New Books In Literature

Any novel set in Russia during the reign of Ivan the Terrible (1533–1584) is an instant draw for me; that is, after all, the setting for most of my own fiction. Throw in Baba Yaga, the wicked witch of Russian folklore, and give her a makeover, and I am hooked. Throw out the warts and the cackle, the flying mortar and pestle, the human skulls lighted from within, and even the appellation “Baba” (“granny,” but also “hag” or “crone”). These attributes, according to Gilmore, are part of a vicious plot to discredit her heroine, Yaga—the half-mortal, extremely long-lived daughter of the Earth goddess Mokosh. Born in the tenth century, before the introduction of Christianity cast the old Slavic deities into the shade, Yaga has become a noted healer who doesn’t appear a day over thirty in 1560, when the story begins. Over the centuries, she has acquired a frenemy, Koshey (Koshchei) the Deathless, who for reasons that become clear during the novel has chosen to break his prior deal with Yaga and interfere once more in