we might otherwise never see. But Dear Current Occupant is also a letter to Knight’s younger selves, to the girl and eventually young woman who lived in these places and who struggled to discover who she was and who she could be. The result of this correspondence is a rich and multifaceted account of what it means to become a strong writer and, in Knight’s words, “a strong black woman.” Knight’s book combines poetry, prose, maps, photographs, and other media to tell a singular story that could be told in no other way, to make visible what she calls “the cracks in the narrative,” which

Shmuel Yosef Agnon (1888-1970) was born in Buczacz, Eastern Galicia (now part of Ukraine). Yiddish was the language of his home, and Hebrew the language of the Bible and the Talmud which he studied formally until the age of nine. His knowledge of German literature came from his mother, and his love of the teachings of Maimonides and the Hassidim came from his father. In 1908 he left for Palestine, where, except for an extended stay in Germany from 1912 to 1924, he lived until his death.Agnon began writing stories when he was quite young. His first major publication, Hakhnasat Kalah (The Bridal Canopy), 1922, re-creates the golden age of Hassidism, and his apocalyptic novel, Oreach Nata Lalun (A Guest for the Night), 1939, depicts the ruin of Galicia after WWI. Much of Agnon’s other writing is set in Palestine. Israel’s early pioneers are portrayed in his epic Temol Shilshom (Only Yesterday), 1945, considered his greatest work, and in the surreal stories of Sefer Hamaasim (The Book of Deeds), 1932. Agnon also

Melissa Albert's novel The Hazel Wood(Flatiron Books, 2018) is a shivery delight, like a dazzling vintage ball gown of paisley silk, slithering over your head. Reading it is like drowning in musk rose petals and damson wine.It begins in an almost conventional manner, with a missing person mystery. Alice and her mother, Ella, live a peripatetic existence, which takes them from Nacogdoches, Texas to Brooklyn, New York. Alice copes with the frequent moves by becoming a loner, though she feels a fierce loyalty to her mother, and curiosity about her grandmother, a mysterious reclusive writer of fairy tales. When Ella meets and marries Harold, Alice and she stay still long enough for her past to catch up with them. One day Ella disappears, abducted in front of Harold. This is no ordinary kidnapping though, as Alice and her friend Finch soon find out. Their search for Ella takes them deeper and deeper into another reality, and the secrets of Alice’s origin, and things start to get really weird.Gabrielle Mathieu is t

Two sisters are struggling to save their land when a gas well explodes on a neighboring ranch in western Colorado, setting off a disturbing chain of events. Their father has died, the older sister has become unraveled and the younger sister is mauled by an angry cow. Her ex-boyfriend is buying up oil and gas rights and downplays a spate of cancer-related deaths near his wells. The company offers the sisters bottled water when the river starts bubbling. There’s also an Iraqi war veteran who helps the sisters while he’s on probation from his job as a police officer, putting his own marriage at risk. This is a moving debut novel about family, land, and the preservation of both in rural America.Award-winning journalist Rebecca Clarren has been writing about the rural West for twenty years. Her journalism, for which she has won the Hillman Prize, an Alicia Patterson Foundation Fellowship, and nine grants from the Fund for Investigative Journalism, has appeared in such publications as MotherJones, High Country News

C.A. Fletcher’s new novel,  A Boy and His Dog at the End of the World(Orbit, 2019), takes place several generations after a pandemic has turned humans into an endangered species.For Griz, the adolescent narrator, life is bounded by his family, two dogs, and the Outer Hebrides island where they hunt, fish, and farm.When Brand, a lone sailor, shows up, Griz is mesmerized by his stories of adventure. But when Brand steals one of the family’s dogs, Griz gives chase.As Griz and their other dog journey through the ruins of our world, they explore the limits of loyalty while learning a lesson in human cruelty.“If you're not true to the things you love, what are you?” Fletcher says, quoting Griz. “That's when you stop being human.”In his interview, Fletcher discusses the research that informs the novel’s “soft apocalypse,” the difference between writing screenplays and novels, his father’s wise words about dogs, and the real-life terrier behind Griz’s canine companion.Rob Wolf is the author of The Alternate Univ

When I spoke with Linnea Hartsuyker back in 2017, her epic saga was just beginning. The first novel opens with her hero, Ragnvald, seeing a vision of a golden wolf who will unite the feuding kingdoms of Norway under one rule. The vision sets the course of Ragnvald’s life, bringing him into the service of Harald Fair-Hair, a young and confident warrior whose counselor and friend Ragnvald becomes. Meanwhile, Ragnvald’s sister, Svanhild, sets off on a different course, one that offers her a life of adventure not often available to women but pits her against her beloved brother.Twenty years later, Harald has come close to achieving his goal. One more wedding stands between him and a unified Norway. Svanhild and Ragnvald have returned to fighting on the same side, but two decades of wounds and battles, as well as old patterns, are catching up with the older generation. And the three of them have produced a large and varied group of children, most of them sons at or near adulthood, ready to challenge their parents’

Planted in her mind while the author was working as a professional gardener, The Forgetting Flower (Magnolia Press, 2019) tells the story of Renia, a working- class young woman who left Crakow to live in Paris. She manages a flower shop for the obnoxious, oblivious owner, who is tone-deaf regarding business, money, and people. Renia has built a secret nook to store an unusual plant whose blossoms make people forget just about everything. The plant belonged to her twin sister, still in Crakow, and it turns out that there are lots of people interested in getting their hands on it - questionable people with guns, and drugs to sell.Karen Hugg loves plants and is thrilled when new cultivars or varieties are discovered. She is often reminded that “if she didn’t exist, they would live on just fine anyway.” Karen is a Seattle-based certified ornamental horticulturalist and Master Pruner and is also a graduate of the Goddard MFA program. When she is not actually digging in the dirt, Karen likes to write mysteries and

It is not easy to interview a writer of murder mysteries without giving away too many details, but when an author not only manages to create a full and complex cast of characters but also sweetens the deal with recipes for everything from cakes to zucchini dip (given in detail at the end of the book), that helps. G. P. Gottlieb does both in Battered (D. X. Varos, 2019), the first of her Whipped and Sipped Mystery series, set in present-day Chicago.Since divorcing her husband eight years ago, Alene Baron has owned a neighborhood café specializing in healthy but tasty breakfasts, lunches, and nonalcoholic drinks. Managing the business is a full-time job, and the staff ranges from Alene’s closest friend to relatives of the former owner who have been grandfathered in despite their troubled lives and work histories. With three children and an elderly father to support while counteracting the influence of her irresponsible ex-husband, Alene has her hands full.When one of the residents of her apartment block winds u

Zaytuna just wants to be left alone to her ascetic practices and nurse her dark view of the world. But when an impoverished servant girl she barely knows comes and begs her to bring some justice to the death of a local boy, she is forced to face the suffering of the most vulnerable in Baghdad and the emotional and mystical legacy of her mother, a famed ecstatic whose love for God eclipsed everything. The Lover (Kindle Direct Publishers, 2019) is a historically sensitive mystery that introduces us to the world of medieval Baghdad and the lives of the great Sufi mystics, washerwomen, Hadith scholars, tavern owners, slaves, corpsewashers, police, and children indentured to serve in the homes of the wealthy. It asks what it means to have family when you have nearly no one left, what it takes to love and be loved by those who have stuck by you, and how one can come to love God and everything He’s done to you.In our conversation Laury Silvers discusses her transition from writing scholarship to historical fiction,

Nellie Bly is in some respects a household name, yet the passage of time has erased many of her accomplishments from popular memory. One of the first well-known female journalists, she wrote for Joseph Pulitzer’s acclaimed paper The World, traveled around the world in less than eighty days, married a millionaire, and pursued a celebrated career at a time when the idea of women with professions was still new.But her first journalistic assignment—the one that landed her a job with The World when she was still Elizabeth Cochrane, a twenty-something from Pittsburgh trying to make her living in the big city—was quite different. As Kate Braithwaite details in The Girl Puzzle (Crooked Cat Books, 2019), at Pulitzer’s suggestion, Elizabeth had herself declared insane and sent off to Blackwell’s Island, the location of one of New York’s most notorious lunatic asylums, with the intention of reporting on life from the inside.Braithwaite’s dramatic and compelling novel opens with the middle-aged Nellie Bly revealing her s

For Blue and Red—arch enemies at the center of Amal El-Mohtar and Max Gladstone’s epistolary novella, This is How You Lose the Time War (Gallery, 2019)—the only thing that endures after millennia of espionage and intrigue is love. El-Mohtar and Gladstone are themselves avid letter writers who favor fountain pens and G. Lalo stationery over pixels and Gmail. So it was only natural that when they decided to collaborate on a novella about enemies-turned-inamoratas, their tale takes the form of a correspondence. Since Blue and Red can travel across timelines and live for eons, they compose their letters from materials that take a long time to manipulate, such as the rings of a tree, an owl pellet, lava flows, and sumac seeds. El-Mohtar and Gladstone, on the other hand, were constrained by ordinary time and space. “He writes about four times as fast as I do. So it was it was tricky at first,” El-Mohtar says. “But then as we rounded off the first act, we started changing the pace of our respective writing. Max slow

A picaresque novel about a serious boy with special powers, The Lost Puzzler takes place in an impoverished, technologically backwards world. After the fall of the advanced Tarakan Empire, the remaining population struggles to get by on what remains of their technology. Others turn to a rural existence, adhering to religious dogma which condemns all those who still seek out technology.Children who spontaneously exhibit tattoos are linked to the fallen Tarakanian society, sought after by those who collect Tarakanian technology, and ostracized or killed by the religion rural faction.Two boys, born years apart, both possess the markings which indicate special powers. One, Rafik, flees death in his religiously conservative village only to be passed from hand to hand, as various factions try to make use of his powers. Rafik possesses one of the most useful mutations, the ability to open the locks that guard caches of the lost Tarkanian technology. Those locks are made of intricate puzzles that can only be solved b

It’s 1979, and the Islamic Revolution is just around the corner, as is a massive solar eclipse. In this epic novel set in the small Iranian city of Naishapur, a retired judge and his wife, Bibi, grow apples, plums, peaches, and sour cherries, as well as manage several generations of family members. The days here are marked by long, elaborate lunches on the terrace and arguments about the corrupt monarchy in Iran and the rise of Islamic fundamentalism. And yet life in the orchard continues. An uncle develops into a powerful cleric. A young nephew goes to university, hoping to lead the fight for a new Iran and marry his childhood sweetheart. Another nephew surrenders to opium, while his widowed father dreams of a life in the West. Told through a host of vivid, unforgettable characters that range from servants to elderly friends of the family, To Keep the Sun Alive (Catapult, 2019) is the kind of rich, compelling story that not only informs the past, but raises questions about political and religious extremism t

In Sing This at My Funeral: A Memoir of Fathers and Sons (Wayne State University Press, 2019), David Slucki, Assistant Professor in the Yaschik/Arnold Jewish Studies Program at the College of Charleston, gives us a very different type of history book. Slucki’s memoir blends the scholarly and literary, grounding the story of his grandfather and father in the broader context of the twentieth century. Based on thirty years of letters from Jakub to his brother Mendel, on archival materials, and on interviews with family members, this is a unique story and an innovative approach to writing both history and family narrative. Students, scholars, and general readers of memoirs will enjoy this deeply personal reflection on family, Jewish history and grief.Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

When Emily Dawson inherits a plantation in Barbados from her grandfather, Jonathan Fenty, in 1854, she is not quite sure what to make of the bequest. Emily, an English vicar’s daughter, has long been the “poor relation” of her merchant family, but the bigger surprise is that her grandfather never once mentioned the existence of this property, Peverills. In the company of her cousins Adam and Laura, Emily embarks on a sailing vessel for the West Indies. In Bridgeport, further shocks await. Their contact, Mr. Turner—reputed to be the wealthiest man in Barbados—is of African descent; and neither he nor anyone else in his family seems to think much of the English visitors. When Emily expresses the desire to see Peverills for herself, the Turners explicitly warn her away. Emily persists, only to find the estate in ruins and the family next door eager to take her in. But Emily soon begins to wonder about the neighbors’ motives, as well as the history of the plantation. How many other secrets did her grandfather con