Kyle Meredith With...

Lily Rabe sits down with Kyle Meredith to talk about the third season of Shrinking, where her character Meg — the daughter of Harrison Ford’s Paul — finally steps further into the spotlight and into a complicated dynamic with Jason Segel’s Jimmy. Rabe discusses how the storyline grew organically from the chemistry between characters rather than long-planned “breadcrumbs,” what it’s like bouncing between the show’s emotional therapy-driven world and heavier stage work like Ibsen’s Ghosts at Lincoln Center, and why comedy actually isn’t that far from tragedy in her approach to acting. Along the way, she reflects on working with a stacked cast, going toe-to-toe with Segel’s improvisational instincts, her years in American Horror Story, and other projects including Downtown Owl, and Presumed Innocent — all while explaining why Meg remains one of the easiest characters for her to slip back into each season.Listen to Lily Rabe chat about all this and more or watch it on YouTube. Please take the time to like, review

Juno Temple joins Kyle Meredith to talk about the wild, funny, and unexpectedly emotional new film Good Luck, Have Fun, Don't Die, directed by Gore Verbinski and co-starring Sam Rockwell, Haley Lu Richardson, Michael Peña, and Zazie Beetz. Known to many as Keeley from Ted Lasso, Temple tells Kyle how the script landed in her inbox while she was shooting Venom: The Last Dance and immediately pulled her in with its bonkers dark-comedy take on AI, social media addiction, and even school tragedy. She talks about filming in Cape Town, balancing Viking helmets with grounded emotion, exploring motherhood in the middle of an apocalypse, and why Rockwell is exactly the guy you’d follow to save the future.Listen to Juno Temple chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://www.betterhelp.comA

Louisville filmmaker Evan Mascagni and author Joe Keith Bickett sit down with Kyle Meredith to dig into the wild, complicated true story behind the Cornbread Mafia — the so-called “unorganized” group of Kentucky farm boys who became one of the biggest marijuana operations in the country. Bickett, who served more than 20 years in prison and later wrote three memoirs reclaiming the narrative, talks about the myths, the media frenzy, and the draconian sentences handed down during the height of the War on Drugs — including how nonviolent marijuana charges landed him and others decades behind bars. Mascagni, whose new documentary on the Cornbread Mafia premieres at SXSW, explains why the story feels especially urgent now in an era of legalization, and how the film balances outlaw legend with real human cost. It’s a conversation about injustice, reinvention, Southern storytelling, and what happens when the “Godfather of Grass” era collides with modern cannabis culture.Show your support for Kyle Meredith With by ma

Actor and multi-hyphenate Adam Goldberg sits down with Kyle Meredith to talk about his latest album as The Goldberg Sisters, When The Ships Of My Dreams Return, a sweeping, interconnected record that finds him revisiting childhood, fatherhood, and the passage of time. Known for roles in Dazed And Confused, Saving Private Ryan, Fargo, and five seasons of The Equalizer, Goldberg discusses how growing up in a home marked by his parents’ split — and a stained-glass window reading “When the Ships of My Dreams Return” — became the emotional anchor for the new songs. He and Kyle get into the record’s fluid, almost symphonic structure, writing about death on tracks like “Everybody Is Dying,” processing memory from the perspective of a parent, and why this album — made entirely on his own — became both isolating and cathartic. They also touch on leaving Los Angeles, the changing landscape of acting post-pandemic and strikes, and why directing films remains as daunting as ever.Listen to Adam Goldberg chat about all thi

Two legendary songwriters, two very different approaches, and both talking with Kyle Meredith about what keeps the creative spark alive decades in. Joan Armatrading joins Kyle to discuss her 21st album, Not Too Far Away, why writing about love never runs out of angles, and her decision to write all the lyrics first so the emotion would lead the music. She also talks about keeping songs gender-neutral so more people can see themselves inside them, programming her own drums, and fully embracing the solo process. Then The Waterboys’ Mike Scott calls in to break down the ambition behind the double album Out Of All This Blue, his “no filler” rule inspired by classics like Exile On Main St, and how new love, fatherhood, and even making up songs for his daughter fueled a flood of creativity. He also dives into bringing funk and hip-hop textures into the mix and expanding The Waterboys into a nine-piece live band with two drummers.Please take the time to like, review, and subscribe to KMW wherever you get your podcas

Mike Patton joins Kyle Meredith to talk about the unexpected collaboration with The Avett Brothers on their 2025 release AVTT/PTTN, a record that started as a remote experiment and quickly became what Patton calls a “third personality” with its own DNA. He dives into learning how to fit his voice into the brothers’ blood-bound harmonies, discovering Scott Avett’s lyrics felt eerily personal, and how most of the writing felt “frighteningly organic.” Patton also teases the 2026 tour kicking off in Louisville, promising a sprawling set that includes the full album, Avett staples, selections from Faith No More and Mr. Bungle, and some unexpected covers, all while reflecting on the idea that none of his projects are “side” gigs—they’re all the main event.Listen to Mike Patton chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:

Fenton Bailey and Randy Barbato stop by to talk with Kyle Meredith about their latest HBO Max documentary Murder In Glitterball City, a true-crime story that hits especially close to home since it was shot in Louisville, just blocks from where Kyle’s sitting. The World of Wonder founders (the same duo behind The Eyes Of Tammy Faye and Party Monster) dig into why this case — involving a body found in a Victorian mansion basement and two lovers blaming each other — demanded a different kind of true-crime approach, one that looks beyond the crime itself and into community, queer history, addiction, mythmaking, and the ghosts a city carries with it. Bailey and Barbato also talk about expanding beyond the source book, finding unforgettable local characters, navigating the responsibility of telling difficult LGBTQ stories honestly, and why this case still haunts them long after filming wrapped.Listen to Fenton Bailey and Randy Barbato chat about all this and more or watch it on YouTube. Please take the time to like

Maia Mitchell and Susie Porter join Kyle Meredith to talk about Season 2 of The Artful Dodger, the Hulu and Disney+ series that finds Lady Bell and Lady Jane in much heavier territory. Mitchell discusses Belle’s six-month offscreen transformation — surviving surgery, fighting to save Jack from the noose, and losing some of her innocence along the way — while Porter shares what it’s like stepping back into Lady Jane’s privileged but evolving perspective, especially as the show tackles poverty, sexism, and class in 1850s Australia. They also get into the ultra-realistic medical scenes (complete with prosthetic torsos and live “artery” blood pumps), including the now-infamous belly button moment that Mitchell calls the worst thing the show has ever made her do.Listen to Maia Mitchell and Susie Porter chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Po

Actress Haley Lu Richardson sits down with Kyle Meredith to unpack the brilliantly bonkers ride that is Good Luck, Have Fun, Don't Die, the first film in a decade from director Gore Verbinski, and one she admits she devoured in a single sitting. Richardson gets into how the script landed in her lap, why Ingrid instantly clicked as a character, and what it’s like anchoring a movie she calls everything-but-the-kitchen-sink genre-wise (Verbinski’s own term: “psychotic opera”). She also shares stories from set with Sam Rockwell, including helping him prep his now-iconic scene for The White Lotus, plus the realities of living in a handmade princess dress for an entire shoot.Listen to Haley Lu Richardson chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://www.betterhelp.comAdvertising Inquirie

Kyle Meredith catches up with David Thewlis and Thomas Brodie-Sangster to talk Season 2 of Hulu’s The Artful Dodger. Thewlis points to Fagin’s new status (wealthier, unhingier, and no longer Dodger’s underling) and the arrival of Inspector Boxer — a “bad guy” who’s inconveniently ethical, educated, and annoyingly handsome. Brodie-Sangster says they’re basically done worrying about Dickens now (“our source material becomes season one”), talks about having to “find the voice again” after the break, and admits the medical jargon goes in one ear and out the other. Also: Brodie-Sangster wants more running and action; Thewlis wants less running, more head-shaving (which he calls “liberating”). He also reveals that he kept an actual beard diary to time his facial hair around other gigs.Listen to David Thewlis and Thomas Brodie-Sangster chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series

Two of the most influential hitmakers of the last half-century sit down with Kyle Meredith for a wide-ranging conversation about what it means to write songs that outlive their moment. Desmond Child talks about finally stepping center stage with his first live release, Desmond Child Live, revisiting decades of world-dominating songs, and how writing his autobiography, Livin On A Prayer: Big Songs Big Life, pushed him to reflect on legacy, mentorship, and the emotional weight songs like “Livin’ on a Prayer” still carry. Alongside him, David Foster digs into his own retrospective project, breaking down the theatrical instincts behind his biggest productions, the famous studio moments with Whitney Houston and Celine Dion, and how he’s shifted his creative focus toward Broadway and long-form storytelling, including the Betty Boop musical. Together, the two songwriters reflect on adapting to changing eras, choosing when to step back from chasing radio, and why the stories behind the songs may ultimately matter as

Maynard James Keenan digs into the fifth Puscifer album Normal Isn't, unpacking how the record functions as a kind of cultural status report—part political frustration, part tech anxiety, part dark humor. Keenan explains why the band feels like it’s finally being “discovered” years after the fact, how this album leans harder and hits sharper than its predecessors, and why observation—not preaching—is the real job here. The conversation also gets into the creation of the new character Bellendia Black, the expanding world of videos and graphic novels, the uneasy usefulness of AI, and why being the underdog still matters. Along the way, there’s talk of Bowie, language as satire, and why Normal Isn’t feels less like rebellion for rebellion’s sake and more like an inevitable reckoning.Listen to Maynard James Keenan chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following t

Film producer Gill Holland joins Kyle Meredith to trace his nearly 30-year career that adds up to around 150 films, from early Sundance breakthroughs like Hurricane Streets to documentaries such as Flow: For Love Of Water and the beloved Big Star doc, plus cult favorites like Greg The Bunny. Holland digs into what a producer actually does, why rejection is basically part of the job description, how the ’90s indie boom cracked Hollywood open, and why that spirit might be poised for a comeback in the age of streaming and AI. Along the way, he explains why Louisville became home, how Kentucky keeps finding its way into his work, and what’s next, including new projects with Sarah Silverman and Bonnie “Prince” Billy.Our Sponsors:* Check out BetterHelp: https://www.betterhelp.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kyle Meredith sits down with Jessica Williams, Christa Miller, Ted McGinley, and Michael Urie to unpack how Shrinking season 3 on Apple TV might be the show’s richest chapter yet. The cast talks about how the series keeps deepening its characters without losing the jokes, from Gabby’s emotionally loaded monologues and Brian realizing he doesn’t have life figured out, to Derek finally stepping out from behind the zen-smile and Liz living at full-throttle anxiety year-round. Miller dives into the show’s carefully chosen needle drops and long-gestating music moments, Urie breaks down that unforgettable Les Misérables singalong watched silently by Harrison Ford, McGinley reflects on playing Derek as an “iceberg,” and Williams explains how she ramps up for scenes that hit hard right out of the gate.Listen to Jessica Williams, Christa Miller, Ted McGinley, and Michael Urie chat about all this and more or watch the videos on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your po

Talking with Kyle Meredith, Petula Clark and Don McLean both reflect on what it means to keep creating decades into a career, each from their own corner of the musical universe. Clark walks through the making of Living For Today, from recording in a tiny garden studio in London to shaping the title track’s light-to-serious turn, reconnecting with Tony Hatch, and navigating the nerves (and respect) that come with reinterpreting classics—from Peggy Lee’s “Fever” to the Beatles’ “Blackbird”—while embracing songs like “Downtown” as lifelong companions rather than burdens. McLean, meanwhile, digs into the long road behind Botanical Gardens, rejecting the idea that he lives solely in the shadow of “American Pie” or “Vincent,” and instead framing the album as a mix of styles, metaphors, and ideas that took years—sometimes decades—to finally surface. From songwriting as a visual, almost cinematic act to letting songs wait until they’re ready, both artists land on the same truth: the work doesn’t give up on you, it ju

Platinum-selling singer Carnie Wilson of Wilson Phillips sits down with Kyle Meredith ahead of her 2026 She Rocks Awards honor to talk about the full arc of her career — from the monster success of Wilson Phillips and the harmonies that defined a generation to the overlooked gems like Shadows And Light and the criminally underrated The Wilsons, which reunited her with her father Brian Wilson and let the band rock harder than anyone expected. Wilson opens up about mental health advocacy, sobriety, grief, OCD, motherhood, and why being honest has always mattered more than being polished. There’s also plenty of love for studio life, unreleased vault material, Christmas records, and the idea that history might finally catch up with the albums that slipped through the cracks the first time.Listen to Carnie Wilson chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Con

In a pair of conversations tied together by one very uneasy stash house, Kyle Meredith talks with Catalina Sandino Moreno and Sasha Calle about Netflix’s The Rip, a crime thriller that’s less about shootouts than the slow psychological squeeze of not knowing who to trust. Moreno reflects on returning to morally complex material after Maria Full of Grace, what it’s like sharing scenes with Ben Affleck and Matt Damon, and why this run of action-heavy roles marks a surprisingly fun new chapter in her career. Calle digs into playing Desi, the film’s human wildcard, balancing stillness with intensity, delivering a pivotal monologue, and how her soap-opera background prepared her for pressure-cooker moments. Along the way, both talk about Joe Carnahan’s high-energy set, the film’s ensemble chemistry, and why The Rip works best when it slows down and lets the paranoia breathe.Listen to Catalina Sandino Moreno and Sasha Calle chat about all this and more or watch both interviews on YouTube. Please take the time to li

Steven Knight and Malachi Kirby dig into the darker second chapter of A Thousand Blows, where the optimism of the first season has been beaten down by reality in 1880s East End London. Knight talks about shooting both seasons back-to-back, building an immersive, walkable version of Victorian London, and grounding the story in real history without sanding off its chaos, while Kirby breaks down Hezekiah’s transformation from hopeful newcomer to a man fueled by pain, rage, and survival instinct. They get into how that massive physical and emotional shift shaped the performances, the toll of a year-long boxing regimen, and why the show’s bleakness is still rooted in resilience and forward motion. It’s a conversation about destiny versus choice, history crashing into personal lives, and how A Thousand Blows uses real people and real places to tell a story that keeps finding new ways to hit harder.Listen to Steven Knight and Malachi Kirby chat about all this and more or watch it on YouTube. Please take the time to 

Neko Case is back with Neon Grey Midnight Green, her first new album in years, and she’s catching up with Kyle Meredith to talk about why this record feels like a celebration of music itself — the people who make it, the people who listen, and the strange, communal magic that happens when everyone meets in the same room. Case digs into how the album stands apart from her recent autobiography, why trusting herself as a producer matters more than ever, and how recording with real musicians shaped the sound. Along the way, the conversation wanders into dream logic, songwriting perspectives, live performance energy, Indigenous ways of thinking, and her lifelong love of spiders — and how paying attention to the small, overlooked things might just make us better listeners, better humans, and maybe even better roommates to the creatures in our basements.Listen to Neko Case chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, a

Taped back in 2012, as Aimee Mann, Joe Henry, and Over the Rhine’s Karin Bergquist were deep in Louisville filming what would become Pleased to Meet Me, the indie music-film directed by Archie Borders and released in 2013. Talking with Kyle Meredith, the trio breaks down the strange thrill of musicians stepping into acting roles, how the movie’s story about forced collaboration mirrored their real-life creative chaos, and why chasing fame had already lost its appeal. Along the way, they got candid about the fear of embarrassing themselves, the freedom that came after the music industry’s collapse, and why discovery — not commercial validation — is the only thing worth showing up for.Listen to Aimee Mann, Joe Henry & Karin Bergquist chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.Our Sponsors:* Check out BetterHelp: https://www.