New Books In Literature

Most people think of Edgar Degas as a French painter of ballerinas. But few have heard that his mother came from New Orleans or that he spent five months in that city between October 1872 and February 1873. That five-month period proved crucial to Degas’s career, moving him from the status of a relative unknown dabbling in the not-quite-respectable world of the Paris Opera into an artist of renown. And although he went back to painting ballerinas—many of his most famous works date from 1873 and later—it was his study of his brothers, A Cotton Office in New Orleans, that won him the critical acclaim that pushed him into the next stage of his career. In Estelle (She Writes Press, 2020), Linda Stewart Henley takes this vital transition as her starting point for a dual-time story in which a young woman named Anne Gautier, twenty-two years old and fresh out of college, inherits an old house on Esplanade Avenue in New Orleans in 1970. While overseeing renovations and dealing with protestors opposed to urban renewal