Shakespeare And Company

The publication of The Coin by Yasmin Zaher marks the arrival of a determinedly contemporary, sometimes confounding, always compelling voice in English-language literature. Telling the story of a young Palestinian woman, struggling to make her life in New York City, we quickly get to know a woman of complexities and contradictions… She’s the heir to a vast fortune—and with the tastes that match such wealth—but is denied access to her inheritance, and is living on a meagre-ish stipend in one of the world’s most expensive cities. She’s a teacher in a middle school — a job she kind of respects, kind of ridicules, kind of loves, and kind of despises. She’s a woman obsessed with purity and personal hygiene, but who also fully embraces the often impure, sometimes unhygienic, undertaking of casual sex. And she’s a Palestinian whose memories and knowledge of her homeland are ever-receding in the rear view mirror, but who is finding the American soil increasingly resistant to the putting down of roots. With all these

In a world overwhelmed by complex political challenges and endless commentary, where can we turn for insight into how we got here—and where we might go next? From the survival of democracy to the rise of AI, from confronting inequality to resisting surveillance, today's problems demand deep thinking.In his latest book The History of Ideas, David Runciman explores how the rich history of political thought offers fresh perspectives on contemporary issues. What can the creator of the Panopticon teach us about resisting surveillance? How do the ideas of a former slave and a French Existentialist redefine liberation? And could a utopian novel from 1872 illuminate our understanding of artificial intelligence?David Runciman joined Adam Biles for a spirited journey through radical thinkers and ideas of the past 250 years. Discover how their questions and insights remain strikingly relevant today, and why embracing diverse perspectives is key to understanding our world—and ourselves.Buy The History of Ideas: https://w

Why are we so obsessed with the apocalypse? Is it a reaction to the state of the world—climate catastrophe, regional wars threatening global conflict, pandemic scares, and the unsettling rise of AI—or does it run deeper? Is it inherent to the modern world or, perhaps, the human condition? And why are we so captivated by apocalyptic stories in books, films, TV shows, video games, and art—sometimes improbable, sometimes terrifyingly possible?Dorian Lynskey explores these questions in Everything Must Go. He starts in ancient times, with a detour through the Book of Revelation, before focusing on the 19th century, when humanity began to grasp that scientific advances could both transform and destroy the world. The 20th century brings the bomb, robots, and intelligent machines—the seeds of a potential end. Like the best non-fiction, Lynskey’s focus on a specific subject—armageddon—offers deeper insights into how we view ourselves, interact with others, and perceive our world.Buy Everything Must Go: https://www.sha

On the night of Friday, 13 November 2015, three suicide bombers blew themselves up outside the Stade de France during a football match between France and Germany, attended by President François Hollande. By 1am the next morning, 130 victims were dead, and 416 others were injured, many critically. Seven attackers were killed, and two more died in a shootout with police days later.In September 2021, nearly six years later, the trial of 20 men accused of involvement in the attacks began in a specially built courtroom near the Palais de Justice. Fourteen were present, six tried in absentia, and only one, Salah Abdeslam, had directly participated in the attacks. The others were involved in planning, logistics, or assisting the terrorists. With many defendants refusing to testify and the trial featuring mostly secondary figures, some doubted whether it would be meaningful. However, in V13, Emmanuel Carrère’s gripping account, it becomes clear that the trial was far from a failure. As he writes, it became "a unique

Denis Hirson’s My Thirty Minute Bar Mitzvah can be read as many different books. It can be read as a new, deeply personal, take on a pivotal episode in the history of South Africa. It can be read as a tender reflection on the mind of the author as he teetered on the cusp of adulthood. It can be read as a portrait of one particular wing of the Jewish diaspora, at one very particular moment in time. And it can be read as an account of how trauma is passed from one generation to the next, but also how with every new generation we are offered the opportunity of recovery…if only we will grasp it.My Thirty Minute Bar Mitzvah focuses primarily on the life of the author in the early 1960s, when he was between the age of nine and thirteen, and when the politics of his homeland was in turmoil after the brutal Sharpeville Massacre, carried out by the apartheid regime. Indeed, it’s these very politics that are going to impose themselves in a real and immediate fashion on the author’s world, not only shattering his idea o

In 2019, Anna, a psychoanalyst, is processing a recent miscarriage. Her husband, David, takes a job in London so she spends days obsessing over renovating the kitchen while befriending a younger woman called Clémentine who has moved into the building and is part of a radical feminist collective called les colleuses. Meanwhile, in 1972, Florence and Henry are redoing their kitchen. Florence is finishing her degree in psychology while hoping to get pregnant. But Henry isn’t sure he’s ready for fatherhood… Both sets of couples face the challenges of marriage, fidelity, and pregnancy. The characters and their ghosts bump into and weave around each other, not knowing that they once all inhabited the same space.A novel in the key of Éric Rohmer, Scaffolding is about the bonds we create with people, and the difficulty of ever fully severing them; about the ways that people we’ve known live on in us; and about the way that the homes we make hold communal memories of the people who’ve lived in them and the stories tha

Colombe Schneck’s THE PARIS TRILOGY is a book—or rather three books, first published separately in French—about growing up, about friendship, about love, about family, about class, about womanhood and the patriarchy…and about swimming. In short, about every side of a life, as it just happens to take place in Paris. Rendered in crisp, fluid English by translators Lauren Elkin and Natasha Lehrer—who joins the conversation— THE PARIS TRILOGY begins with SEVENTEEN, a searingly frank account of the abortion the writer had as a teenager, passes through FRIENDSHIP, the devastating record of a childhood bond cut brutally short, and concludes with SWIMMING: A LOVE STORY, the chronicle of how this particular sport helped her build, and then grieve, a relationship.Buy The Paris Trilogy: https://www.shakespeareandcompany.com/books/the-paris-trilogy*Colombe Schneck is the author of eleven books of fiction and non-fiction, she has received prizes from the Académie Française, Madame Figaro and the Society of French Wri

A woman speaks to us from her room in a residential home, of some description. She reflects on her life, her family, her pets, on time—the past, present and the future—on Manson Family Alumnus Leslie Van Houyten, on History, on Death, on the Occult, on what it means to be “sensitive”…and so much more besides. All the while she is distracted, bothered, grounded, and charmed by her fellow residents, a rag-tag slice of American life if ever a novel saw oner. As you can imagine from a Lynne Tillman book—indeed, as you would hope—things get discursive, things get disrupted, things get WEIRD, very quickly. First published in 2006, AMERICAN GENIUS, A COMEDY achieves the eerie feat of growing more pertinent as time goes on. Deeply aware of the tradition of the novel—perhaps the American novel in particular—Tillman is also confident enough in the newness of her project, and mischievous enough in her approach, to subvert that tradition almost to breaking point. To echo the words of George Saunders, AMERICAN GENIUS, A C

This week’s guest is Aysegul Savas, whose mesmerising third novel, The Anthropologists is about a great many things. It’s about what it means to leave one’s home. It’s about attempting to lay down roots elsewhere. It’s about the mystery, banality, and all-consuming nature of love. It’s about the dynamics of friendship, and how those are stress-tested by life. It’s about growing up and growing old. It’s about how our lives are shaped by rituals…and by the lack of them. And it’s about how anxiety-inducing it can be trying to buy a flat. More concretely, The Anthropologists is about Asya and Manu, young expats in an unnamed foreign city. Asya is a documentary maker, Manu works for an NGO. They lead a care-free, meticulously tended-to life of nights out, mornings in, coffees and pints with friends, and evenings of poetry with their eccentric upstairs neighbour. But all of this—its sustainability, its “realness”— is called into question by their decision to begin flat-hunting, as well as by other life changes—chan

For this special episode, recorded live at the Edinburgh International Book Festival, Adam Biles was joined by novelists Lauren Groff and Neel Mukherjee for a wide-ranging discussion that takes the temperature (and the pulse!) of the book industry, from bookshops, to publishers, to prizes, to festivals... Enjoy!Buy The Shakespeare and Company Book of Interviews: https://www.shakespeareandcompany.com/books/the-shakespeare-and-company-book-of-interviewsBuy The Vaster Wilds: https://www.shakespeareandcompany.com/books/the-vaster-wilds-3Buy Choice: https://www.shakespeareandcompany.com/books/choice-2*Lauren Groff is a three-time National Book Award finalist and The New York Times–bestselling author of the novels The Monsters of Templeton, Arcadia, Fates andFuries, Matrix, and The Vaster Wilds, and the celebrated short story collections Delicate Edible Birds and Florida. She has won The Story Prize, the ABA Indies’ Choice Award, France’s Grand Prix de l’Héroïne, and the

Rachel Kushner’s fourth novel Creation Lake is a spy novel stacked with ideas. As our fast-thinking, gun-packing protagonist wends her way down to the south of France, charged—by forces unknown—with infiltrating and sowing chaos at a commune of eco-warriors, her mission leads her into exhilarating reflections on activism, on charisma, on neanderthals and other lost races of archaic humans, on the remodelling—some might say devastation—of rural France in the name of progress, on loss in its myriad forms, on the shadows loss leaves behind, on Guy Debord, on the apparently charmed life of Louis Ferdinand Céline, on Daft Punk’s ubiquitous Get Lucky, on space, on time, on spacetime, and on the many paths she has and hasn’t taken in her life… As that list hopefully demonstrates, the scope of Creation Lake is vast, stretching from the micro of the personal to the macro of the cosmos—and touching on everything in between. And yet incredibly, Creation Lake never feels weighed down by all this. Quite the opposite. It h

Our guest in the writer’s studio this week is Ferdia Lennon, whose debut novel Glorious Exploits depicts the ancient world in a way readers will never have experienced it before. Set in Syracuse in 412 BC, after the catastrophic attempt by Athens to invade the city, Lampo and Gelon, two out-of-work potters, have the harebrained idea of staging a production of Medea—perhaps the greatest play, by unquestionably the greatest playwright of their time—using, as actors, the Athenian soldiers held as prisoners in the quarry. And if that premise weren’t intriguing enough on it’s own, it’s the writer’s execution that really sets Glorious Exploits apart, as Lennon eschews the stilted formality that tales of Antiquity often lapse into, in favour of an always lively, frequently fruity, distinctly Irish vernacular. Glorious Exploits is a story about friendship, about art, about love, and about violence. It’s also a story about stories—those we tell each other, those we tell ourselves, and the power they have to spirit us

Our guest this week is Roxy Dunn, whose debut novel As Young As This is a meticulous examination of the lives and loves of young women today. Told, strikingly, in the second person, it is structured by the the succession of first boys, then men in the protagonist Margot’s life, and populated by dysfunctional friends and a wisecracking, but deeply caring family. As Young As This is as witty as it is sincere, as revealing as it is touching. Pandora Sykes said that “with glorious attention to detail and emotional fluency, Dunn charts the ways in which we are built and broken by love” while Daisy Buchanan called As Young As This 'Raw, funny and beautiful” adding that it’s a “really gorgeously observed novel about youth and womanhood”Buy As Young As This: https://www.shakespeareandcompany.com/books/as-young-as-this*Roxy Dunn is a Writer/Performer and graduate of the BBC Comedy Writersroom. She’s acted in multiple television sitcoms and her shows have received sell-out runs at the Edinburgh Fringe and SOHO Theatre.

School of Instructions, the latest work by Ishion Hutchinson, draws from the time he spent in the archive of the Imperial War Museum, to foreground the experience—brutal, significant, but long overlooked—of West Indian volunteers in the First World War. This book length poem is a sensorial voyage into the convoys, garrisons and trenches of the Middle Eastern war theatre in all its monstrousness and disorientation, in which Ishion Hutchinson masterfully deploys his immense gift for spiriting vivid, textured, and living images from the page. The poem also juxtaposes the horror of war with the life of Godspeed, an ordinary—by which I mean mischievous and sweet-natured—boy growing up in rural Jamaica in the 1990s. And it is perhaps this interweaving of narratives, of epochs, of worlds, of the micro and the macro, that makes School of Instructions not just a significant work of poetry, but also an important act of historical empathy, reaching back more than a century to highlight how the ossified remains of empire

This week’s guest is Michael Donkor whose new novel Grow Where They Fall is a meticulous and tender exploration of two formative moments in the life of one Kwame Akromah, twenty years apart. Kwame is Black, Gay, British of Ghanian descent, a dedicated teacher, a dependable friend—character traits and conditions of life that weave around each other and interact, with unpredictable results—whether for the ten-year old boy or the grown man—at times lifting Kwame up, at other times dragging him down. Grow Where They Fall manages to be as gentle as it is spirited, as moving as is fun to read, and Donkor handles the changing register of life, and of London, in these different decades, with skill and verve. It is a book not just about growing up, and perhaps growing old, but also, in a sense, about growing out — growing out of the roles handed down to us by our families, growing out of friendships, growing out of jobs, and growing out of our own fixed ideas about ourselves. It’s also a book which asks the essential

The seven stories in Samanta Schweblin’s Seven Empty Houses are not just about houses—how they contain us, how they constrain us—but are also about the families compressed in them, the objects stored in them, the neighbours that circle them…and the trauma that has soaked into their walls over years past, and that is now seeping slowly out, poisoning the lives of their inhabitantsBuy Seven Empty Houses: https://www.shakespeareandcompany.com/books/seven-empty-houses-2Samanta Schweblin is the author of three story collections and two novels, which have won numerous awards, including the prestigious Juan Rulfo Story Prize, and been translated into twenty languages. Her debut novel Fever Dream was shortlisted for the Man Booker International Prize 2017, and her short-story collection Seven Empty Houses won the National Book Award for Translated Literature 2022. Originally from Buenos Aires, she lives in Berlin.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel

So much has been written about the imminent transformation that Artificial Intelligence will bring to our world. But it is often hard to get much of a sense of what that will mean on a personal level—for our work, for our leisure and, perhaps most importantly of all, for our families. What improvements will result? What new tensions will arise? What devastation will be wrought? In HUM, Helen Phillips takes these questions and masterfully dramatises them in the lives of a financially struggling family of four. As we spend time with mother May, father Jem, and kids Lu and Cy, we not only experience the very real, very claustrophobic presence of this invasive, dehumanising technology, but are also forced to reckon with the truly thorny question of whether some of the gifts it offers—foremost among them reassurance concerning the wellbeing of those we love—are a worthy altar upon which to sacrifice…well, pretty everything else. Just as with her much celebrated 2019 novel THE NEED, in HUM Helen Phillips has once a

We recently welcomed Catherine Lacey to the bookshop to discuss her vertiginous latest novel Biography of X.Ostensibly the quest of a journalist, C.M. Lucca, to discover more about the life of her late wife—an artist who went by many names, but who she knew only as X—it quickly becomes clear that, in Biography of X, it’s not just one life being called into question, but a genre of literature, a method of reading, a manner of telling stories, a concept of history, perhaps even truth itself.Buy Biography of X here: https://www.shakespeareandcompany.com/books/biography-of-x-5*Catherine Lacey is the author of four books: Nobody Is Ever Missing, The Answers, Certain American States, Pew, and Biography of X. Her work has appeared in Harper’s, Vogue, the New York Times and elsewhere. She is a Granta Best of Young American Novelist, a Guggenheim Fellow and the winner of the 2021 New York Public Library’s Young Lions Fiction Award.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of

Set in small-town, post-crash Ireland, The Bee Sting follows the Barnes family—Dickie, Imelda, Cass and PJ—as the fabric of their lives first frays at the edges, then begins to unravel completely. The Barnes’ are endearing, and complex, and funny, and infuriating… In short, one of the most realistic and memorable portrayals of a family you’ll find in contemporary fiction.Throughout the book The Bee Sting’s focus masterfully expands and contracts between the minutiae of adolescent friendship, marital tensions and financial woes, and the threat of full scale global apocalypse, while touching on pretty much everything in between.It is a book about families, how they build you up and how they knock you down, about how both the lived past and the imagined future weigh on our lives, about coincidence, about loneliness, about optimism, about love and loss, about climate change, and about shame… it’s also a book, unsurprisingly, about bees—although perhaps not in the way that you might think.Buy The Bee Sting: https:

A woman tells her son about his early life. About the months and years that he will by now have forgotten. When he was a baby, then a toddler, and when she was going into battle every day. For him first, and only then for herself. It’s a battle fought on many fronts. Against exhaustion, against time, against the loss of selfhood, against an increasingly absent husband, and against a society that values women less than men, and perhaps mothers least of all. And with no guarantee that she, that they, will come out on top. Between a testimony and a confession, between a lesson and a warning to the man her boy will become Soldier Sailor is devastating, uplifting, punishing, galvanising, vertiginous, infuriating, honest, raw, painful, and illuminating…in short, as close a representation of the early days of parenthood that can be committed to words. Bu Soldier Sailor here: https://www.shakespeareandcompany.com/books/soldier-sailor-2Clare Kilroy's debut novel All Summer was described in The Times as compelling