New Books In Literature

Most people think of Edgar Degas as a French painter of ballerinas. But few have heard that his mother came from New Orleans or that he spent five months in that city between October 1872 and February 1873. That five-month period proved crucial to Degas’s career, moving him from the status of a relative unknown dabbling in the not-quite-respectable world of the Paris Opera into an artist of renown. And although he went back to painting ballerinas—many of his most famous works date from 1873 and later—it was his study of his brothers, A Cotton Office in New Orleans, that won him the critical acclaim that pushed him into the next stage of his career. In Estelle (She Writes Press, 2020), Linda Stewart Henley takes this vital transition as her starting point for a dual-time story in which a young woman named Anne Gautier, twenty-two years old and fresh out of college, inherits an old house on Esplanade Avenue in New Orleans in 1970. While overseeing renovations and dealing with protestors opposed to urban renewal

Silviana Wood is a legend of Chicano theatre. Through her involvement with Teatro Libertad, Teatro Chicano, and El Teatro Nacional de Atzlán she has created plays where working class Chicanos are center stage. Despite her insistence that she is “a storyteller, not an activist,” her plays reflect her deep connection to the Movimiento Chicano. They are also funny, imaginative, and heartbreaking, sometimes all in the same scene. Her book Barrio Dreams (University of Arizona Press 2016) collects five of her plays. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U

Cass Raines left the Chicago Police force after a morally bankrupt cop nearly got her killed. Now she runs her own Private Detective agency. When her old CPD friend and partner, Ben Mickerson asks Cass to join him for a side gig, she’s happy to do it. Then she meets the client – the wealthy, powerful owner of a fast-growing media empire. Vonda Allen is loved by the public but hated by her employees and also by whoever is sending her death threats. Cass isn’t thrilled about babysitting a heartless diva, but when two of Vonda’s staff members are murdered, the case gets serious. Then, at one of Vonda’s book signings, a mysterious fan stabs Ben. Although Vonda fires her, Cass is worried that Ben won’t pull through. Now, there’s no way she’s going to sit this one out even though that same morally bankrupt cop and his friend are trying to trip her up. She’s hell bent on figuring out Vonda’s secrets and determined to get answers before anyone else, including Vonda, dies. Tracy Clark is the author of the highly accla

Ann Dávila Cardinal writes stories that thrill you. She writes about lives that face challenge and find a way through, despite the horror that chases them. She writes about Puerto Rico and trauma and belonging somewhere. I can honestly say I have enjoyed every word in Five Midnights (Tor Teen, 2019) and Category Five (Tor Teen, 2020), her two recently released young adult novels that follow Lupe and Javier as they face apparitions, ghosts, and shape-shifting monsters—as well as their own flesh and blood—until they eventually find themselves. Listen in as we chat about these two magnificent books, about her own life as a self-proclaimed Gringa-Rican, and about what’s next for her as a novelist. Ellee Achten is a writer and editor exploring issues of home, health, memory, and attachment. She writes everything from magazine features to lyrical memoir to sci-fi novels. She is currently working on many projects, including a collection of essays about the traumatic connection between the body and mind. She can be r

Diane Cook’s The New Wilderness (Harper, 2020) is a poignant portrait of a mother and daughter fleeing the polluted cities of a near-future dystopia for a hand-to-mouth existence in the country’s last undeveloped tract. It’s also one of the unusual works of speculative fiction that’s been embraced by the world of high literature by (just this week) reaching the final round of the prestigious Booker Prize. Although Cook has lived mostly in cities, she loves spending time in nature and wrote some of The New Wilderness while trekking across the high desert of Oregon. “There is something about the expansiveness of lands that are empty that make my imagination feel a lot freer than it usually does in a city,” she says. For Cook’s protagonist Bea, the Wilderness State offers the only hope for saving the life of her 5-year-old daughter, Agnes. But as Agnes’ lungs heal from the city’s smog, her relationship with her mother grows strained, suffering rifts that might be typical for a mother and daughter but are magnifi

While Arthur Nakai is attending a wake for a man he considered a brother with whom he served in the U.S. Marines, he receives a call from an old friend whose sons have just been murdered. Arthur soon finds himself involved in the multi-billion-dollar world of the oil and gas industry. He faces an old adversary from when he was a member of the Shadow Wolves, an elite tactical unit within US Customs and Border Protection. Now that same adversary runs a heavily armed group of sociopathic men who are paid to keep the oil rigs and gas wells secure from protesters. Can’t let anything stop big business from getting access to all that reservation land – so what if fracking poisons Native Americans’ water supply and further fractures their community? Death Waits in the Dark (Blackstone Publishing) is Book 2 in The Arthur Nakai Mysteries. Mark Edward Langley was instilled with a love for the American West by his father. After many visits, his connection to the land and its people became irrevocable, but he was appalled

Premee Mohamed's Beneath the Rising (Solaris, 2020) is simultaneously a far-flung horror story and an exploration of an intimate relationship. At the heart of this novel, full of threatening monsters and ancient terrors, is the accommodation one makes with the exploitation of others, when it serves a higher goal. Scientist and child prodigy, Joanna (Johnnie) Chambers, embarks on a quest to save the world with her loyal best friend Nick. The story is told through Nick’s perspective—he is at totally devoted to Johnnie and yet, resentful of her. Nick yearns for Johnnie, not just romantically, but also because she is a symbol of privilege. He is angry that he, as an economically struggling Indo-Caribbean, is not granted the same respect that wealthy, white Johnnie gets. Her life of privilege, like her love, seem unattainable for someone like Nick. However, when all hell breaks loose after one of Johnnie’s experiments unleashes horror on this world, Nick finds himself on a long strange journey with Johnnie to save

Two south side Chicago families are bound together by a violence-infused past. Ruby’s mother, Alice King, has been murdered. Her father, Lebanon King, is an abusive man who endured a terrible childhood. Her best friend, Layla, has always tried to protect Ruby from Lebanon even though her own father and Ruby’s father have been close friends since childhood. And their mothers were friends before them. In this moving debut novel, Saving Ruby King (Park Row Books), Catherine Adel West gives each character a voice, but the voice that binds all of their lives together is that of the Calvary Hope Christian Church, objective witness to the complex ties between Ruby’s grandmother and her two friends, between Ruby’s father and Layla’s father, and between Ruby and Layla. In precise, lyrical writing, West delves into each of their secrets while exploring intergenerational trauma, racial injustice in Chicago, and the power of friendship. Catherine Adel West was born and raised in Chicago, IL where she currently resides. S

Mordantly funny and deeply moving, The Hilltop about life in a West Bank settlement has been hailed as “brilliant” (The New York Times Book Review) and “The Great Israeli Novel [in which] Gavron stakes his claim to be Israel’s Jonathan Franzen” (Tablet). On a rocky hilltop stands Ma’aleh Hermesh C, a fledgling outpost of Jewish settlers in the West Bank. According to government records it doesn’t exist; according to the military it must be defended. On this contested land, Othniel Assis—under the wary gaze of the Palestinians in the neighboring village—lives on his farm with his ever-expanding family. As Othniel cheerfully manipulates government agencies, more settlers arrive, and a hodge-podge of shipping containers and mobile homes takes root. One steadfast resident is Gabi Kupper, a former kibbutz dweller who savors the delicate routines of life on the settlement. When Gabi’s prodigal brother, Roni, arrives penniless on his doorstep with a bizarre plan to sell the “artisanal” olive oil from the Palestinian

Yehoshua November's second poetry collection, Two Worlds Exist (Orison Books), movingly examines the harmonies and dissonances involved in practicing an ancient religious tradition in contemporary America. November's beautiful and profound meditations on work and family life, and the intersections of the sacred and the secular, invite the reader--regardless of background--to imaginatively inhabit a life of religious devotion in the midst of our society's commotion. Yehoshua November's first poetry collection, God's Optimism, won the Main Street Rag Poetry Book Award and was a finalist for the LA Times Book Prize. Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He is a Fulbright scholar and was a visiting professor of Religion at Northwestern University, the Shalom Hartman Institute and Harvard Divinity School. His books are Sexuality and the Body in New Religious Zionist Discourse (English/Hebrew and The Male Body in Jewish Lithu

Over the past ten years, Chantal Bilodeau has made a name for herself a playwright singularly dedicated to writing plays about the issue of climate change. These are not dry docu-dramas, but deeply human depictions of life in the far north, where climate change is a daily reality. Forward (Tanlonbooks 2018) is the latest work in her Artic Cycle, and it follows the story of Norwegian explorer Fridtjof Nansen in two temporalities: a story moving forward through Nansen’s life, and a counter-narrative moving backwards from the present until Nansen’s time. This play both depicts the life of this larger-than-life figure and explores the ripple effects of his story through 120 years of Norwegian history. This play will be of interest to anyone looking for emotional, human-scale approaches to the overwhelming reality of climate change. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts.

In this well-written mystery, The Black Cage: A Milo Rigg Mystery (Severn House Publishers), it’s bitter winter in Chicago, and disgraced crime reporter Milo Rigg wakes up every night dreaming that his wife is calling to him from a black cage. He can’t reach or save her - she was killed by a random bullet two years before. Consumed with grief, he tried to expose a botched murder investigation, but the case nearly destroyed Milo's reputation along with his career. He was sent by paper’s struggling editor to the far suburbs, to write human interest stories. But now there are more murders, and he thinks the cases might be linked, so Milo is back asking questions. Everywhere he turns, it seems like someone is lying or covering up the truth. And he’s not sleeping well, because of the black cage. He just has to figure out what it’s trying to tell him. Jack Fredrickson lives with his wife, Susan, west of Chicago. He is the author of seven Dek Elstrom PI mysteries, the first of which, A Safe Place for Dying, was nomi

Writers and readers of science fiction love stories about artificial intelligence, robots, and mechanical beings whose sentience mirrors, matches or exceeds that of humans. The stories stay fresh for the reasons stories about humans do—sentience confers individuality, which provides endless permutations for character and plot. Madeline Ashby’s trilogy, The Machine Dynasty, explores the limits of sentience, the meaning of free will, and what it means to look, act, and feel like a human but be denied basic human rights. Published in July, the third book, ReV (Angry Robot, 2020), shows readers the results of a final face-off between self-replicating humanoid robots and humans. That the robots, known as vN, want their freedom, is natural. What isn’t natural is the failsafe programmed into their consciousnesses that requires them to aid humans in distress or danger—or self-destruct. With the failsafe in place, humans use and abuse the vN as they please—as mates, sex objects, laborers. “The failsafe became a way to

Most modern Americans can identify the names Wallace Simpson and Gloria Vanderbilt. But Simpson was not the first divorced American to win the heart of Great Britain’s future if short-reigned King Edward VIII, known to his family as David. This debut novel explores the life and loves of Thelma Morgan, whose twin sister Gloria married Reggie Vanderbilt and became the mother of the well-known fashion designer. After the ending of what these days we would call a “starter marriage,” Thelma accepts a proposal of Viscount Duke Furness, who takes her to his country estate and introduces her to his children. He also, in due course, introduces her to David and, when she and the prince fall for each other, steps aside and chooses not to contest their affair. The reality that Lord Furness has not himself practiced fidelity is one of the factors driving Thelma away from him. Meanwhile, Gloria and Reggie have taken refuge from the twins’ mother in France, where they are raising their daughter, Little Gloria. Reggie dies p

Writers often evoke the famous que sais-je (“What do I know?”) of Michel de Montaigne, father of the literary essay. Montaigne was known for his deeply exploratory writing about the many overlapping and often conflicting aspects of selfhood. His Essais in the 16th century laid the foundation for the genre by focusing on questions—some ephemeral, some perennial—about things such as disability, death, education, friendship, religion, and thumbs. Today, essayists continue to write from this ancient tradition, but for a new century. The big topics in today’s discourse about who we are include questions about gender, sexuality, race and ethnicity, citizenship, political affiliation, and more. Enter the inimitable Melissa Faliveno. In her debut essay collection, Tomboyland: Essays (Topple Books & Little A), author Melissa Faliveno examines a vast array of intersecting (and intersectional!) human experiences. These thoughtful essays explore Faliveno’s relationship to scores of personal identities, including her midw

A trainer of beauty pageant contestants is disappointed after spending a fortune to prepare a beautiful Latina for the Miss USA pageant, only to learn that she harbors a disqualifying secret. A nurse volunteers to help after Puerto Rico has been devastated by hurricane Maria, only to face a lackadaisical government response. An EPA employee whose parents died from exposure to a pesticide that was later banned, is forced to justify reversing the regulations that would have saved her parents. And a future department of education employee discovers the ultimate cost of federal overreach in primary education. These compelling stories are based on recent headlines from before the pandemic crisis, when environmental regulations were overturned at breakneck speed and society had already started to become numb in the face of moral depravity and a lack of objective truth. The thought-provoking tales in Yxta Maya Murray’s short story collection The World Doesn't Work that Way, But it Could: Stories (University of Nevad

There are very few math books that merit the adjective ‘charming’ but Mage Merlin's Unsolved Mathematical Mysteries (MIT Press, 2020) is one of them. Satyan Devadoss and Matt Harvey have chosen a truly unique, creative and charming way to acquaint readers with some of the unsolved problems of mathematics. Some are classic, such as the Goldbach Conjecture, some are fairly well known, such as the Collatz Conjecture. Others are less well known but no less fascinating – and all are intriguing and both enjoyable and tantalizing to contemplate. The authors have woven the problems into a coherent story, and I think you’ll enjoy hearing – and reading – both the story and the associated problems. Learn more about your ad choices. Visit megaphone.fm/adchoices

In John DeSimone's Road to Delano (Rare Bird Books, 2020), it's 1968, and Cesar Chavez is organizing the United Farm Workers to fight for decent working conditions and basic human rights, while growers get increasingly violent in trying to prevent unionization. Teenager Jack Duncan learns that his father’s death did not happen the way he’d been told. His best friend Adrian joins his own father in fighting for workers rights with Chavez. Jack and Adrian hope baseball will be their ticket to college scholarships and a way out of Delano, California, but Jack’s widowed mother is about to lose her house to a greedy grower, and because of his father’s activities, school officials threaten Adrian’s hope of graduation. Turns out the growers own the town, including the police department and the school officials. The plight of pesticide-poisoning and other injustices to immigrant workers (which we are sadly still fighting today) pulls the two best friends away from their goal of getting out of Delano and pushes them in

In Finna: Poems (One World), his new collection of poetry, Nate Marshall examines the way that pop culture influences Black vernacular, the role of storytelling, family, and place. Marshall defines finna as: fin·na /ˈfinə/ contraction: (1) going to; intending to [rooted in African American Vernacular English] (2) eye dialect spelling of “fixing to” (3) Black possibility; Black futurity; Blackness as tomorrow. His poems focus on the language of hope when Black lives and Black bodies are confronted with white supremacy, racism, and violence in our present culture. Finna uses Black vernacular to explore the erasure of peoples in the American narrative, ask how gendered language can provoke violence; and how it expands notions of possibility and hope. Timely and lyrical, Marshall’s work is what is needed in language during this time in our history. Sharp, lyrical poems celebrating the Black vernacular—its influence on pop culture, its necessity for familial survival, its rite in storytelling and in creating the s

Francesca and Toni are brought to the orphanage when their mother suffers a breakdown and dies, and their father gets involved with a new woman. Their story, set in Chicago of the 1940s, unfolds during the course of the novel. There’s another girl too though, whose voice intersperses herself into the everyday happenings. This is the ghost, Pearl, who would much rather observe other people’s stories then think about her own unhappy one. It takes the friendship and confrontational questions of another traumatized ghost, for her to come to terms with the painful memories of her strict mother and hateful brothers. In meantime, Frankie goes through her teen years and experiences her first love—and loss. Pearl, witnessing Fran’s emotions, is brought closer to her own lost life. The setting of the orphanage is well researched—more about that in the interview with Laura Ruby—and Pearl’s afterlife is original and poignant. The ghost girl reads the Hobbit over the shoulders of a library visitor, goes to a bar where she