Whoa!mance

We're back, and we're going totally medieval on THE FALCON AND THE SWORD by PATRICIA WERNER for the final act of this Ice Wine season. Judith, the most normally named character in this whole book, abandons a convent to find herself in the kingdom of Neustria amongst a bunch of Franks who will never get her as a Visigoth. Along comes handsome-in-a-different-kind-of-white-way, advisor to the King of Austrasia to spark her interest, and then away he goes for the vast majority of the book until he returns in the fourth (eighth?) act to profess his love in the murder mystery cum Medieval slice of life this Romance Novel is. Why did romance in the 90s spend so much effort towards everything but character? What does the centering of small folk tell us about a place and time? What is the difference between Visigoths and Goths? Hope you've got a knee brace, because these Middle Ages are hard on your joints.